with SPECIAL GUEST DJs NATHAN SALSBURG (Alan Lomax Archive, No Quarter, Twos & Fews) and JOEL HUNT (The Other Side of Life)
Monday, November 18th
at NACHBAR 969 Charles Street (at the corner of Charles and Krieger)
9 PM, 21-and -over FREE!
DANIEL BACHMAN is a musician born and raised in Fredericksburg, Virginia. He has been playing what he describes as “psychedelic appalachia” since he was a teenager, releasing small run editions of tapes, CDs and LPs for the past three years, with a sound that evolved from drones and banjos to a now guitar centered focus. Touring off and on since the age of 17, BACHMAN has managed to cover thorough ground across the US, sharing stages with like minded folk such as fellow Fredericksburg native Jack Rose, for whom he fashioned the artwork for the posthumous release of Luck In The Valley. His new album Jesus I’m a Sinner is his 4th, and it is the follow-up to last year’s acclaimed Seven Pines. It was recorded in Rappahannock County Virginia at Forrest Marquisee’s studio inside his father’s woodshop in May of 2013 after spending 8 months on the road.
Before and after BACHMAN‘s set, NATHAN SALSBURG and JOEL HUNT will play all kinds of records for your musical enjoyment.
Celebrating their 10th year as one of independent music’s most substantive bands, Louisville’s COLISEUM return from touring for their fourth full-length, the stunning Sister Faith, released by Temporary Residence Ltd. Expanding on the anthemic direction the trio veered toward on 2010′s highly acclaimed House With a Curse, Sister Faith‘s 13 songs are the most dynamic and immediately captivating of the band’s career, bristling with galvanizing melodies at the collision point between punk and noise-rock. The first album to be recorded in producer J. Robbins’ recently relocated Magpie Cage Studios, Sister Faith is also the first Coliseum recording to feature new bassist, Kayhan Vaziri, in addition to contributions from some of the groups’ closest friends and musical peers: Wata of Boris, J. Robbins (Jawbox, Burning Airlines), Jason Farrell (Swiz, Bluetip), Elizabeth Elmore (Sarge, The Reputation), Chris Colohan (Burning Love, Cursed), Sam James Velde (Night Horse, Bluebird), and Jason Loewenstein (Sebadoh, The Fiery Furnaces) all make small but memorable contributions.
Sonically-destructive Austin power trio, LIONS OF TSAVO, following a nearly four-year silence between releases, will deliver their third full-length album this November, Traverser. Boasting their crushing upbeat sludge/doom, and building on the vestiges of their previous recordings, but taking everything to another level of intensity this time, Traverser is indisputably LIONS OF TSAVO’s most well-executed and tonally dominating release of the band’s ongoing lineage. With elements expanding the genre into their own unique vision, arguably akin to contemporary greats like Mastodon, Hull, Today Is The Day, Inter Arma and Keelhaul in a cavernous void between gargantuan stacks of amplification, Traverser rages with over fifty-two minutes of enormous, debilitating riff-vs.-percussion displays of bruising music that never ceases to throw a new headbender at you with every turn.
If you had to list every band that every EARLY AGE member previously or currently plays in, well, you’d have this list: Mountain Asleep, Prideswallower, Black God, Whips/Chains, Second Story Man, Minnow, Julie of the Wolves, Breather Resist, Young Widows, Brain Banger, Liberation Prophecy, Sandpaper Dolls, and Young Scamels. If one or more of those bands haven’t previously blown you away, then you might not have a pulse.
WHITE REAPER are Louisville’s latest garage rock sensation, catch them before they’re either huge and/or move to Nashville/Memphis/anyplace else.
UPDATE, 10/21: Sadly, THE PHANTOM FAMILY HALO will not be able to play this show! We wish them the best, and hopefully they’ll return to Louisville soon!
