Category Archives: Activities

WOODEN WAND, JEFFREY LEWIS, and TENDER MERCY at ZANZABAR, Friday March 23rd

Cropped Out and The Other Side of Life are proud to present:

WOODEN WAND (from Lexington, on Fire Records)
JEFFREY LEWIS (from New York, on Rough Trade Records)
TENDER MERCY (from Louisville, on Dunkenstein Records)

Friday, March 23rd
at ZANZABAR
2100 S. Preston Street
9 PM DOORS, $6, 21 and over

James Jackson Toth has been playing and recording (and releasing) music for over a decade, most notably as leader of the now-defunct New York-based collective Wooden Wand and the Vanishing Voice. After a solo album in 2007 on Rykodisc, and Thurston Moore’s Ecstatic Peace! label and the Mad Monk label, he continues under the name WOODEN WAND. Toth is a maverick, good-hearted troubadour whose blend of smoky Americana has been garnering plaudits for the last decade. Unafraid to mix psychedelic workouts with sweet and soulful country, his varied and prolific output has resulted in a wealth of lyrically rich songs; the kind whose lines stick in your head for a lifetime.

Wooden Wand – Winter In Kentucky from fire records on Vimeo.

Born and raised Lower East Sider JEFFREY LEWIS leads a double-life, as both a comic book writer/artist and a musician. In 2001 JEFFREY LEWIS signed to Rough Trade Records (home of The Smiths, The Strokes, Belle & Sebastian, etc) and has since released five albums, in addition to touring the world and performing with Stephen Malkmus & the Jicks, Devendra Banhart, Black Dice, Thurston Moore, The Fall, The Vaselines, Beth Orton, Frank Black, The Fiery Furnaces, Daniel Johnston, Scout Niblett, The Mountain Goats, The Moldy Peaches, Cornershop, The Cribs, Dr. Dog, Kimya Dawson, Adam Green, Akron/Family, Roky Erickson, Au Revoir Simone, Peter Stampfel, and other luminaries.

TENDER MERCY is the brainchild of singer/songwriter Mark Kramer and can best be described as contemporary minimalism with strong acoustic leanings. Debuting with a track on the infamous Dunkenstein Record’s Doctors Of Dunk Vol. 2, TENDER MERCY began playing around Louisville, opening for the likes of Jamie Barnes, Tamara Dearing, The Deloreans, Ben Traughber, The Parade Schedule, and Nerves Jr. TENDER MERCY is about to release a 6 song EP next month entitled The Road To Good Intention Is Paved With Hell in the spring of 2012. It will be available through Bandcamp.com digitally and physically through Dunkenstein Records.

Check out the Facebook invite here: http://www.facebook.com/events/261920943884959.

To join our email list, send an email to hstencil AT gmail DOT com.

DISTONAL LAUNCH PARTY with PSYCHEDELIC HORSESHIT, NATIVES, WET HAIR, TROPICAL TRASH at HARLEY’S MAIN STREET TAVERN, Tuesday March 6th

Cropped Out and The Other Side of Life present:
The Distonal.Com Launch Party with…

PSYCHEDELIC HORSESHIT (Columbus, OH; on Fat Cat Records)
NATIVES (Louisville, KY; on Rad Tantrum)
WET HAIR (Iowa City, IA; on Night-People/De Stijl)
TROPICAL TRASH
(Louisville, KY; on Loin Seepage/Sophomore Lounge)

Tuesday, March 6th
at HARLEY’S MAIN STREET TAVERN
122 W. Main (between 1st and 2nd Streets)
8 PM, $6, 21 and over.

