Monthly Archives: September 2009

Tony Bailey, R.I.P.

(Picture of Phantom Family Halo, with Tony Bailey on the far right, from Metromix.)

This morning, right after waking up, I read the news on Louisville Hardcore that Tony Bailey passed last night. While we weren’t close, I’ve known Tony since, shit, I can’t remember, probably since I was 15 or 16 years old, through Louisville’s punk rock scene. Throughout the time that I’ve known him (almost twenty years, as I turn 34 this Monday), I can’t think of anyone who has been as consistently kind, funny, and sweet as Tony. His smile was one of the coolest things on the planet, and I can’t remember a time over those nearly twenty years when he didn’t give me a big hug, or a fist pound, no matter where or when or in what situation we might have seen each other.

I met, and knew, Tony first and foremost through music, and even at the young age of 14, he was one of the most talented drummers I’ve ever had the privilege to witness live. As a member of Crain, Parlour, Aerial M, Verktum, Dead Child, Rude Weirdo, the Phantom Family Halo, and most recently as of two weeks ago, Black Juju, his Alice Cooper tribute band (as well as many other incredible bands you may have never heard of), Tony always inspired me with his raw power, incredible precision, and most importantly, his ultra-fantastic feel for how powerful rock drums should sound.

During the years that I lived in places other than Louisville, I was lucky enough to get to promote a few shows for bands which Tony was touring with, or occasionally see him on tours when I wasn’t booking, or if he was just visiting a city other than Louisville to see someone else play. When I returned here two years ago, I didn’t run into Tony as much I would’ve liked, perhaps due to the Louisville music scene’s fragmented nature in this post-hardcore, post-all-ages, internet-music era, I don’t know. What I do know is that, in twenty years of knowing Tony, I probably didn’t tell him enough how much he and his music was an inspiration to me, and how our friendship — however limited — was important to me.

UPDATE, 12:15 AM, 10/4/2009: From Skull Alley’s web site:

A memorial gathering for Anthony J. Bailey will be held this Sunday, October 4th from 6pm to 10pm at Skull Alley, 1017 E. Broadway, Louisville, KY

There will be an opportunity to share your stories and memories, aloud or on paper. If you cannot attend and would like something read, please Email it to fncyatb at gmail dot com All are encouraged to bring finger/appetizer type foods. No alcohol/beer will be served and none may be brought in. Beverages will be provided by Skull Alley.

Your favorite pictures of Tony are wanted and needed for a slide show, send them to fncyatb at gmail dot com

SAPAT, JACK ROSE, ZAK RILES (of Grails) at the SWAN DIVE, Monday, September 28

SAPAT (on Siltbreeze)
JACK ROSE (from Philadelphia, on VHF)
ZAK RILES (of Grails, on Important)

Monday, September 28
The Swan Dive
921 Swan Street
9 PM, $5, 21 and over

Spawned from the formidable Louisville, KY collective known as Black Velvet Fuckere, SAPAT resides as the centrifugal force in this Midwestern psychedelic madrigal set in the psychosexual backwaters of the mighty Ohio River. For the entirety of the ‘00 decade, members have kept busy collaborating with and/or massaging the egos of various and sundry avant-pontiffs such as Robert Fripp, Magik Markers, Dead Child and Eugene Chadbourne – when not honing the orgone energy of SAPAT.

jackrose

Since 2001, JACK ROSE has pursued his own path in the solo acoustic guitar genre as invented by John Fahey. Like Fahey, ROSE draws his inspiration from early rural American musicians like Charley Patton, Skip James and Blind Blake. In addition to those influences he gleans inspiration from Robbie Basho, Ry Cooder, Zia M. Dagar, La Monte Young, as well as Terry Riley. JACK incorporates all of these elements into his own idiosyncratic style, and it is his sound and his alone. By early 2010, JACK ROSE will have released 10 critically acclaimed albums since 2002. From 1995-2006 Rose was a member of the legendary drone/noise/folk group Pelt. Pelt — along with Tower Recordings, UN, and Charalambides — was one of the early groups who forged a new sound that combined free improv, drone, traditional folk music in the early to mid nineties, later coined “New Weird America” by The Wire‘s David Keenan in the early oughts.

ZAK RILES is a songwriter and multi-instrumentalist in the Important/Temporary Residence band Grails. His creative contributions to the group are immeasurable and can be heard clearly on this self-titled debut solo outing. In fact some of the pieces on this solo record have been reinterpreted into Grails favorites. Like his band Grails, ZAK RILES’ solo work is an elaborate mansion built of inspiration but with so much strength and originality that it stands firmly on its own. On these rocky shores come crashing waves of Sandy Bull, Mogolar, Deuter, Popol Vuh and the Ventures while Persian breeze drifts by wafting the melodies of Hossein Alizadeh. Essential listening for followers of Important Records who favor the likes of Grails & James Blackshaw.

