So we’re gonna tell you about a few things going on in Louisville over the next few days that are worth your attention. First, on Saturday night at Harley’s Main Street Tavern, Michigan’s Child Bite performs with locals Opposable Thumbs and Friends & Relatives. Here’s the flier:
Harley’s is located at 122 W. Main between 1st and 2nd Streets. Music gets underway around 10 PM and costs five bucks.
On Sunday our favorites PARLOUR play at the Chestnut House (714 East Chestnut Street, between Clay and Shelby) with Dischord recording artists Edie Sedgwick, Julie of the Wolves (a new band consisting of members of Venus Trap, Second Story Man, Minnow, The Frequent Sea, and Madame Machine) and Life at Home (Don’t know anything about them, unfortunately). Here’s another flier:
Also on Sunday at RYE (900 E. Market at the corner of Market and Campbell), Bro. Stephen plays with JoanShelley. Cost for that one is $15, which includes food, and it starts at 7 PM.
Last but not least, on Monday Brooklyn noise merchants VAZ play Cahoot’s with Trophy Wives, Alcohol Party, and Neighbor. We’re seriously considering breaking our no-Cahoot’s rule for this one. Maybe we’ll see you there?
UPDATE: We knew we forgot something! There’s also another show on Sunday at Zanzabar with SOFTCHEQUE, Y/Y, and the Ecstatic GirthSurvival Sextet. Or something. Info on the flier:
Rumor has it one band is TROPICAL TRASH-related, who killed it last Tuesday at Harley’s. So there’s that. Enjoy!
Tuesday, April 3rd
at ZANZABAR
2100 S. Preston
8 PM Doors, $8, 21-and-over
(Photo of The Phantom Family Halo by David S. Rubin)
Since their relocation to Brooklyn, THE PHANTOM FAMILY HALO have announced the release of two recordsin 2012 on Knitting Factory Records – a “dark” and a “light” album. When I Fall Out is the first of the releases, issued on February 14, 2012. The second of the albums will be released in the fall of 2012. THE PHANTOM FAMILY HALO has shared stages and/or toured with Slint, The For Carnation, Guru Guru, Hawkwind. Black Angels, Black Mountain, Bonnie “Prince” Billy, and Roky Erickson, and are about to commence on a tour with Acid Mothers Temple. Read an interview with THE PHANTOM FAMILY HALO here: http://leoweekly.com/music/phantom-family-halo%E2%80%99s-future-now.
BALACLAVAS are from Houston, Texas where everything is eternally blistered, chemically altered, and forlorn. They are a band in the realest sense — they come on like a gang, play with one mind, hunt in one pack, party and fight together in a flat wild nowhere. Unlike the common livestock being unloaded into music, this is a band of predators. Perpetual outsiders; there will always be a wrong side of the tracks and they’ll always be from it. Ennio Morricone and scratchy noise guitars on storm-dub rhythms like if the heaviest incarnation of 1970s Pink Floyd were a future punk band invested by Jodorowsky to score Dune. You can hear storms approaching and sandworms underfoot. It’s an evil dance they’re bringing.
(Alcohol Party photograph by Bryan Volz)
Conjuring an intense, claustrophobic ‘more is less’ framework where every moment is scarred with pummeling bass, jagged guitar and ADHD drumming, ALCOHOL PARTY is a three-headed noise rock project from Louisville, Kentucky.
Saturday, March 31st
at ZANZABAR
2100 S. Preston
9 PM, 21 and over, $6
(Photo of The Ladybirds by Eddie Dant)
THE LADYBIRDS masterfully balance a mean juggling act. The Louisville, KY-based five-piece -Jaxon Swain, Max Balliet, Anthony Fossaluzza, Brett Holsclaw, and Sarah Teeple, articulately summons greasy garage rock and lush Spector pop sans kitsch or tribute act fluff. Their main influences are the years 1954 to 1973, when it was just about fun and swingin’ grooves, not the droll, heavy-handed, over-serious approach to songwriting oft employed in the contemporary American underground. Their 2007 debut, Whiskey & Wine, was well received in the region, and saw the group sharing the stage with the likes of Wanda Jackson, Dex Romweber Duo, Heavy Trash, The Greenhornes, and many more. The Ladybirds’ sophomore album, Shimmy Shimmy Dang, as demonstrated in the title, is truth in advertising. Flavors of surf, rockabilly, doo wop, and dusty retro bubblegum pop all take a front seat. Yet, as Jaxon explains “we’re all punk rockers in the end.” And that’s what separates THE LADYBIRDS from a simple nostalgia offering – modern and original twists on familiar sounds, influence by the genres the band describes as “rock at its most authentic.”