This is the launch party for a new Louisville-based web publication called Distonal (from the creative forces that brought you the recently retired Decibel Tolls). In the words of the head honcho himself, Michael Powell:

Distonal is an online magazine spread across an anchored open source WordPress home and an accompanying Tumblr that will cover… well, whatever I feel like writing about. It’s the opposite of The Decibel Tolls in that regard, and it’s hard to say what will end up there, which excites me. The thread that binds everything, though, will be thoughtful and attitude-laden writing from myself and others (to be announced) that reaches toward broader universal topics, as well as articles that retain a strong commitment to the happenings of my native Louisville. I’ll still be reviewing records and photographing shows, but I may also drop some secret Bloggins curry recipes, March Madness picks, gastropub critiques, absurd manifestos, and my thoughts on the body politic. Distonal promises to be fluid and freeform, while brandishing a distinct voice all the while. It should go live sometime in late February, or early March at the latest. It’ll be a fun ride, and I hope you’ll follow me over there.

Check out the Facebook invite here: http://www.facebook.com/events/169598496483223. And like Distonal on Facebook here: http://www.facebook.com/distonal.

To join our email list, send an email to hstencil AT gmail DOT com.

WHIPS/CHAINS, ROYAL BATHS, and GANGLY YOUTH at CHESTNUT HOUSE, Sunday February 19th

Cropped Out and The Other Side of Life are proud to present:

WHIPS/CHAINS (Louisville, KY; members of Xerxes, Black God, Coliseum)
ROYAL BATHS
(Brooklyn, NY; on Kanine Records and Woodsist)
GANGLY YOUTH (Louisville, KY)

Sunday, February 19th
at Chestnut House
714 E. Chestnut Street
7 PM, $5, ALL AGES!

WHIPS/CHAINS is a band from Louisville, Kentucky. WHIPS/CHAINS plays loud, slow, quiet, fast, noisy, precise, angry, sludgy, blasting, down-tuned, punk, hardcore. WHIPS/CHAINS is Will Allard (Xerxes), Ben Sears (Black God), and Ryan Patterson (Black God, Coliseum).

Jeremy Cox and Jigmae Baer started ROYAL BATHS without a plan in mind but soon the foundation for their writing found inspiration from Cox’s interest in the alternate and open tunings of delta blues, their shared fascination in the African rhythm of early Chicago blues, and Baer lyrically attempting to reflect with black humor and little judgment, and the thrills and troubles they stumble through. Recording on whatever cheap four or single-track cassette recorder they could find, they eventually borrowed a Tascam 388 to make their first 7″. Their new album Better Luck Next Life is set to be released by Kanine Records on February 7, 2012. ROYAL BATHS “take cues from Neil Young’s lightning-struck guitar sermons and the Velvet Underground’s creeping paranoia” — PITCHFORK.

GANGLY YOUTH, is a 5 piece band from Louisville, Kentucky. Led by Dan Davis along with Brent Mills, Daniel Tilford, Ashley Urjil-Mills, and Nate Woodard, the band writes jangly, fuzzy, reverb soaked “pop” songs. Pulling from a wide array of influences and a very small amount of technical skill, GANGLY YOUTH applies a shared punk mentality and manages to make songs that are refreshing and new, yet familiar all the same.

Check out the Facebook invite here: http://www.facebook.com/events/196881313742581.

To join our email list, send an email to hstencil AT gmail DOT com.

CHIKAMORACHI with special guests STEVE GOOD and TIM BARNES at the NACHBAR, Sunday January 29th

Black Velvet Fuckere, Cropped Out and The Other Side of Life are proud to present:

CHIKAMORACHI (Chris Corsano and Darin Gray)

with special guests:

STEVE GOOD and TIM BARNES

Sunday, January 29th
at NACHBAR
969 Charles Street (at the corner of Charles and Krieger)
First set at 9 PM, second set at 10:30 PM — 21 and over
FREE!

Since 2005 DARIN GRAY (upright bass) and CHRIS CORSANO (drums) have performed side by side as CHIKAMORACHI. Working either in a trio with saxophonist Akira Sakata or a quartet that adds Jim O’Rourke on guitar, they’ve released six albums to date, including 2011’s And That’s the Story of Jazz double CD and Live at Hungry Brain LP. The high-speed empathy that Gray and Corsano have developed over the years will be brought to the fore in 2012, when the duo strike out on their own for a tour of the Midwest. Neither member is a stranger to the possibilities afforded when the melodic, harmonic and rhythmic duties are left to an upright bass and drum duo. Gray‘s group On Fillmore with Wilco drummer Glenn Kotche has been going strong for the past ten years. For his part, Corsano has gigged and recorded as a duo with double bassists John Edwards and Matt Heyner.

