Tag Archives: Louisville Experimental Music

BITCHIN’ BAJAS with ELI WINTER AND TYLER DAMON at B-Side, Saturday September 19th

Poster designed by Tim Furnish

The Other Side of Life is proud to present:

BITCHIN’ BAJAS

with

ELI WINTER AND TYLER DAMON

Saturday September 19th, 2026
at B-Side
1076 E. Washington Street, 2nd Floor
Louisville, KY 40206

Buy Tickets

$20 advance tickets, $25 day of show
Advance tickets available online at TicketLeap; Physical tickets available for in-person purchase at Surface Noise, 600 Baxter Avenue, Louisville KY 40204 (cash only)

21+
7:00 PM doors
8:00 PM music

The latest album from BITCHIN’ BAJAS — the trio of Cooper Crain, Rob Frye and Danie Quinlivan — Inland See is deceptively immediate: four songs, entirely within themselves, all together forming an essential whole. With every successive BITCHIN’ BAJAS release, we see that the real key for them is a sense of discovery, that tingle that comes when you feel something breaking through. The sky opening up. Take “Skylarking” — a remarkable construction, built to and fro in the ether, but with a deceptive grasp of four-on-the-floor rhythm. A space dance that achieves completion in almost aggressive terms — aggressive like an oxygen bath! — showcasing jewels from their world music and jazz archives, then returning to their undulous source drone, riding smoothly back into silence. The stuff that fills this Inland See holds you up powerfully, as if you’re floating, saltwater or helium-wise — effervescent, effortless, elemental.

In the wake of 2025’s acclaimed Inland SeeBITCHIN’ BAJAS ascend to higher ground with the Isle Peaks EP! Isle Peaks was initially released as a 2-song Qobuz exclusive, but BITCHIN’ BAJAS are a band of the people, for the people – and the people demanded its availability everywhere! Set for release on August 28th on vinyl, cassette, and digital, the 12″ EP and cassette feature “Watch Your Step”, an exclusive track not included on the Qobuz version or any digital platform. Listen to the title track, out now. Expanding through equal parts krautrock and new age zones, these three tracks ascend with the listener to signal-splitting heights on both atmospheric and esoteric scales. These cuts were sourced from the Inland See sessions, lovingly recorded analog (2″ multitrack tape and ½” 2-track), including the electroacoustic textures of sampled kalimba, field recordings, and autoharp.

Along with the announcement of Isle Peaks, BITCHIN’ BAJAS share a new run of US tour dates, as well as additions to their previously announced European dates. Climb Isle Peaks with us on August 28, 2026.

Photo by Beth Kotz

ELI WINTER‘s music synthesizes aspects of folk, rock, jazz, and devotional music, maintaining a waggish disregard for genre constraints emblematic of Chicago, his adopted hometown. His new album, A Trick of the Light, is an elegantly crafted and vibrant collection that finds the bandleader at the height of his powers: the dazzlingly intense arrangement of Don Cherry and Ed Blackwell’s “Arabian Nightingale” that opens the album, Winter’s muscular, dreamy originals, and his daring arrangement of Carla Bley’s “Ida Lupino.” His concert history spans prestigious music festivals like Primavera Sound and Big Ears, pristine listening rooms, museums, university chapels, laundromat bars, and small rooms in shotgun houses. In Louisville he will perform with Chicago percussionist and improviser TYLER DAMON of Circuit des Yeux.

ELI WINTER‘s second turn as bandleader unfolds like a sky bleeding exhaust fumes, alternating pedal steel waltzes and jazz-burnt fuzz bombs. The record starts with an ecstatic riff on a Don Cherry and Ed Blackwell tune and doesn’t really let off the gas.” — Lars Gotrich, NPR

Live music events in Louisville, KY. Show announcements, music and news, and other ephemera at: https://bsky.app/profile/theothersideoflife.bsky.social.

SAPAT, porKistra and ABDUR-RA’UF GHARIB at B-Side, Saturday July 25th – FREE!

