Category Archives: Art

CHIKAMORACHI with special guests STEVE GOOD and TIM BARNES at the NACHBAR, Sunday January 29th

Black Velvet Fuckere, Cropped Out and The Other Side of Life are proud to present:

CHIKAMORACHI (Chris Corsano and Darin Gray)

with special guests:

STEVE GOOD and TIM BARNES

Sunday, January 29th
at NACHBAR
969 Charles Street (at the corner of Charles and Krieger)
First set at 9 PM, second set at 10:30 PM — 21 and over
FREE!

Since 2005 DARIN GRAY (upright bass) and CHRIS CORSANO (drums) have performed side by side as CHIKAMORACHI. Working either in a trio with saxophonist Akira Sakata or a quartet that adds Jim O’Rourke on guitar, they’ve released six albums to date, including 2011’s And That’s the Story of Jazz double CD and Live at Hungry Brain LP. The high-speed empathy that Gray and Corsano have developed over the years will be brought to the fore in 2012, when the duo strike out on their own for a tour of the Midwest. Neither member is a stranger to the possibilities afforded when the melodic, harmonic and rhythmic duties are left to an upright bass and drum duo. Gray‘s group On Fillmore with Wilco drummer Glenn Kotche has been going strong for the past ten years. For his part, Corsano has gigged and recorded as a duo with double bassists John Edwards and Matt Heyner.

Darin Gray is best known as Jim O’Rourke’s go-to bassist for nearly 20 years, as half of the duo On Fillmore, and as the bassist for Grand Ulena, Dazzling Killmen, and Brise-Glace. As an improviser he has performed and recorded with among others: Loren Connors, Masami Akita (Merzbow), Josh Abrams, Jason Roebke, Axel Dorner, Kevin Drumm, Alan Licht, Thollem Mcdonas, and Jim O’Rourke. As a session bassist he has played on recordings by Will Oldham, Cheer-Accident, Rope, Bobby Conn, Daneilson Family, Early Day Miners, Bunnygrunt, Jim O’Rourke, etc… He has toured extensively in the United States, Japan, Brazil, Canada, and Europe.

Chris Corsano began a long-standing, high-energy partnership with saxophonist Paul Flaherty in 1998. A move from western Massachusetts, USA to the UK in 2005 led Chris to develop a solo music of his own, incorporating sax reeds, violin strings, pot lids, adhesive tape and other household devices into his drum kit. 2007 and ’08 were spent as the drummer on Björk’s Volta world tour. Returning back to the U.S. in 2009, Corsano shifted focus back to his own projects, most notably a duo with Michael Flower, Rangda (with Sir Richard Bishop and Ben Chasny) and solo work. In addition to the those mentioned above, he’s also worked with, among others: Evan Parker, Paul Dunmall, Nels Cline, Thurston Moore, Jessica Rylan, Jandek, Sunburned Hand Of Man, and Joe McPhee.

Watch a video of Chikamorachi with Akira Sakata here:

During the second set of the performance, CHIKAMORACHI will be joined by the addition of STEVE GOOD (saxophones, clarinet) and TIM BARNES (percussion). A vital natural resource in the Louisville music scene for multiple decades, Steve Good‘s musical vocabulary orbits lightly through a vast expansive local history: doing time with The Web, E-Or, Juanita, Ut Gret, Sapat, Crappy Nightmareville, Parlour, The Liberation Prophecy and many, many others.  He has documented via audio recording many thousands of local shows. Slint played in his basement, he recorded the first Will Oldham single, he ran sound and documented the weekly experimental music series at Artswatch through the 1990s, and yes, he shared a stage in Switzerland with Donovan back in the 1970s. Louisville resident and drummer extraordinaire, the list of Tim Barnes‘s collaborators is too long to list here, but it includes Jim O’Rourke, Silver Jews, Neil Michael Hagerty and the Howling Hex, The Tower Recordings, and countless others. Most recently, Tim Barnes played drums with the newly resurrected lineup of The For Carnation, as well as with MV+EE at Cropped Out in November, 2011.