Summer 2009 Wez ate brownies had a vision. He told big black Zack and called Seth 3 times. They started the Nashville-based three piece rock band called NATURAL CHILD. Maybe known as much for their incessant rambling on-stage banter as their unprecedented pure rock sound, NATURAL CHILD are often described as “the greatest rock n’ roll band in the world”, a title which the trio has worked mercilessly hard to gain… and they have the balls to show for it. NATURAL CHILD want to play in Jamaica and want to play at the pyramids. They have a plan that involves Jack White to befriend Keith Richards and be the opening act on Rolling Stones farewell tour, thus having “the greatest rock n’ roll band in the world” torch officially passed on to them. Not Jack White. These guys love to party. And they love to ride in that van. Oh man.
Watch NATURAL CHILD cover “Born to Be Wild” in Louisville here:
Friday, March 23rd
atZANZABAR 2100 S. Preston Street 9 PM DOORS, $6, 21 and over
James Jackson Toth has been playing and recording (and releasing) music for over a decade, most notably as leader of the now-defunct New York-based collective Wooden Wand and the Vanishing Voice. After a solo album in 2007 on Rykodisc, and Thurston Moore’s Ecstatic Peace! label and the Mad Monk label, he continues under the name WOODEN WAND. Toth is a maverick, good-hearted troubadour whose blend of smoky Americana has been garnering plaudits for the last decade. Unafraid to mix psychedelic workouts with sweet and soulful country, his varied and prolific output has resulted in a wealth of lyrically rich songs; the kind whose lines stick in your head for a lifetime.
Born and raised Lower East Sider JEFFREY LEWIS leads a double-life, as both a comic book writer/artist and a musician. In 2001 JEFFREY LEWIS signed to Rough Trade Records (home of The Smiths, The Strokes, Belle & Sebastian, etc) and has since released five albums, in addition to touring the world and performing with Stephen Malkmus & the Jicks, Devendra Banhart, Black Dice, Thurston Moore, The Fall, The Vaselines, Beth Orton, Frank Black, The Fiery Furnaces, Daniel Johnston, Scout Niblett, The Mountain Goats, The Moldy Peaches, Cornershop, The Cribs, Dr. Dog, Kimya Dawson, Adam Green, Akron/Family, Roky Erickson, Au Revoir Simone, Peter Stampfel, and other luminaries.
TENDER MERCY is the brainchild of singer/songwriter Mark Kramer and can best be described as contemporary minimalism with strong acoustic leanings. Debuting with a track on the infamous Dunkenstein Record’s Doctors Of Dunk Vol. 2, TENDER MERCY began playing around Louisville, opening for the likes of Jamie Barnes, Tamara Dearing, The Deloreans, Ben Traughber, The Parade Schedule, and Nerves Jr. TENDER MERCY is about to release a 6 song EP next month entitled The Road To Good Intention Is Paved With Hell in the spring of 2012. It will be available through Bandcamp.com digitally and physically through Dunkenstein Records.
Cropped Out and The Other Side of Life present:
The Distonal.Com Launch Party with…
PSYCHEDELIC HORSESHIT (Columbus, OH; on Fat Cat Records) NATIVES (Louisville, KY; on Rad Tantrum) WET HAIR(Iowa City, IA; on Night-People/De Stijl) TROPICAL TRASH(Louisville, KY; on Loin Seepage/Sophomore Lounge)
Tuesday, March 6th
at HARLEY’S MAIN STREET TAVERN 122 W. Main (between 1st and 2nd Streets)
8 PM, $6, 21 and over.
This is the launch party for a new Louisville-based web publication called Distonal (from the creative forces that brought you the recently retired Decibel Tolls). In the words of the head honcho himself, Michael Powell:
Distonal is an online magazine spread across an anchored open source WordPress home and an accompanying Tumblr that will cover… well, whatever I feel like writing about. It’s the opposite of The Decibel Tolls in that regard, and it’s hard to say what will end up there, which excites me. The thread that binds everything, though, will be thoughtful and attitude-laden writing from myself and others (to be announced) that reaches toward broader universal topics, as well as articles that retain a strong commitment to the happenings of my native Louisville. I’ll still be reviewing records and photographing shows, but I may also drop some secret Bloggins curry recipes, March Madness picks, gastropub critiques, absurd manifestos, and my thoughts on the body politic. Distonal promises to be fluid and freeform, while brandishing a distinct voice all the while. It should go live sometime in late February, or early March at the latest. It’ll be a fun ride, and I hope you’ll follow me over there.