Our good friends SAPAT are presenting the following amazing FREE show:

SAPAT

porKistra

ABDUR-RA’UF GHARIB

Saturday July 25th, 2026
at B-Side
1076 E. Washington Street, 2nd Floor
Louisville, KY 40206

FREE ADMISSION

21+
Doors: 7:00 pm
Music: 7:30 pm

For twenty-five years, Louisville’s SAPAT has explored drone, minimalist composition, and experiments that blur the boundaries between rock, jazz, folk, and free improvisation, creating performances where time, resonance, and collective listening become compositional materials. This concert features the premiere of Lyric Dispositions, a new work by ABDUR-RA’UF GHARIB. Although Ra’uf spent more than fifty years making music in private, he only began performing publicly a few years ago after joining SAPAT. For Lyric Dispositions, SAPAT divides into four trios that weave through GHARIB‘selectronic score, creating a performance that is equal parts composition, improvisation, and discovery.

porKistra is Louisville’s premier porch-centric acoustic quick strike instrumental duo. Equally at home on stages, pedestrian bridges, tunnels, or in front of the fireplace, the instrumentation is bizarre, the interplay compelling, the genre elusive. Thomas Deakin on clarinet and Stephanie Nilles on melodica wend and wind through tight compositions with wild flights of improvisation, humor, and psychosis. Please enjoy this imaginary folk music from the land of our hearts.  

Despite making music at home for more than fifty years, ABDUR-RA’UF GHARIB only began performing with other musicians about three years ago, when Lowe Sutherland invited him to join SAPAT. Before that, life had other assignments. He and his wife raised five daughters while he worked first building massive pipe organs and later as a railroad conductor. Neither profession leaves much room for rehearsals, though both seem like reasonable preparation for experimental music.

His stories have an uncanny way of collapsing decades into a single afternoon. He saw John Cage in Alabama in the 1970s. He talked with Sun Ra on the telephone in the 1980s. He belongs to a reading group working through Rumi’s Masnavi which has six books and roughly 25,000 couplets. By the time they finish, Montana may have drifted somewhere else. One suspects he has shaken hands with a few ghosts but is too polite to mention it.

These days he plays guitar for four to six hours every day, wandering effortlessly between Bach and the ecstatic wreckage of Sonny Sharrock, Derek Bailey, and Henry Kaiser. Somewhere along the way he also began composing electronic music that sounds as though several weather systems have agreed to share one central nervous system.

Soon ABDUR-RA’UF GHARIB will be moving to Montana, making this July 25th performance his final appearance with SAPAT. The evening will feature the premiere of his composition Lyric Dispositions. For this piece, the ensemble will be divided into four trios, and Kris Abplanalp will attempt to conduct them.

There is something fitting about this music arriving just before a departure. Compositions, unlike people, are usually good at being in two places at once. -Kris Abplanalp.

Live music events in Louisville, KY. Show announcements, music and news, and other ephemera at: https://bsky.app/profile/theothersideoflife.bsky.social.

JOE MCPHEE/KEN VANDERMARK/CHRIS CORSANO TRIO at Roots 101 African-American Museum, Friday September 4th

Joe McPhee/Ken Vandermark/Chris Corsano Trio 2026 Tour Poster, designed by Robert Beatty
Poster designed by Robert Beatty

The Other Side of Life and Roots 101 African-American Museum are proud to present a very special performance by the:

JOE MCPHEE/KEN VANDERMARK/CHRIS CORSANO TRIO

Friday September 4th, 2026
at Roots 101 African-American Museum
121 N 1st Street
Louisville, KY 40202

Buy Tickets

ALL AGES WELCOME
$25 advance tickets, $30 day of show
Advance tickets now available online at TicketLeap;
Physical tickets now available for in-person purchase at:

ROOTS 101 AFRICAN-AMERICAN MUSEUM, 121 N 1st Street, Louisville KY 40202 (cash or card)
10% discount for this event for all ROOTS 101 AFRICAN-AMERICAN MUSEUM members! Applicable when purchased at the museum only.