Darin Gray is best known as Jim O’Rourke’s go-to bassist for nearly 20 years, as half of the duo On Fillmore, and as the bassist for Grand Ulena, Dazzling Killmen, and Brise-Glace. As an improviser he has performed and recorded with among others: Loren Connors, Masami Akita (Merzbow), Josh Abrams, Jason Roebke, Axel Dorner, Kevin Drumm, Alan Licht, Thollem Mcdonas, and Jim O’Rourke. As a session bassist he has played on recordings by Will Oldham, Cheer-Accident, Rope, Bobby Conn, Daneilson Family, Early Day Miners, Bunnygrunt, Jim O’Rourke, etc… He has toured extensively in the United States, Japan, Brazil, Canada, and Europe.

Chris Corsano began a long-standing, high-energy partnership with saxophonist Paul Flaherty in 1998. A move from western Massachusetts, USA to the UK in 2005 led Chris to develop a solo music of his own, incorporating sax reeds, violin strings, pot lids, adhesive tape and other household devices into his drum kit. 2007 and ’08 were spent as the drummer on Björk’s Volta world tour. Returning back to the U.S. in 2009, Corsano shifted focus back to his own projects, most notably a duo with Michael Flower, Rangda (with Sir Richard Bishop and Ben Chasny) and solo work. In addition to the those mentioned above, he’s also worked with, among others: Evan Parker, Paul Dunmall, Nels Cline, Thurston Moore, Jessica Rylan, Jandek, Sunburned Hand Of Man, and Joe McPhee.

Watch a video of Chikamorachi with Akira Sakata here:

During the second set of the performance, CHIKAMORACHI will be joined by the addition of STEVE GOOD (saxophones, clarinet) and TIM BARNES (percussion). A vital natural resource in the Louisville music scene for multiple decades, Steve Good‘s musical vocabulary orbits lightly through a vast expansive local history: doing time with The Web, E-Or, Juanita, Ut Gret, Sapat, Crappy Nightmareville, Parlour, The Liberation Prophecy and many, many others.  He has documented via audio recording many thousands of local shows. Slint played in his basement, he recorded the first Will Oldham single, he ran sound and documented the weekly experimental music series at Artswatch through the 1990s, and yes, he shared a stage in Switzerland with Donovan back in the 1970s. Louisville resident and drummer extraordinaire, the list of Tim Barnes‘s collaborators is too long to list here, but it includes Jim O’Rourke, Silver Jews, Neil Michael Hagerty and the Howling Hex, The Tower Recordings, and countless others. Most recently, Tim Barnes played drums with the newly resurrected lineup of The For Carnation, as well as with MV+EE at Cropped Out in November, 2011.

Check out the Facebook invite here: http://www.facebook.com/events/154038334705749.

To join our email list, send an email to hstencil AT gmail DOT com.

Two Good Shows Tomorrow!

It’s going to be tough to decide on which of these to go to — that is, if we end up not having to work tomorrow night!

The Web
Brett Ralph’s Kentucky Chrome Revue
David Grubbs
Rude Weirdo
Straight A’s
at the Bard’s Town, 1801 Bardstown Road. 9 PM, $6, apparently now it’s all ages. This show, presented by Louisville’s excellent Noise Pollution label, should be a good one as it’s well-stocked with artists that (should) need no introduction. If you need more info, you might find it at the Facebook event here: http://www.facebook.com/events/145355115567233.

Also, over at Zanzabar (which is at 2100 S. Preston, of course), Natural Child and State Champion are playing (here’s the event invite: http://www.facebook.com/events/255787627819138). Natural Child played an excellent set at this year’s Cropped Out, so if you missed it, don’t sleep on this show! It’s $5, 21-and-over, and starts at 9 PM.