Cropped Out and The Other Side of Life are proud to present:
WHIPS/CHAINS(Louisville, KY; members of Xerxes, Black God, Coliseum) ROYAL BATHS(Brooklyn, NY; on Kanine Records and Woodsist) GANGLY YOUTH (Louisville, KY)
Sunday, February 19th
at Chestnut House 714 E. Chestnut Street
7 PM, $5, ALL AGES!
WHIPS/CHAINS is a band from Louisville, Kentucky. WHIPS/CHAINS plays loud, slow, quiet, fast, noisy, precise, angry, sludgy, blasting, down-tuned, punk, hardcore. WHIPS/CHAINS is Will Allard (Xerxes), Ben Sears (Black God), and Ryan Patterson (Black God, Coliseum).
Jeremy Cox and Jigmae Baer started ROYAL BATHS without a plan in mind but soon the foundation for their writing found inspiration from Cox’s interest in the alternate and open tunings of delta blues, their shared fascination in the African rhythm of early Chicago blues, and Baer lyrically attempting to reflect with black humor and little judgment, and the thrills and troubles they stumble through. Recording on whatever cheap four or single-track cassette recorder they could find, they eventually borrowed a Tascam 388 to make their first 7″. Their new album Better Luck Next Life is set to be released by Kanine Records on February 7, 2012. ROYAL BATHS “take cues from Neil Young’s lightning-struck guitar sermons and the Velvet Underground’s creeping paranoia” — PITCHFORK.
GANGLY YOUTH, is a 5 piece band from Louisville, Kentucky. Led by Dan Davis along with Brent Mills, Daniel Tilford, Ashley Urjil-Mills, and Nate Woodard, the band writes jangly, fuzzy, reverb soaked “pop” songs. Pulling from a wide array of influences and a very small amount of technical skill, GANGLY YOUTH applies a shared punk mentality and manages to make songs that are refreshing and new, yet familiar all the same.
Sunday, January 29th
at NACHBAR 969 Charles Street (at the corner of Charles and Krieger)
First set at 9 PM, second set at 10:30 PM — 21 and over FREE!
Since 2005 DARIN GRAY (upright bass) and CHRIS CORSANO (drums) have performed side by side as CHIKAMORACHI. Working either in a trio with saxophonist Akira Sakata or a quartet that adds Jim O’Rourke on guitar, they’ve released six albums to date, including 2011’s And That’s the Story of Jazz double CD and Live at Hungry Brain LP. The high-speed empathy that Gray and Corsano have developed over the years will be brought to the fore in 2012, when the duo strike out on their own for a tour of the Midwest. Neither member is a stranger to the possibilities afforded when the melodic, harmonic and rhythmic duties are left to an upright bass and drum duo. Gray‘s group On Fillmore with Wilco drummer Glenn Kotche has been going strong for the past ten years. For his part, Corsano has gigged and recorded as a duo with double bassists John Edwards and Matt Heyner.
Darin Gray is best known as Jim O’Rourke’s go-to bassist for nearly 20 years, as half of the duo On Fillmore, and as the bassist for Grand Ulena, Dazzling Killmen, and Brise-Glace. As an improviser he has performed and recorded with among others: Loren Connors, Masami Akita (Merzbow), Josh Abrams, Jason Roebke, Axel Dorner, Kevin Drumm, Alan Licht, Thollem Mcdonas, and Jim O’Rourke. As a session bassist he has played on recordings by Will Oldham, Cheer-Accident, Rope, Bobby Conn, Daneilson Family, Early Day Miners, Bunnygrunt, Jim O’Rourke, etc… He has toured extensively in the United States, Japan, Brazil, Canada, and Europe.
Chris Corsano began a long-standing, high-energy partnership with saxophonist Paul Flaherty in 1998. A move from western Massachusetts, USA to the UK in 2005 led Chris to develop a solo music of his own, incorporating sax reeds, violin strings, pot lids, adhesive tape and other household devices into his drum kit. 2007 and ’08 were spent as the drummer on Björk’s Volta world tour. Returning back to the U.S. in 2009, Corsano shifted focus back to his own projects, most notably a duo with Michael Flower, Rangda (with Sir Richard Bishop and Ben Chasny) and solo work. In addition to the those mentioned above, he’s also worked with, among others: Evan Parker, Paul Dunmall, Nels Cline, Thurston Moore, Jessica Rylan, Jandek, Sunburned Hand Of Man, and Joe McPhee.