Check out the Facebook invite here: http://www.facebook.com/events/154038334705749.

To join our email list, send an email to hstencil AT gmail DOT com.

MUSIC and ART This Weekend, 11/17-11/20

There’s a lot of things going on this weekend to tell you about, so let’s get started…

Tonight, at the Clifton Center, none other than BASSEKOU KOUYATE AND NGONI BA will be performing. We wrote about their album Segu Blue way back in 2009 here:

Given the recent collaboration between Bela Fleck and Malian kora player Toumani Diabate, it’s possible that there’s been no greater spotlight on the West African nation at any other time than right now. Fortunately, all the attention on Mali is casting some light on other worthwhile players as well. Countryman Bassekou Kouyate plays the ngoni, a six-stringed instrument, which is arguably less complex than Tiabate’s 21-stringed kora, but still retains a beautiful melodicism. Kouyate’s 2007 album Segu Blue, issued in the United States this year, contains all the beauty one has come to expect from acoustic music from Mali. And on the blue “Lament for Ali Farka,” a requiem for the departed guitarist Ali Farka Toure, Kouyate and his group Ngoni Ba emerge from the shadows cast by their better-known comrades.

You can buy tickets here: http://www.cliftoncenter.org/?post_type=events&p=144. The Clifton Center is located at 2117 Payne Street, just off Frankfort Avenue. Tickets are $20 and the doors are at 7:30 PM.

Tomorrow night, KING’S DAUGHTERS & SONS make a rare appearance at 21C with SELUAH. Read an exciting interview with KD&S in this week’s LEO here: http://leoweekly.com/music/justice-served-king%E2%80%99s-daughters-sons. Doors are at 8 PM, and it costs $10.

Finally, tomorrow night is the opening reception of THE EXPANDED MUSIC PROJECT, a new show at the LAND OF TOMORROW gallery exploring the relationship between music and art. Here’s their description (with more information here: http://www.landoftomorrow.org/events-exhibitions/expanded-music-project/):

Land of Tomorrow (LOT) is pleased to present the Expanded Music Project, a showcase of work illustrating the intersection between art and music.  The opening reception will be held at our Louisville location on November 18th from 7pm, and the show will run through the 3rd of January.  Included in this exhibition will be work by Heather Cantrell, Aurora Childs, Saiman Chow, Hirsuta, Geneva Jacuzzi, Leslie Lyons, Andrea Stanislav, Thieves Like Us, as well as Raurouw with Shedding, Peaking Lights with artist Letitia Quesenberry, and musician EMA with artist Jacob Heustis.

The premise of this show is to highlight the fluidity between creative forms and artistic practices.  The influence of album art, video production, stage design, graffiti, and the appropriation tactics of remixing have established an ongoing conversation between artists and musicians.  This dialogue between visual artist and musician continues to play a major role, and creative forces as diverse as Elvis, The Velvet Underground, Talking Heads, Pink Floyd, and Afrika Bambaataa have delved into the realms of the visual and the auditory to produce work that both fields accept and champion.

The show will be up through January 3rd, but tomorrow night is a great chance to see it first. And it’s free! LAND OF TOMORROW is located at 233 W. Broadway, in the St. Francis High School Building.

A CROPPED OUT Summary: Or Louisville’s Best Music Weekend Ever

Hey Louisville, if you weren’t at CROPPED OUT at some point during this past weekend, you really missed something quite special. It wasn’t just that there were a buncha noisy, arty bands and rock n’ roll and whatnot. There was actually a quite palpable community spirit, evidenced by the smiles, high-fives, and general fun it seemed that most everybody had. Didn’t hurt that some of the best weather of the fall made it possible for lots of bands to play outside, too. So here’s a quick rundown of best parts of the festival, complete with crappy pictures from my cellphone.