No matter what you end up doing, have a fantastic New Year!

JOSEPHINE FOSTER, PARLOUR, and DANE WATERS at ZANZABAR, Friday December 16th

Cropped Out and The Other Side of Life are proud to present:

JOSEPHINE FOSTER (from Colorado, on Fire Records)
with
PARLOUR (Louisville, Kentucky; on Temporary Residence)
DANE WATERS (from Louisville, Kentucky; member of Sapat and Softcheque)

Friday, December 16th
at ZANZABAR
2100 S. Preston
9  PM, 21 and over
$10

Over the course of just a few years, Colorado native JOSEPHINE FOSTER has captivated audiences & critics alike through a magnetic patchwork of recordings ranging from broken spirited balladry as one half of Born Heller, fiery psych rock gestalt with her rock outfit The Supposed to the voice of an outsider folk siren. The one constant is the utterly overwhelming strength and seductive unease of her voice & the bravery of an iconoclastic spirit. “You might call Ms. Foster’s eerie warbling old-fashioned, except that is evokes a scrambled past that exists only in her own vision: mountain songs that never were, spaced-out hybrids that never will be.” —New York Times.

PARLOUR originally began as a solo project from Tim Furnish following the mid-90s dissolution of CRAIN – the seminal Louisville rock group he co-founded in the late ’80s. Currently playing with new drummer (Greg Morris) and synth player (Lee Gutterman), Furnish’s PARLOUR evokes “A unique combination of interweaving guitar shards… driven by a dark, relentless rhythm section.” Their most recent album, Simulacrenfield (released on Temporary Residence), was one of our favorites of 2010.

 

DANE WATERS is one of Louisville’s brightest musical talents. As a member of SAPAT and SOFTCHEQUE, she displays an impeccable melodic sensibility, and has a voice so wonderfully haunting, it sends chills down your spine. Dane’s new solo album, Dark Waters, is now available at Better Days, Underground Sounds, and on Bandcamp here: http://danewaters.bandcamp.com.

Find the Facebook invite here: http://www.facebook.com/events/190881084333042.

To join our email list, send an email to hstencil AT gmail DOT com.

MUSIC and ART This Weekend, 11/17-11/20

There’s a lot of things going on this weekend to tell you about, so let’s get started…

Tonight, at the Clifton Center, none other than BASSEKOU KOUYATE AND NGONI BA will be performing. We wrote about their album Segu Blue way back in 2009 here:

Given the recent collaboration between Bela Fleck and Malian kora player Toumani Diabate, it’s possible that there’s been no greater spotlight on the West African nation at any other time than right now. Fortunately, all the attention on Mali is casting some light on other worthwhile players as well. Countryman Bassekou Kouyate plays the ngoni, a six-stringed instrument, which is arguably less complex than Tiabate’s 21-stringed kora, but still retains a beautiful melodicism. Kouyate’s 2007 album Segu Blue, issued in the United States this year, contains all the beauty one has come to expect from acoustic music from Mali. And on the blue “Lament for Ali Farka,” a requiem for the departed guitarist Ali Farka Toure, Kouyate and his group Ngoni Ba emerge from the shadows cast by their better-known comrades.

You can buy tickets here: http://www.cliftoncenter.org/?post_type=events&p=144. The Clifton Center is located at 2117 Payne Street, just off Frankfort Avenue. Tickets are $20 and the doors are at 7:30 PM.

Tomorrow night, KING’S DAUGHTERS & SONS make a rare appearance at 21C with SELUAH. Read an exciting interview with KD&S in this week’s LEO here: http://leoweekly.com/music/justice-served-king%E2%80%99s-daughters-sons. Doors are at 8 PM, and it costs $10.

