MATMOS is M.C. Schmidt and Drew Daniel, aided and abetted by many others. Currently based in Baltimore, the duo formed in San Francisco in the mid 1990s, and self-released their debut album in 1997. Marrying the conceptual tactics and noisy textures of object-based musique concrete to a rhythmic matrix rooted in electronic pop music, the two quickly became known for their highly unusual sound sources: amplified crayfish nerve tissue, the pages of bibles turning, water hitting copper plates, liposuction surgery, cameras and VCRs, chin implant surgery, contact microphones on human hair, rat cages, tanks of helium, a cow uterus, human skulls, snails, cigarettes, cards shuffling, laser eye surgery, whoopee cushions, balloons, latex fetish clothing, rhinestones, Polish trains, insects, life support systems, inflatable blankets, rock salt, solid gold coins, the sound of a frozen stream thawing in the sun, a five gallon bucket of oatmeal. These raw materials are manipulated into surprisingly accessible forms, and often supplemented by traditional musical instruments played by the group’s large circle of friends and collaborators. The result is a model of electronic composition as a relational network that connects sources and outcomes together; information about the process of creation activates the listening experience, providing the listener with entry points into sometimes densely allusive, baroque recordings. Since their debut, MATMOS have released over eight albums, and in 2001 they were asked to collaborate with the Icelandic singer Bjork on her Vespertine album, and subsequently embarked on two world tours as part of her band. In addition to musical collaborations with Antony, So Percussion, David Tibet, the Rachel’s, Lesser, Wobbly, Zeena Parkins, and the Princeton Laptop Orchestra, MATMOS have also collaborated with a wide range of artists across disciplines, from the visual artist Daria Martin to the playwright Young Jean Lee to Berlin-based choreographer Ayman Harper. Their newest album, The Marriage of True Minds, will be released on February 19th, 2013 by Thrill Jockey Records.

HORSE LORDS is a band from Baltimore, Maryland. According to baltimorefishbowl.com, they “offer that rare opportunity: witnessing a ragged, seething kind of greatness from a band not yet heralded by any major taste-making media outlets. Which is to say you can just unselfconsciously enjoy them. Bands like this remind you that musical greatness is not manufactured by record labels and hype machines; they’re snatched up by those entities somewhere further down the line.” HORSE LORDS are supporting and performing with MATMOS on the latter’s entire US tour.

PARLOUR originally began as a solo project from Tim Furnish following the mid-90s dissolution of CRAIN – the seminal Louisville rock group he co-founded in the late ’80s. Currently playing with new drummer (Greg Morris) and synth player (Brian Sweeney), Furnish’s PARLOUR evokes “A unique combination of interweaving guitar shards… driven by a dark, relentless rhythm section.” Their most recent album, Simulacrenfield (released on Temporary Residence), was one of our favorites of 2010.

Find the Facebook invite here: http://www.facebook.com/events/161199100694313.

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UPDATE, 2/26/2013: Here’s a couple of things to note about this show:

1. Doors to this event will open at 8 PM, and music will start at 9 PM sharp! That means Parlour will play first, right at 9 PM. Due to time constraints, the show will have to start at 9 PM. So get there early! Horse Lords will play at approximately 9:45 PM, and Matmos will be onstage by 10:45 PM, ending at midnight (if not a little before).
2. There’s a good chance this show may sell out, so if you haven’t bought advance tickets already, you probably should. You can buy them here: http://zanzabarlouisville.ticketfly.com/event/219061-matmos-louisville/
3. There will be a separate DJ event afterwards, starting at midnight. Generally, Zanzabar gets crowded early on Friday and Saturday nights so, again, buy advance tickets and show up early to ensure you don’t miss anything!
4. The show is general admission, with very limited first-come, first-serve seating around the bar and the booths ONLY, with no reservations. So if you need a seat, please be sure to be there at 8 PM.

Thanks and we hope to see you Saturday!