Better Days Records, 921 Barret Ave, Louisville, KY 40204 (cash or card)
Surface Noise, 600 Baxter Avenue, Louisville KY 40204 (cash only)

7:00 PM doors
8:00 PM music

Joe McPhee (Photo by Žiga Koritnik)

JOE MCPHEE (b. 1939, USA) is an American multi-instrumentalist, composer, and improviser, known for his pioneering work in avant-garde jazz and experimental music. Primarily recognized for his virtuosic saxophone playing, MCPHEE also performs on trumpet, pocket trumpet, and a variety of other instruments. His career spans over five decades, during which he has collaborated with leading figures in the free jazz and experimental music scenes, including William Hooker, KEN VANDERMARK, Pauline Oliveros, and Roscoe Mitchell, among many others. MCPHEE’s work blends elements of jazz, free improvisation, and contemporary classical music, marked by emotional depth and innovative approaches to sound. Throughout his career, he has maintained a commitment to pushing the boundaries of music, both in solo performances and collaborative projects.

KEN VANDERMARK (b. 1964, USA) is an avant-garde composer, improviser, saxophonist/clarinetist, curator, and writer whose unique history has given him the opportunity to perform extensively and record with key figures of the Association for the Advancement of Creative Musicians (AACM), New York’s Downtown scene, Free Music Productions (Germany), the English improvisation scene, post-punk, Ethiopian music, and Japanese free jazz. He’s been the director of the Catalytic Sound musician cooperative since 2012, has run Audiographic Records since 2014, in 1999 was awarded a MacArthur Fellowship in music, and in 2024 he curated the Music Unlimited Festival in Wels, Austria. VANDERMARK moved to Chicago from Boston in 1989 and has worked continuously from the early 1990s onward, both as a performer and organizer in North America, Europe, Latin America, Japan, and Ethiopia, recording in a large array of contexts, with many internationally renowned musicians.
kenvandermark.com
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CHRIS CORSANO (b. 1975, USA) is a drummer who’s been active at the intersections of collective improvisation, free jazz, avant-rock, and noise music since the late 1990’s. He’s worked with JOE MCPHEE, Bill Orcutt, Björk, and many others — appearing on over 200 albums and touring constantly in an ultra-wide array of collaborations. CORSANO has built an inventive and highly personal musical language through extended percussion techniques and creative augmentations to his kit, with circular-breathed reeds, bowed strings, and resonant materials expanding the drums’ melodic and textural possibilities in addition to their rhythmic ones.
cor-sano.com
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The trio of JOE MCPHEE (sax/voice), KEN VANDERMARK (reeds), and CHRIS CORSANO (drums/percussion) will be performing together for the first time in a limited series of concerts in Louisville, Cincinnati, and Lexington, concluding their tour at the Sound & Gravity Festival in Chicago on September 6th. Though this is their initial music as a group, there have been a number of previous collaborations from these musicians, some of them longstanding: JOE and KEN first played together at the recording session for A Meeting in Chicago in 1996. Since then, they have worked together many times, most notably in the Peter Brötzmann Chicago Tentet. Their latest album performances together are as a duo and documented on Musings of a Bahamian Son: Poems and Other Words by Joe McPhee, released by Corbett vs. Dempsey in 2024.

JOE and CHRIS have worked together extensively for more than 15 years, with many recordings and concerts as a duo and in groups with important figures in the music like Eddie Prévost, Evan Parker, Lol Coxhill, and Steve Swell. KEN and CHRIS have also played together in many configurations, beginning with a trio concert at the Festival Germinal in Mexico City with pianist Sylvie Courvoisier during November of 2014 and, since then, they have continued to develop a special musical rapport. 

Though the music from this new trio by MCPHEE, VANDERMARK, and CORSANO will be completely improvised and spontaneous, it will be informed by their collective histories, a background which includes decades of work with a variety of musical aesthetics and artists that has taken place during hundreds of concerts and dozens of recordings, at home and abroad. 