Finally, tomorrow night is the opening reception of THE EXPANDED MUSIC PROJECT, a new show at the LAND OF TOMORROW gallery exploring the relationship between music and art. Here’s their description (with more information here: http://www.landoftomorrow.org/events-exhibitions/expanded-music-project/):

Land of Tomorrow (LOT) is pleased to present the Expanded Music Project, a showcase of work illustrating the intersection between art and music.  The opening reception will be held at our Louisville location on November 18th from 7pm, and the show will run through the 3rd of January.  Included in this exhibition will be work by Heather Cantrell, Aurora Childs, Saiman Chow, Hirsuta, Geneva Jacuzzi, Leslie Lyons, Andrea Stanislav, Thieves Like Us, as well as Raurouw with Shedding, Peaking Lights with artist Letitia Quesenberry, and musician EMA with artist Jacob Heustis.

The premise of this show is to highlight the fluidity between creative forms and artistic practices.  The influence of album art, video production, stage design, graffiti, and the appropriation tactics of remixing have established an ongoing conversation between artists and musicians.  This dialogue between visual artist and musician continues to play a major role, and creative forces as diverse as Elvis, The Velvet Underground, Talking Heads, Pink Floyd, and Afrika Bambaataa have delved into the realms of the visual and the auditory to produce work that both fields accept and champion.

The show will be up through January 3rd, but tomorrow night is a great chance to see it first. And it’s free! LAND OF TOMORROW is located at 233 W. Broadway, in the St. Francis High School Building.

A CROPPED OUT Summary: Or Louisville’s Best Music Weekend Ever

Hey Louisville, if you weren’t at CROPPED OUT at some point during this past weekend, you really missed something quite special. It wasn’t just that there were a buncha noisy, arty bands and rock n’ roll and whatnot. There was actually a quite palpable community spirit, evidenced by the smiles, high-fives, and general fun it seemed that most everybody had. Didn’t hurt that some of the best weather of the fall made it possible for lots of bands to play outside, too. So here’s a quick rundown of best parts of the festival, complete with crappy pictures from my cellphone.

DAY 1 — FRIDAY, NOVEMBER 11th: Though it got started way early on Friday afternoon, and there was some noise issues early on, Friday was a good start, especially for the Louisville bands on the bill. SAVAGES played immediately after LEARNER DANCER, both of which brought forceful, guitar-heavy rock (the former more in a pop vein, while the latter mined some heavy Sonic Youth-style dissonant territory).

Shedding

One of the early Friday highlights was, of course, Louisville’s SHEDDING (disclaimer: Connor and I are buds, but even if we weren’t, I’d still love his music). Despite his talk of being influenced by RUSH, Connor really brought more of a CURRENT 93 vibe, perfectly mellow yet eerie.

Shit & Shine

Another Friday highlight was Austin, Texas’s SHIT & SHINE, which featured none other than the BUTTHOLE SURFERS’ KING COFFEY on percussion. Tribal, BOREDOMS-esque throb with synth squiggles and CB radio nonsense. Totally fun.

Other Friday night highlights included (in no particular order):
1. apologizing to KING COFFEY for talking his ear off at SxSW ’07
2. MOUNT CARMEL — and the revelation afterwards that KING has never seen ZZ TOP!
3. bonfires (more on them later)
4. hangin’ with MV + EE‘s dog Zuma
5. SHIT & SHINE‘s bunny suits
6. MV + EE singing “Fire on the Mountain” at the end of a fantastic set backed by TIM BARNES and CHRIS from the CHERRY BLOSSOMS (thanks for the beers!)
7. Locals ALCOHOL PARTY, NATIVES, ANWAR SADAT, and AXEL COOPER showing how it’s done
8. Chorizo taco from the Holy Mole Taco Truck
9. Good times with friends old and new
10. Beer

DAY 2 — SATURDAY, NOVEMBER 12th: Saturday started inauspiciously as I showed up to the venue, the CRUMMY DEN, way early, so I wandered over to the FLEA OFF MARKET (where I bought an excellent book of photography from Louisville Hardcore’s poet laureate, Mr. BRETT EUGENE RALPH), then had lunch at the Blind Pig. Missed most of the early sets due to some errands I had to run, but caught a little bit of VIDEO DAUGHTER, who were okay.