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=133149580652.

For more information, check https://othersideoflife.wordpress.com/upcoming-events. To join our email list, send an email to hstencil@gmail.com.

Omar Souleyman, Highway to Hassake and Dabke 2020 (Sublime Frequencies)

My review of Omar Souleyman’s two releases on Sublime Frequencies ran in this week’s LEO:

Despite its status as a junior member of George W. Bush’s “Axis of Evil,” Syria has long been a junction between East and West. It was on the road to Damascus, after all, that Paul famously converted to Christianity. But in recent times, both the repressive al-Assad regimes and America’s suspiciousness have prevented Syrian culture from filtering out. Perhaps that’s why these two releases by vocalist Omar Souleyman – who among other regional styles performs dabke, essentially Syrian party music characterized by frantic synthetic beats – are so revelatory. 2008’s Highway to Hassake (reissued on vinyl this year) and Dabke 2020 are drawn from hundreds of tapes released in Syria. Given the plaudits his first-ever performances in Europe received this past June, it’s not far-fetched to hope that he will soon find his way to America.

Buy Sublime Frequencies releases from Forced Exposure.

BAD BLOOD, DAVILA 666, MIDNITE SONS at SKULL ALLEY Wednesday, September 23

BAD BLOOD
DAVILA 666 (from Puerto Rico, on In the Red)
MIDNITE SONS

Wednesday, September 23
Skull Alley
1017 E. Broadway
7 PM
$6, all ages


(Bad Blood photo by Darren Rappa.)
BAD BLOOD is one of Louisville’s finest rock combos, rocking a fertile mix of garage rock n’ blues to acclaim all over this fine city. BAD BLOOD features Dave Bird (of Rude Weirdo and the Health and Happiness Family Gospel Band), and The Hort, among other fantastically rockin’ fellas. They self-released an excellent four-song EP earlier this spring, available now at ear X-tacy.

Davila666

Hailing from San Juan, Puerto Rico, DAVILA 666 is one of the biggest rock ‘n’ roll attractions in the country. Over the past two years, they have amassed a large local following and their shows have a reputation as must-see spectaculars. A DAVILA 666 set functions almost like a theatrical event, as the band presents a thematic environment in which viewers are called to interact with props and exotic dancers. According to singer Carlitos, “Davila is a living homage to the sex, drugs, and good times of rock ‘n’ roll we all idolize.” Their sound is the combination of obvious rock ‘n’ roll classics like the Stones, Stooges, Velvets, and Dolls, along with less likely influences such as Mazzy Star, Li’l Wayne, and Plan B. “We are like Menudo (the group– not the soup) on lots of drugs,” says Carlitos. DAVILA 666, whose name combines references to a notorious Bayomon city slum with the number of the beast, recently toured the West Coast, where they made fans in every town they played and alliances with like-minded bands such as The Spits, Black Lips, and The King Khan & BBQ Show. All of their songs are sung in their native Spanish but that doesn’t stop English-speaking audiences from dancing on tables and going crazy at their shows.

MIDNITE SONS are a new trio featuring Evan Blesset, Joey Mudd (ex-Crain, Crawdad, Spot, Cerebellum, Pale Blue Star), and Matt Sturgis. MIDNITE SONS had their debut at the Fright Night Film Fest in Louisville in August 2009, and word-of-mouth about their primal blues-rock roar is steadily growing around town.

Check out the Facebook invite: http://www.facebook.com/event.php?eid=267385660787.

For more information, check https://othersideoflife.wordpress.com/upcoming-events. To join our email list, send an email to hstencil@gmail.com.

ENDLESS BOOGIE and CROSS at the SWAN DIVE Thursday, September 24

ENDLESS BOOGIE (New York, on No Quarter)
CROSS (Lexington)

Thursday, September 24
The Swan Dive

921 Swan Street
9 PM, $6, 21 and over

ENDLESSBOOGIE

ENDLESS BOOGIE began with no delusions of grandeur. They started off as an “old mans hobby” – just dudes jamming on riffs, locking into grooves, finding that transcendental part of a song and stretching it into eternity. Then they were offered a show. They played more shows. They self-released two very limited 12”s and were called the best kept secret in New York by Paper magazine. They toured with Dungen and Circle and were invited by Slint to play All Tomorrows Parties. What more needs to be said? Well, actually, here’s a couple of things: ENDLESS BOOGIE is a “nonstop stoner-rock delight” (David Fricke, Rolling Stone). Also, ENDLESS BOOGIE is “the best heavy-minimalism rock band in New York… [with] enough guitar loudness to make it as heavy as the Great Boston Molasses Tragedy of 1919” (Joel Hunt, Baltimore City Paper).