Founded by Lamont Collins in 2020, the ROOTS 101 AFRICAN-AMERICAN MUSEUM is a place where visitors can see themselves in history, explore the African-American story in its entirety, and gain a greater understanding of the achievements, cultural contributions, and experiences of our community.

Special thanks to Lamont Collins and the ROOTS 101 AFRICAN-AMERICAN MUSEUM staff.

Live music events in Louisville, KY. Show announcements, music and news, and other ephemera at: https://bsky.app/profile/theothersideoflife.bsky.social.

Victor Vieira-Branco’s BARK CULTURE; and the LIVE DEBUTS of ZEUS, AGAIN and THE GLEAMING CORRIDOR at B-Side, Saturday August 15th

(Poster designed by Ben Sears)

The Other Side of Life is proud to present:

Victor Vieira-Branco’s BARK CULTURE

plus the LIVE DEBUTS of

ZEUS, AGAIN

and

THE GLEAMING CORRIDOR

Saturday August 15th, 2026
at B-Side
1076 E. Washington Street, 2nd Floor
Louisville, KY 40206

$15 advance tickets, $20 day of show
Advance tickets available online at TicketLeap;
Physical tickets on sale for in-person purchase at Surface Noise (cash only), 600 Baxter Avenue, Louisville KY 40204

21+
7:00 PM doors
8:00 PM music

“The music throughout [Victor Vieira-Branco’s BARK CULTURE‘s] The Giant is Awkward is enthralling, mysterious, intelligent, disconcerting, and beautiful.” – Aquarium Drunkard

Victor Vieira-Branco’s BARK CULTURE is a trio led by vibraphonist Victor Vieira-Branco featuring drummer Joey Sullivan and bassist John Moran. With over four years of immersive collaboration, the trio is known for their strong ensemble identity, high-energy live performances and extensive touring. Their record “Warm Wisdom” was cited as the Debut Release of 2024 by New York Times Jazz Critic Hank Shteamer and listed as Best Jazz on Bandcamp September 2024. More recently, the trio was enlisted by Rob Mazurek to perform on the soundtrack of Kelly Reichardt’s new film The Mastermind which premiered in competition at the Cannes Film Festival. For the group’s second album The Giant Is Awkward, the trio is joined by pianist and composer Sam Yulsman for five pieces that mirror the prismatic nature of a sound Vieira-Branco has been tirelessly crafting with the group since 2021. With the addition of Yulsman, the group reveals, as Peter Margasak states, “a heightened sensitivity and grace, with increased harmonic splendor thanks to the added chordal voice. The record also marks the vibraphonist’s clear growth as a composer.”

ZEUS, AGAIN is the musical project of Ken Brown, Bob Dixon, and Mathias Kolehmainen. They perform on electric bass, electric guitar, and drums. Collectively they have many decades of experience in performing and recording groups that have been based in Chicago, Louisville, and the Bay Area. Their music builds on their experiences in post rock, post punk, jazz, noise, ambient, traditional settings; references the work of their peers in the contemporary neo-minimalist community; and explores novel interpretations of their personal canons.

THE GLEAMING CORRIDOR is the instrumental electronic solo recording project of Ben Sears, a longtime Louisville area drummer and cartoonist. After six years and three self-recorded/released full length cassettes, he is making his live debut in late summer 2026.

Special thanks to Ben Sears.

Live music events in Louisville, KY. Show announcements, music and news, and other ephemera at: https://bsky.app/profile/theothersideoflife.bsky.social.

SOLD OUT! Music in the Attic: DAVID GRUBBS and KEN BROWN at MAYBEIT’SFATE, Thursday April 9th

David Grubbs and Ken Brown at MaybeItsFate, Louisville, KY on Thursday April 9, 2026. Poster designed by Robert Beatty.
Poster designed by Robert Beatty.

The Other Side of Life is proud to present:

DAVID GRUBBS

and

KEN BROWN
KEN BROWN live visuals by SEETHINGS

Thursday, April 9th, 2026
at MaybeIt’sFate (Music in the Attic)
1425 Story Avenue
Louisville, KY 40206

SOLD OUT!