DAY 1 — FRIDAY, NOVEMBER 11th: Though it got started way early on Friday afternoon, and there was some noise issues early on, Friday was a good start, especially for the Louisville bands on the bill. SAVAGES played immediately after LEARNER DANCER, both of which brought forceful, guitar-heavy rock (the former more in a pop vein, while the latter mined some heavy Sonic Youth-style dissonant territory).

Shedding

One of the early Friday highlights was, of course, Louisville’s SHEDDING (disclaimer: Connor and I are buds, but even if we weren’t, I’d still love his music). Despite his talk of being influenced by RUSH, Connor really brought more of a CURRENT 93 vibe, perfectly mellow yet eerie.

Shit & Shine

Another Friday highlight was Austin, Texas’s SHIT & SHINE, which featured none other than the BUTTHOLE SURFERS’ KING COFFEY on percussion. Tribal, BOREDOMS-esque throb with synth squiggles and CB radio nonsense. Totally fun.

Other Friday night highlights included (in no particular order):
1. apologizing to KING COFFEY for talking his ear off at SxSW ’07
2. MOUNT CARMEL — and the revelation afterwards that KING has never seen ZZ TOP!
3. bonfires (more on them later)
4. hangin’ with MV + EE‘s dog Zuma
5. SHIT & SHINE‘s bunny suits
6. MV + EE singing “Fire on the Mountain” at the end of a fantastic set backed by TIM BARNES and CHRIS from the CHERRY BLOSSOMS (thanks for the beers!)
7. Locals ALCOHOL PARTY, NATIVES, ANWAR SADAT, and AXEL COOPER showing how it’s done
8. Chorizo taco from the Holy Mole Taco Truck
9. Good times with friends old and new
10. Beer

DAY 2 — SATURDAY, NOVEMBER 12th: Saturday started inauspiciously as I showed up to the venue, the CRUMMY DEN, way early, so I wandered over to the FLEA OFF MARKET (where I bought an excellent book of photography from Louisville Hardcore’s poet laureate, Mr. BRETT EUGENE RALPH), then had lunch at the Blind Pig. Missed most of the early sets due to some errands I had to run, but caught a little bit of VIDEO DAUGHTER, who were okay.

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CROPPED OUT is coming up…

We haven’t had too much to say about the upcoming CROPPED OUT festival, on the weekend of November 11th – 13th here in lovely Louisville, Kentucky, because it seems like it’s all anybody can talk about anyway! I mean, can you believe freakin’ SCRATCH ACID is gonna play?* Me neither, and I’m really stoked!

But the CROPPED OUT fest is far more than just one band. It’s a whole mess of ’em! Including some of our favorite performers ever:

  • BILL ORCUTT, former guitarist for HARRY PUSSY, and one of the most exciting purveyors of six-string nonsense (even though he only plays four strings, apparently) going today.
  • MV + EE, the duo of Matt Valentine (formerly of THE TOWER RECORDINGS) and Erika Elder is probably the closest you’ll get to seeing Neil Young live, except perhaps even more damaged. And rumor has it that former TOWER RECORDINGS member TIM BARNES will be joining them!
  • MOUNT CARMEL is probably our favorite of the new SILTBREEZE roster — straight-ahead Ohio-style boogie rock!
  • HUMAN EYE might possibly be the best rock band in Detroit right now. Period.

And there’s a whole slew more, including lots of shit we’ve never heard of before! And a bevy of fantastic local artists, including our friends SAPAT, YOUNG WIDOWS, SHEDDING, COLISEUM, CROSS, and lots more!

They got a new web site up at http://croppedoutmusic.com, so check it out and buy your tickets ASAP.** It’s gonna be killer!