CROSS

Based out of Lexington, CROSS is comprised of MA Turner and R Clint Colburn. CROSS started playing music together directly after guitarist MA Turner’s group Warmer Milks dissolved in early Spring 2009 and immediately went on a bi-coastal U.S. tour. Currently working on their first full length record, CROSS live at the Rat Vex house in Lexington’s north end where both members draw on the walls and listen to records.

Check out the Facebook invite: http://www.facebook.com/event.php?eid=126239187860.

For more information, check https://othersideoflife.wordpress.com/upcoming-events. To join our email list, send an email to hstencil@gmail.com.

Maserati, Young Widows, The Genitalmen and DJ Joel Hunt at ZANZABAR, Tuesday September 15

I’m happy to announce that I’ll be djing at a fantastic show a week from today — MASERATI, YOUNG WIDOWS, and THE GENITALMEN at Zanzabar on Tuesday, September 15th. Here’s more information from the Facebook invite:

MASERATI www.ihaveadagger.netwww.myspace.com/maseratirocks

with YOUNG WIDOWS www.youngwidows.netwww.myspace.com/youngwidows

and THE GENITALMEN www.myspace.com/genitalmen

late night & between bands with DJ JOEL HUNT https://othersideoflife.wordpress.com

Tuesday, September 15, 2009

at the Zanzabar www.zanzabarlouisville.com
2100 South Preston Street
Louisville, KY 40217
(502) 635-ZBAR

doors at 9:00 P.M.
SHOW at 10:00 P.M.

Formed at the edge of the new millennium, MASERATI (of Athens, GA) is as sleek, sexy and sophisticated as the legendary Italian sports car they take their name from. It is fitting, then, that the band has dragged the glory years of psychedelic arena rock kicking and screaming into the 21st Century, with the pomposity (and vocals) carefully removed. In its place are white hot flashes of light pulsing to an unstoppable rhythm that will make you want to punch air and drive really fast in a car with wings instead of doors. Label mates and Louisville rockers, YOUNG WIDOWS, will be sharing the stage as well as THE GENITALMEN on Tuesday, September 15th at Louisville’s newest venue… the Zanzabar.

For more info on the latest Maserati and Young Widows releases, check out: www.temporaryresidence.com

This is going to be lots of fun, I can’t wait! Most likely I’ll play a pretty eclectic mix of musics — punk, hardcore, post-punk, krautrock, new wave, Afrobeat, highlife, rai, West African guitar jams, dancehall and dub, and maybe even an IDM track or two… come on out to hear it all!

Meah!/Phantom Family Halo split 7″ (Sophomore Lounge)

(Both covers of the Meah!/Phantom Family Halo split from the Sophomore Lounge web site, http://sophomoreloungerecords.com.)

Normally when one thinks of happenin’ musical hotspots, I’m pretty sure that Jeffersonville, Indiana doesn’t come to mind. Right across the Second Street Bridge over the Ohio River from Louisville, Jeffersonville has a sort of sleepy reputation, not possessing notable attractions nearby such as the Horseshoe Casino (just west of New Albany, aka Portland North) or even the Theatair X (that’s further north, in Clarksville). Yet Jeffersonville’s Sophomore Lounge Records is worth paying attention to, and not just for the eventuality that J’ville becomes the next music mecca.

Okay, just kidding. SL were nice enough to send their latest release, a split 7″ between Chicago-based Meah! and Louisville’s Phantom Family Halo. Now as a rule, I’m not a huge fan of split singles, as they’re usually not long enough a format for either band to express much. Honestly, I’m not big on split releases of any format in general. But this single gives a good impression of what to expect from either band (even though the PFH side is a cover of the Red Crayola‘s “Hurricane Fighter Plane.”)

That said, the impression I get of Meah!, with their two short songs on the first side of the split, isn’t particularly positive. While the trio definitely has instrumental skills, the first song “Kids/Summer” is probably a bit too wacky for my tastes. Second song “Mystics” brings Meah! into a little bit more acceptable territory, only by being close to a 1980s funk/punk style (think Minutemen or Big Boys, just not quite as good). Overall, though, I have to give them an A for effort, even if I wasn’t super-into it.

Being a huge fan of the Red Crayola, as well as appreciative of Phantom Family Halo, I didn’t know what exactly to expect of their B-side. “Hurricane Fighter Plane,” from the RC’s debut album The Parable of Arable Land, is probably their most iconic song, having been covered by numerous other bands. However, I wasn’t let down by Dom Cipola’s interpretation of a classic. There’s enough reverential space here to classify as a worthy version, plus a changed chord and excellent guitar work (by guest Benny Clark of the Broken Spurs) shows plenty of inventiveness to keep me interested.