Thanks to Surface Noise for selling physical tickets.

7:00 PM doors
8:00 PM music

(Photo by Julien Sitruk)

DAVID GRUBBS is Distinguished Professor of Music at Brooklyn College and The Graduate Center, CUNY. He is the author of Good night the pleasure was ours, The Voice in the Headphones, Now that the audience is assembled, and Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (all published by Duke University Press) as well as the collaborative artists’ books Simultaneous Soloists (with Anthony McCall, Pioneer Works Press) and Projectile (with Reto Geiser and John Sparagana, Drag City). DAVID GRUBBS has released sixteen solo albums and appeared on more than 200 releases. In 2000, his The Spectrum Between (Drag City) was named “Album of the Year” in the London Sunday Times. He is known for his cross-disciplinary collaborations with poet Susan Howe and visual artists Anthony McCall, Angela Bulloch, and Josiah McElheny, and his work has been presented at, among other venues, the Solomon R. Guggenheim Museum, MoMA, the Tate Modern, and the Centre Pompidou. Louisville native DAVID GRUBBS was a member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and has performed with Tony Conrad, Pauline Oliveros, Luc Ferrari, Will Oldham, Loren Connors, Jan St. Werner, the Red Krayola, and many others. He is a recipient of the Berlin Prize and a Foundation for Contemporary Arts award in Music/Sound, a member of the board of directors of Blank Forms, and director of the Blue Chopsticks record label. 2025’s Whistle from Above is the first solo collection David’s released since 2017’s Creep Mission. During the 2020 shutdown, David played what he precisely quantified as “a shit-ton of guitar,” more than he could recall playing ever previously. Reinvigorated by this period of enforced woodshedding, he produced a series of new pieces, mostly for guitar, but also a piano composition and an exceptionally eerie bit of musique concrète. These seemed to imply a solo set that would tour marvelously when the time was right again. Whistle from Above is a colorful, compulsive set of instrumental pieces in which David and his chosen collaborators interact amid the steady roll of an expansive landscape based in the hypnosis of David’s immediately recognizable guitar style.

(Photo by The Other Side of Life)

KEN BROWN is a founding member of Tortoise and Pullman, and former member of Bastro, Gastr del Sol, and Directions. In 2025 three solo albums credited to Louisville drummer and percussionist Tim Barnes were released with production, mixing, and performances by Brown: Lost Words, Noumena, and Inside Energy. Also in 2025 Brown released Cease and Desist by Jungle Boogie, recordings of his duo with Slint drummer Britt Walford. January 2026 saw the return of Pullman, Brown’s group featuring Tim Barnes, Chris Brokaw (Come/Codeine), Curtis Harvey (Rex), and Doug McCombs (Tortoise/Eleventh Dream Day) with their third album, III, released by Western Vinyl.

KEN BROWN will have live visuals created by SEETHINGS, Louisville’s own Tim Furnish, a multi-faceted musician, graphic designer, photographer, and VJ. Furnish is a founding member of classic Louisville bands Parlour, Cerebellum, and Crain and has been a member of The For Carnation and Aerial M. As SEETHINGS he has provided visuals for Old Baby, Shedding, Flanger Magazine, Jungle Boogie, Jaye Jayle, and many others. SEE MORE of SEETHINGS:
https://www.youtube.com/user/timfurnish
https://youtube.com/playlist?list=PLkgHn6E1QjNRWEOET_tQttXBn-Gkddv1y&si=_-7s4BwvNf1CCDaL

Live music events in Louisville, KY. Show announcements, music and news, and other ephemera at: https://bsky.app/profile/theothersideoflife.bsky.social.