*On a side note, how come nobody got it together to bring THE JESUS LIZARD to Louisville during their recent reunion action? Just because Laura Shine has no idea who they are doesn’t mean they weren’t one of the most popular Chicago-style bands to play in Louisville during the 1990s. Our excuse for not booking them is, well, we were too poor to afford their guarantee (as if our shoe-string show budget wasn’t obvious).

**Seriously Louisville, if you sleep on this like you slept on TERRASTOCK 2008, you only have yourself to blame. The prices are good, the venue is centrally located, and if you miss it…

DISCLAIMER: We are buds with Ryan and James who are booking/promoting CROPPED OUT, and we think they’re awesome! We do occasionally co-promote shows with ’em but that’s only because they rule!

The Phantom Family Halo, Music from Italian T.V. (Sophomore Lounge)

Today’s edition of LEO Weekly contains my review of the new Phantom Family Halo record, Music from Italian T.V.:

Over the past year, The Phantom Family Halo released its Monoliths & These Flowers Never Die double-album and subsequently played a number of epic shows in town. Music from Italian TV continues with a pleasantly confusing blend of styles in a more concise format. Staples of their live show, like “It’s OK About the War (Gettysburg Jam)” and “Bringing Back the Dead” get a more polished, sublime treatment, while longer tracks like opener “I Believe In Everything” and “Overkirsh” present yet more experimentation, the former resembling a jam off Amon Duul’s 1969 classic Psychedelic Underground played backward and superimposed with television dialogue. There are a number of good bands in Louisville these days, but there’s not another band here, much less the rest of the nation, as inventive as The Phantom Family Halo.

Buy it from Sophomore Lounge Records.

The Phantom Family Halo performs in Louisville this Friday, Nov. 12, at 7 PM as part of Art After Dark at the J.B. Speed Museum ($5 for museum members, U of L and Bellarmine students, $15 for non-members). More information here: http://www.speedmuseum.org/calendar/Brown-Forman_Art_After_Dark.

CROPPED OUT Festival with PISSED JEANS, MAGIK MARKERS and more! Friday – Sunday, Oct. 1-3

Though we’ve been relatively inactive lately, we would be remiss if we didn’t mention the upcoming CROPPED OUT Festival, in Louisville during the first weekend in October. CROPPED OUT features some of our favorite current bands, including PISSED JEANS, MAGIK MARKERS, SIC ALPS, and many more. Also, there’s a very strong representation of Louisville musicians at the festival, so it’s not just a buncha out-of-towners. Here’s more, including the weekend’s lineup:

Ryan Davis here, just reminding you (or possibly informing you for the first time) that my friend James Ardery and I are organizing a new music festival called Cropped Out for the first weekend of October (10/1-10/3, 2010) in Louisville, KY. The bulk of the event (Saturday and Sunday) will be taking place at the American Turners Club (3125 Upper River Road) with a Friday night kick-off event just a couple doors down at Kingfish (3021 Upper River Road).

Tickets are now on sale by way of cash, check, or PayPal at Sophomore Lounge (http://sophomorelounge.com), as well as locally at ear X-tacy, Underground Sounds, and Wild & Woolly Video. Or, if you’d rather go the digital route, you can order “will call” tickets (available upon your arrival) through TicketFly… http://www.ticketfly.com/tickets/event-list/?q=cropped+out&input.x=0&input.y=0

Tickets for Friday night are $10. Tickets for Saturday are $18. Tickets for Sunday are $18. Tickets for Saturday and Sunday combined are $30. If you are cool enough of a human arts & culture machine to be interested in attending all three days, contact us directly and we will sell you all three tickets for $35.

FRIDAY NIGHT 10/1 (PFH RECORD RELEASE/CROPPED OUT KICK-OFF)
KINGFISH (3021 Upper River Rd.)