Limited to 500. Order it from Sophomore Lounge here: http://sophomoreloungerecords.com/meahpfhsplit.html.

Little Wings and Zak Riles (of Grails) at the SWAN DIVE, Sunday September 6

Jeremy over at the Swan Dive put together a doozy of a show for this Sunday. Here’s what he had to say about it:

LITTLE WINGS is Kyle Fields’ music project. Little Wings songs are quickly becoming modern folk classics. I spoke with him the other day and we had a conversation about Fiest, who is all over iPod commercials, covering one of his songs, “Look at What the Light Did.” Kyle is also an artist, who has picture in galleries all over the globe. I could go on and on about his song writing skills and how good his art is but i”ll spare you the hubbub.

www.myspace.com/littlewings2
www.myspace.com/littlewings3
www.kyledraws.com

Zak Riles is a songwriter and multi-instrumentalist in the Important/Temporary Residence band Grails. His creative contributions to the group are immeasurable and can be heard clearly on this self-titled debut solo outing. In fact some of the pieces on this solo record have been reinterpreted into Grails favorites. Like his band Grails, Zak Riles’ solo work is an elaborate mansion built of inspiration but with so much strength and originality that it stands firmly on its own. On these rocky shores come crashing waves of Sandy Bull, Mogolar, Deuter, Popol Vuh and the Ventures while Persian breeze drifts by wafting the melodies of Hossein Alizadeh. Essential listening for followers of Important Records who favor the likes of Grails & James Blackshaw.

www.myspace.com/wmzacharyriles

You can also listen to a podcast with Zak Riles at LEO Weekly here: http://bluecat.leoweekly.com/2009/09/02/leo-music-%E2%80%99cast-zak-riles/. And here’s the Facebook invite: http://www.facebook.com/event.php?eid=138386594728.

LITTLE WINGS
ZAK RILES (of GRAILS)

Sunday, September 6th
The Swan Dive
921 Swan Street
$5, 9 PM, 21 and over

DR Country, WAND, Little Gold at the SWAN DIVE Saturday, September 19

DR COUNTRY
WAND (from Knoxville, on Ecstatic Peace!)
LITTLE GOLD (from NYC)

Saturday, September 19
The Swan Dive
921 Swan Street
9 PM
$5, 21 and over

DRCOUNTRY

DR COUNTRY features longtime Louisville veteran Darren Rappa and Caitlin Kannapell, with a rotating cast of characters and comrades playing his unique style of bent country tunes. Rappa, who played in such amazing Louisville bands as Verktum and King Kong, has a unique voice and presence, and his songs in DR COUNTRY will have you alternately weeping and laughing out loud, asking for more.

WAND

James Jackson Toth has been playing and recording (and releasing) music for over a decade, most notably as leader of the now-defunct New York-based collective Wooden Wand and the Vanishing Voice. After a solo album in 2007 on Rykodisc, he continues under the name WAND with new releases on both Thurston Moore’s Ecstatic Peace! label and the Mad Monk label. Abandoning the psychedelic wail of WW&VV for a starker, more direct songwriting style, WAND’s most recent tunes are harrowing and hellaciously good.

LITTLE GOLD

New York’s LITTLE GOLD presents mellow country rock born from years of playing basement punk shows. Christian DeRoeck spent a good chunk of the past decade leaning on the whammy bar in Meneguar, and was one of the two founding songwriters in Woods. Now he joins up with viola/violin player K. Dylan Edrich (of K. Records’ Chain and the Gang), and drummer Patty Conway, and spins some tunes that are a bit more down home than his previous work, but still as ragged and catchy as ever. Replete with killer 12-string leads and psychedelic autoharp musings.

Check out the Facebook invite: http://www.facebook.com/event.php?eid=129429972442.

For more information, check https://othersideoflife.wordpress.com/upcoming-events. To join our email list, send an email to hstencil@gmail.com.

Just Announced! Lexington’s CROSS to open for ENDLESS BOOGIE 9/24

CROSS

Exciting new Lexington, Kentucky band CROSS will open for ENDLESS BOOGIE at the Swan Dive, Thursday September 24th (click the link for more information about the show).

Here’s the “official” CROSS bio:

Based out of Lexington, CROSS is comprised of MA Turner and R Clint Colburn. CROSS started playing music together directly after guitarist MA Turner’s group Warmer Milks dissolved in early Spring 2009 and immediately went on a bi-coastal U.S. tour. Currently working on their first full length record, CROSS live at the Rat Vex house in Lexington’s north end where both members draw on the walls and listen to records.

CROSS just completed a cross-country tour with Castanets, and their performance with ENDLESS BOOGIE will be their Louisville debut! You can listen to some of their tunes at their MySpace site, http://www.myspace.com/foreverintothecross or at their blog at http://tombstonegravy.blogspot.com.