SARAH HENNIES and SAPAT at ART SANCTUARY, Friday March 6th

Poster for Sarah Hennies and Sapat at Art Sanctuary, Louisville, KY on Friday March 6th, 2026.
(Poster designed by Ella Lumpkins)

The Other Side of Life is proud to present:

SARAH HENNIES

and

SAPAT

Friday, March 6th, 2026
Art Sanctuary (back room)
1433 S. Shelby Street
Louisville, KY 40217

$15 advance tickets, $20 day of show
Advance tickets available online at Art Sanctuary;
Physical tickets available for in-person purchase on Wednesday February 4th at Surface Noise (cash only), 600 Baxter Avenue, Louisville KY 40204

18+
7:00 PM doors
8:00 PM music

Photo of Sarah Hennies in performance by GlassHertzzPhoto.
(Photo of Sarah Hennies by GlassHertzzPhoto)

SARAH HENNIES (b. 1979, Louisville, KY) is a composer based in Upstate NY whose work is concerned with a variety of musical, sociopolitical, and psychological issues including queer & trans identity, psychoacoustics, and the social and neurological conditions underlying creative thought. She is primarily a composer of acoustic ensemble music, but is also active in improvisation, film, and performance art. She presents her work internationally as both a composer and percussionist with notable performances at MoMA PS1 (NYC), Monday Evening Concerts (Los Angeles), Warsaw Autumn, Ruhrtriennale (Essen), Archipel Festival (Geneva), Darmstädter Ferienkurse, Time:Spans (NYC), and the Edition Festival (Stockholm). As a composer, she has received commissions across a wide array of performers and ensembles including Bearthoven, Bent Duo, Ensemble Dedalus, The Living Earth Show, Mivos String Quartet, Sarah Saviet/Joe Houston, Talea Ensemble, Nate Wooley, and Yarn/Wire.

Her ground breaking audio-visual work Contralto (2017) explores transfeminine identity through the elements of “voice feminization” therapy, featuring a cast of transgender women accompanied by a dense and varied musical score for string quartet and three percussionists. The work has been in high demand since its premiere, with numerous performances taking place around North America, Europe, and Australia and was one of four finalists for the 2019 Queer|Art Prize.

She is the recipient of a 2024 United States Artists Fellowship, a 2019 Foundation for Contemporary Arts Grants to Artists Award, fellowships in music/sound from the New York Foundation for the Arts in 2025 and 2016, a participant in the 2024 Whitney Biennial, and the Composer In Residence at the 2025 Huddersfield Contemporary Music Festival. She has received additional support from the Fromm Foundation, Mid Atlantic Arts Foundation, New Music USA, the New York State Council on the Arts, and the Creative Work Fund.

She works collaboratively in a duo with double bassist Tristan Kasten-Krause and in the percussion trio Meridian. As a scholar and performer she is engaged with ongoing research about the percussion music of Iannis Xenakis and a recording project to document music by the American percussionist and composer Michael Ranta. Sarah is currently Assistant Professor of Music at Bard College.

Hear more:
https://reinventionofromance.bandcamp.com/album/the-reinvention-of-romance
https://reinventionofromance.bandcamp.com/album/casts
https://tles.bandcamp.com/album/a-kind-of-ache
https://elsewheremusic.bandcamp.com/album/sovt

UPDATE: In addition to SARAH HENNIES‘s solo performance at Art Sanctuary on Friday March 6th, a world premiere of her piece “Blindsight” (2025) is taking place at Comstock Hall in the University of Louisville’s School of Music at 7:30 PM on Thursday, March 5th. More information below:
https://www.switchensemble.com/performance/2026/03/05/louisville.html
https://frommfoundation.fas.harvard.edu/people/sarah-hennies

For 25 years, SAPAT has operated as a Louisville-based large-group ensemble, shaping slow-moving architectures of sound across drone, minimalist composition, and experiments in rock, jazz, and folk idioms. The work drifts between extended environments and tighter, song-shaped forms, allowing time, density, and volume to act as compositional forces. More recordings circulate under affiliated names and alternative identities than under SAPAT itself, and even so, the catalog only gestures toward a much larger body of work. Each performance becomes a new room to enter: a site where resonance is risked rather than managed, and where sound answers back through the interplay of players, space, and duration.

Special thanks to Kris Abplanalp.

Live music events in Louisville, KY. Show announcements, music and news, and other ephemera at: https://bsky.app/profile/theothersideoflife.bsky.social.