Fielded (Chicago, IL) 8-8:30
Sapat (Louisville, KY) 9-9:40
Julianna Barwick (Brooklyn, NY) 10-10:40
The Phantom Family Halo record release show (Louisville, KY) 11-11:40
Moon Duo (San Francisco, CA) 12-12:45

SATURDAY 10/2 (INSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

The Highlife (Brooklyn, NY/Chicago, IL) 4-4:30
Rabble Rabble (Chicago, IL) 4:50-5:20
LUSHES (Brooklyn, NY) 5:40-6:10
Slow Horse (Chicago, IL) 6:30-7
Prideswallower (Louisville, KY) 7:20-7:50
Wishgift (Chicago, IL) 8:10-8:40
Straight A’s (Louisville, KY) 9 9:40
Parlour (Louisville, KY) 10:05-10:45
CAVE (Chicago, IL) 11:10-11:45
Young Widows (Louisville, KY) 12:05-12:50
Pissed Jeans (Philadelphia, PA) 1:10-2

SATURDAY 10/2 (OUTSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

Alex Barnett (Chicago, IL) 1:45-2
Learner Dancer (Indianapolis, IN) 2:15-2:40
Nzambi (Louisville, KY) 2:55-3:20
SKIMASK (Boston, MA) 3:35-4
DAD (Chicago, IL) 4:15-4:45
Geffika (Chicago, IL) 5:05-5:35
Life Partner (Louisville, KY/Chicago, IL) 6-6:30
Natural Geographic (Louisville, KY) 6:50-7:20
MEAH! (Chicago, IL) 7:40-8:10
PC Worship (Brooklyn, NY) 8:30-9:10
CACAW (Chicago, IL) 9:30-10:10
Ga’an (Chicago, IL) 10:30-11:15

SUNDAY 10/3 (INSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

Brett Sova (Chicago, IL) 3:05-3:30
Sean Walsh & The National Reserve (Brooklyn, NY) 3:50-4:20
Heavy Cream (Nashville, TN) 4:40-5:10
Animal City (Chicago, IL) 5:30-6
Idiot Glee (Lexington, KY) 6:20-6:50
Warmer Milks (Lexington, KY) 7:10-7:40
Rude Weirdo (Louisville, KY) 8-8:30
FLIGHT (Taylor, MS) 8:50-9:25
Golden Boys (Austin, TX) 9:45-10:20
JEFF The Brotherhood (Nashville, TN) 10:40-11:20
Magik Markers (Brooklyn, NY) 11:40-12:40

SUNDAY 10/3 (OUTSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

Softcheque (Louisville, KY) 12:25-12:55
Reading Group (Louisville, KY) 1:10-1:35
Gangly Youth (Louisville, KY) 1:50-2:15
Spectre Folk (Brooklyn, NY) 2:35-3:05
Tinsel Teeth (Providence, RI) 3:25-3:55
PUJOL (Nashville, TN) 4:15-4:45
Giving Up (Garner, IA) 5:05-5:40
State Champion (Louisville, KY/Chicago, IL) 5:55-6:30
Catherine Irwin (Louisville, KY) 6:45-7:20
Spider Bags (Chapel Hill, NC) 7:40-8:20
King Kong (Louisville, KY) 8:40-9:20
Sic Alps (San Francisco, CA) 9:40-10:35

Our friends over at the excellent blog The Decibel Tolls have already published a preview of Friday’s acts, with more to come.

UPDATE 9/30/10: The Decibel Tolls has listed previews of Saturday and Sunday for Cropped Out.

The Endtables, s/t (Drag City/Alien Intelligences)

LEO Weekly ran my review of the new retrospective of Louisville’s own Endtables today:

I thought we were modern, sings Steve Rigot at the beginning of “Trick or Treat” by the Endtables, a perfect statement on life in Louisville circa 1979. Arguably the first punk band in town, their music utterly reflects the anxiety of growing up “punk,” modern, in a thoroughly unmodern place. Songs such as “They’re Guilty,” “The Defectors” and “White Glove Test” exude a nervous energy that’s hard to match. But after self-releasing one four-song single, the band broke up, with their music known to only a handful. This long-overdue collection corrects the historical record by presenting the six songs they recorded while active (on the new 12-inch EP), along with an unedited take of “Process of Elimination,” as well as six live songs — five of which were never recorded, and three video clips of the band in action (on the CD only).