Watch a video of Chikamorachi with Akira Sakata here:
During the second set of the performance, CHIKAMORACHI will be joined by the addition of STEVE GOOD (saxophones, clarinet) and TIM BARNES (percussion). A vital natural resource in the Louisville music scene for multiple decades, Steve Good‘s musical vocabulary orbits lightly through a vast expansive local history: doing time with The Web, E-Or, Juanita, Ut Gret, Sapat, Crappy Nightmareville, Parlour, The Liberation Prophecy and many, many others. He has documented via audio recording many thousands of local shows. Slint played in his basement, he recorded the first Will Oldham single, he ran sound and documented the weekly experimental music series at Artswatch through the 1990s, and yes, he shared a stage in Switzerland with Donovan back in the 1970s. Louisville resident and drummer extraordinaire, the list of Tim Barnes‘s collaborators is too long to list here, but it includes Jim O’Rourke, Silver Jews, Neil Michael Hagerty and the Howling Hex, The Tower Recordings, and countless others. Most recently, Tim Barnes played drums with the newly resurrected lineup of The For Carnation, as well as with MV+EE at Cropped Out in November, 2011.
Friday, December 16th
at ZANZABAR
2100 S. Preston
9 PM, 21 and over
$10
Over the course of just a few years, Colorado native JOSEPHINE FOSTER has captivated audiences & critics alike through a magnetic patchwork of recordings ranging from broken spirited balladry as one half of Born Heller, fiery psych rock gestalt with her rock outfit The Supposed to the voice of an outsider folk siren. The one constant is the utterly overwhelming strength and seductive unease of her voice & the bravery of an iconoclastic spirit. “You might call Ms. Foster’s eerie warbling old-fashioned, except that is evokes a scrambled past that exists only in her own vision: mountain songs that never were, spaced-out hybrids that never will be.” —New York Times.
PARLOUR originally began as a solo project from Tim Furnish following the mid-90s dissolution of CRAIN – the seminal Louisville rock group he co-founded in the late ’80s. Currently playing with new drummer (Greg Morris) and synth player (Lee Gutterman), Furnish’s PARLOUR evokes “A unique combination of interweaving guitar shards… driven by a dark, relentless rhythm section.” Their most recent album, Simulacrenfield (released on Temporary Residence), was one of our favorites of 2010.
DANE WATERS is one of Louisville’s brightest musical talents. As a member of SAPAT and SOFTCHEQUE, she displays an impeccable melodic sensibility, and has a voice so wonderfully haunting, it sends chills down your spine. Dane’s new solo album, Dark Waters, is now available at Better Days, Underground Sounds, and on Bandcamp here: http://danewaters.bandcamp.com.
Given the recent collaboration between Bela Fleck and Malian kora player Toumani Diabate, it’s possible that there’s been no greater spotlight on the West African nation at any other time than right now. Fortunately, all the attention on Mali is casting some light on other worthwhile players as well. Countryman Bassekou Kouyate plays the ngoni, a six-stringed instrument, which is arguably less complex than Tiabate’s 21-stringed kora, but still retains a beautiful melodicism. Kouyate’s 2007 album Segu Blue, issued in the United States this year, contains all the beauty one has come to expect from acoustic music from Mali. And on the blue “Lament for Ali Farka,” a requiem for the departed guitarist Ali Farka Toure, Kouyate and his group Ngoni Ba emerge from the shadows cast by their better-known comrades.
Land of Tomorrow (LOT) is pleased to present the Expanded Music Project, a showcase of work illustrating the intersection between art and music. The opening reception will be held at our Louisville location on November 18th from 7pm, and the show will run through the 3rd of January. Included in this exhibition will be work by Heather Cantrell, Aurora Childs, Saiman Chow, Hirsuta, Geneva Jacuzzi, Leslie Lyons, Andrea Stanislav, Thieves Like Us, as well as Raurouw with Shedding, Peaking Lights with artist Letitia Quesenberry, and musician EMA with artist Jacob Heustis.
The premise of this show is to highlight the fluidity between creative forms and artistic practices. The influence of album art, video production, stage design, graffiti, and the appropriation tactics of remixing have established an ongoing conversation between artists and musicians. This dialogue between visual artist and musician continues to play a major role, and creative forces as diverse as Elvis, The Velvet Underground, Talking Heads, Pink Floyd, and Afrika Bambaataa have delved into the realms of the visual and the auditory to produce work that both fields accept and champion.
The show will be up through January 3rd, but tomorrow night is a great chance to see it first. And it’s free! LAND OF TOMORROW is located at 233 W. Broadway, in the St. Francis High School Building.
The Other Side of Life 