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CAVE and OLD BABY at ZANZABAR on Sunday, December 11th

CAVE and OLD BABY

Cropped Out and The Other Side of Life are proud to present:

CAVE (Chicago, Illinois; on Drag City)

with special guests

OLD BABY (Louisville, Kentucky; members of YOUNG WIDOWS, SAPAT, SHIPPING NEWS, and much more!)
and
DJ EVAN PATTERSON (YOUNG WIDOWS, OLD BABY)
DJ JOEL HUNT
(The Other Side of Life)
DJ KIM SORISE
(Dirty Soul Party)

Sunday, December 11th
ZANZABAR
2100 S. Preston Street
9 PM DOORS, $6 cover, 21 and over

CAVE began in Columbia, Missouri, playing mostly improvisational live music. CAVE is now located in Chicago, Illinois. In September 2011 Drag City released the new full length CAVE record Neverendless, which they describe as “a motorik masterwork! The new CAVE is roller-rinkin’ rock for the next generation!”

Watch the video directed by Miss Pussycat for the song “W U J” off their new Drag City album Neverendless here:

OLD BABY is a new Louisville-based band consisting of Todd Cook (SHIPPING NEWS, KINGS DAUGHTERS AND SONS), Jonathan Glen Wood, Neil Argabright (SAPAT), Drew Osborn (WORKERS) and Evan Patterson (YOUNG WIDOWS). This show with CAVE marks their debut, which we are sure will be auspicious, certainly not suspicious.

Link to the Facebook invitation is here: http://www.facebook.com/event.php?eid=215187421885679.

To join our email list, send an email to hstencil@gmail.com.

CROPPED OUT is one week away!

Holy smokes, folks! Time flies when you’re… working, eating, L-I-V-I-N’ in the Louisville these days. CROPPED OUT is nearly upon us! That means what will be Louisville’s best weekend of music (like you thought I was gonna say “Forecastle?”) is just a week away! (You can read our previous preview here: https://othersideoflife.wordpress.com/2011/10/24/cropped-out-is-coming-up/.)

There is some slightly bummer news as we hear that Detroit garage weirdos HUMAN EYE had to cancel (thankfully for us that means there will be no weird stains on our living room rug). But hey, there’s still lots more musical excitement for your listening pleasure. Here’s the whole lineup (our “picks to click” a la Hawk Harrelson in bold):

FRIDAY, NOVEMBER 11th — MV + EE, DOPE BODY, SUN ARAW, SAVAGES, MOUNT CARMEL, NATIVES, CHRISTMAS BRIDE, ANWAR SADAT, COUGH COOL, SHIT & SHINE, SHEDDING, ALCOHOL PARTY, AXEL COOPER, LEARNER DANCER

SATURDAY, NOVEMBER 12th — BILL ORCUTT, GUARDIAN ALIEN, PYGMY SHREWS, THE DREEBS, ANGEL OLSEN, CHAT LOGS, JOHN WESLEY COLEMAN III, NATURAL CHILD, LAST YEAR’S MEN, SAPAT, TROPICAL TRASH, MAYOR DALEY, THE MEN, FAT HISTORY MONTH, CIRCUIT DES YEUX, JOVONTAES, ANGELS IN AMERICA, ARCANE RIFLES, CROSS, VIDEO DAUGHTERS, BLACK GOD

SUNDAY, NOVEMBER 13th — SCRATCH ACID, YOUNG WIDOWS, COLISEUM

Check it out at the following internet spots:

Facebook event invitation: http://www.facebook.com/#!/event.php?eid=251887664858861
Official website: http://croppedoutmusic.com
Official tumblr: http://croppedout.tumblr.com

See y’all there!

UPDATE: CROPPED OUT has posted the festival’s entire schedule here: http://croppedoutmusic.com/fest/#schedule.