Buy it from Drag City here: http://www.dragcity.com/products/the-endtables.

SHEDDING, MOUNTAINS (from NYC), TAPE (from Sweden), R. KEENAN LAWLER at SKULL ALLEY, Wednesday February 3

SHEDDING (from Louisville)
MOUNTAINS (from NYC, on Thrill Jockey)
TAPE (from Sweden, on Immune Recordings)
R. KEENAN LAWLER (from Louisville)

Wednesday, February 3rd
at SKULL ALLEY
1017 E. Broadway
7 PM, ALL AGES

SHEDDING has been a solo project for Connor Bell since 2001, though in 2009 Tim Furnish (Parlour, Crain, Papa M, The For Carnation) and Joey Yates (The Loved, Parlour, Sapat) joined as the rhythm section in SHEDDING’s new lineup. Solo, SHEDDING has already released a few albums, and the new band lineup plans to release a 7″ or 2 over the winter and spring of 2009-2010.

MOUNTAINS is Brendon Anderegg and Koen Holtkamp, friends since their middle school days. The duo were brought together by mutual artistic and musical interests, and both ended up at the School of the Art Institute of Chicago. It was during this time that they began exchanging musical ideas and compositions which led to them founding the Apestaartje label in 1999. As their collaborations and individual projects blossomed, they decided to create Mountains as a vehicle for live performance.  The group has 4 albums: their first self-titled release and second album Sewn were both on Apestaartje; the third and fourth, Choral and Etching, on Thrill Jockey. Mountains is often compared to artists such as Brian Eno and Fennesz, citing their extended melodies and their unique broad guitar work. Mountains seamlessly blend pastoral electronic sounds with field recordings and a plethora of acoustic instruments.

Swedish trio TAPE was set up in 2000 by brothers Andreas and Johan Berthling with Tomas Hallonsten. Taking cues both from pop, experimentalism and minimalism, their sound has become recognized internationally and is clearly something of its own. Their first album Opera was released on the Häpna imprint (which Johan is a co-owner of) in 2002. With an array of electronic and acoustic instruments at hand they recorded at a small stone barn on the island of Öland, east of Sweden. 2003 saw the release of Milieu, recorded at the very same barn. In 2005 they went to Cologne to have Marcus Schmickler produce and record their third album Rideau. Over the past few years, their touring has taken them to places like Japan, Taiwan, USA and most parts of Europe.

R. KEENAN LAWLER is a musician and sound artist based in Louisville Kentucky. For over 25 years his musical journey has taken him from early experiments with reverb tanks, noise and tape decks to all manner of avant-garde, “new” music, psychedelia, electro-acoustic, drone, ethnic and sampler-based work. LAWLER is best known for developing a highly personal and exploratory language for the metal bodied resonator guitar which Baltimore’s John Berdnt called “Cosmic, monolithic and deeply American.” Indeed his work is informed by carnatic classical, Charles Ives, Albert Ayler, blues, minimalism and non-western trance musics. Primarily a solo performer, he is also known for collaborative work. The “Keyhole II” album he recorded with Pelt and metal worker Eric Clark is one of Pelt’s most beautiful and memorable recordings, and his guitar playing is also heard on releases by Paul K., Jack Wright, My Morning Jacket and most visibily on Matmos’ “The Civil War.” He has collaborated or performed with a wide range of forward-thinking musicians and mavericks including Rhys Chatham, John Butcher, Eliott Sharp, Charalambides, Ignaz Schick/Perlonex, Kaffe Matthews, Burning Star Core, Jason Kahn, Ut Gret, Thaniel Ion Lee, Ed Wilcox, Ramesh Srinivasan, Kevin Drumm, Arco Flute Foundation, Helena Espvall, Ian Nagoski, Connor Bell, Andy Willis, Alan Licht, Taksuya Nakatani, Tom Carter, Bhob Rainey, Aaron Rosenblum, Joe Dutkiewicz, Evergreen, Eric Carbonara and Joseph Suchy.

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=248875773696.

For more information, check https://othersideoflife.wordpress.com. To join our email list, send an email to hstencil@gmail.com.

NZAMBI, PETE FOSCO, and ANDREW WEATHERS at the SWAN DIVE, Saturday January 9th

NZAMBI (electronic drone from Louisville, formerly of PAX TITANIA)
PETE FOSCO (solo experimental guitar from Cincinnati, Ohio)
ANDREW WEATHERS
(solo electronics from Greensboro, North Carolina)

Saturday, January 9th
at the SWAN DIVE
921 Swan Street
9 PM, $5, 21-and over

NZAMBI is the new synth project from Christopher Cprek, who has also released work under the PAX TITANIA moniker. Christopher uses an arsenal of DIY modular synthesizers. His former projects include Darker Florida with Irene Moon, Auk Theatre with Irene Moon, and as a member of Warmer Milks a few years back. NZAMBI’s debut as a project was in October at Zanzabar, with Regression, Spykes, and others.

PETE FOSCO was born in Cincinnati, Ohio in 1980 and grew up in a suburb on the west side of town. Every day after school he would pillage his dad’s record collection, listen to early ’80s Phil Collins-era Genesis, eat oatmeal raisin cookies and stay up until 4am for no reason. He graduated from the University of Cincinnati’s College-Conservatory of Music in 2004, where he studied digital video and film production and learned how to appreciate fresh guacamole and The Green Manalishi by Fleetwood Mac. He is a self-taught guitarist and started playing out in 2007. He is inspired to live today by the soundtracks from Herzog’s Grizzly Man [by Richard Thompson — ed.], the Flower/Corsano Duo, Fushitsusha, and pot roast and mashed potatoes cooked by his wife Heather. They reside in Covington, Kentucky and live with an English bulldog and mini Italian greyhound.

Brad Rose at Foxy Digitalis recently wrote this about PETE FOSCO’s release Autumn Fire Blues: “Our man in Ohio knows when to hold ’em and when to fold ’em, cuz on Autumn Fire Blues, he’s burning the whole thing into a pile of silken ash. FOSCO just plain rules. His skill in crafting soaring guitar drones is up there with the best of ’em. Autumn Fire Blues takes what he started on last year’s [release] Dust, American Dust and pushes it over the edge and into the abyss. Anchors of bleed drip from the ceiling coating everything in a thick layer of crimson bliss. This is music for the last season. Music for the last days, to see us off into the heavens as they crumble. Pure magic.”

ANDREW WEATHERS is a composer of experimental music. He is currently based in Greensboro, North Carolina, where he studies music composition at the University of North Carolina at Greensboro.

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=226271631480.

For more information, check https://othersideoflife.wordpress.com. To join our email list, send an email to hstencil@gmail.com.

BODY MORPH to join REGRESSION, SPYKES, NZAMBI and DOG LADY at ZANZABAR, Saturday October 24

regression2

(REGRESSION/SPYKES/BODY MORPH/DOG LADY tour poster by John Olson.)

Here’s an update on the upcoming REGRESSION, SPYKES, NZAMBI, and DOG LADY show at ZANZABAR on Saturday, October 24th:

Unfortunately, Sick Llama had to bow out of the tour with REGRESSION, SPYKES and DOG LADY. Playing in his place now is BODY MORPH, also of Michigan. BODY MORPH is Dan D., who has recorded for both Aaron Dilloway’s Hanson Records label and John Olson’s American Tapes label. He is also one-half of the band Uneven Universe.

Thanks, and we apologize for any confusion.