Friday, November 22nd atTHE NEW VINTAGE 2126 S. Preston
8 PM, 21-and-over!
$10 advance tickets available online here: http://www.ticketfly.com/purchase/event/400217; and at ASTRO BLACK RECORDS, 1000 E. Oak Street (right next door to Lisa’s Oak Street Lounge)
$15 day-of-show
Tuareg guitarist and singer Omara “Bombino” Moctar made his Nonesuch Records debut with the release of Nomad on April 2, 2013. The album was recorded with 2013 Grammy Award-winning Producer of the Year Dan Auerbach of The Black Keys at his Nashville studio, Easy Eye Sound. Nomad debuted at #1 on the Billboard World Music album chart and iTunes World chart and has earned rave reviews from top media outlets around the world including BBC World Service, which calls it “utterly, utterly fantastic” and Rolling Stone, which calls Nomad “a perfect match of sound and soul [that] introduces a new guitar hero.” His dazzling live performance and virtuosity on the guitar have led notable music critics to compare him to Jimi Hendrix, Carlos Santana, Neil Young, and Jerry Garcia. Born and raised in Niger, in the northern city of Agadez, BOMBINO is a member of the Tuareg Ifoghas tribe, a nomadic people descended from the Berbers of North Africa; for centuries they have fought against colonialism and the imposition of strict Islamic rule.
Watch the video for “Azamane Tiliade” from BOMBINO‘s album Nomad here:
JUBALSON is a band from Louisville, Kentucky and Nashville, Tennessee which the LEO Weekly describes as “benefit[ing] from richly textured vocal harmonies that should appeal to fans of groups like Band of Horses.” Join us in celebrating the release of their second album, Don’t Remember Me.
Tuesday, October 29th
at NACHBAR 969 Charles Street (at the corner of Charles and Krieger)
9 PM, 21-and -over FREE!
JOHN WESLEY COLEMAN III is the definition of the wildman troubador in modern times, and has certainly earned a deserved reputation with his sensibility for original, creative and bizarre recordings with both THE GOLDEN BOYS and his namesake here. The guy has a sense of weird, time-proof stoner genius bottled up “as” rock n roll that is undeniable, and gravity worked its magnetic pull. A mix of the real and the absurd in one man, with an uncanny ability to combine worldly intelligence with humor that “accidentally” hints at the sublime.
Following their studio debut You Win Some, You Loser (Sophomore Lounge, 2010), Chicago’s favorite skateshop pop quartet ANIMAL CITY is back on wax with their follow-up full-length, See You In The Funny Pages. Though two and a half years without a proper record might seem like a healthy hunk of downtime, don’t let the calendar fool you. The boys have been busy. Since first forming their creative kinship nearly 7 years ago, key songwriters Sal Cassato and Dakota Loesch have knocked out a dozen-or-so collections of lo-fi, homegrown, harmonious rock jams ranging in style from stoner/loner acoustic wayfaring to full-on, funked-up and jazzed-out anthems. “I can’t deny the enjoyability that comes with a well-edited, snappy rock band like this… Even as I get older and uglier, I refuse to entirely hate anyone and everyone on the grounds that they are not as bitter as myself; bands like Animal City are chicken soup for the soul.” –Yellow Green Red.
Mikie, Sean, and Jenny of GIVING UP were all snuck out of their 16 year old bedrooms to hang out and cause trouble. Now they sneak out of their respective 20 something year old major midwestern towns to return to Iowa, write songs, goof off, and feel feelings.
Sunday, October 20th
atTHE NEW VINTAGE 2126 S. Preston
8 PM, $5, 21-and-over!
WIRES.UNDER.TENSION is a duo based in The South Bronx. Combining homegrown audio sampling instruments with ferocious beats and adventurous orchestration, WUT‘s angular gymnastics reflect the raw imagery of their home turf. Multi-instrumentalist Christopher Tignor switches dexterously between violin and the rest of the arsenal while Theo Metz extracts brutal truths from the kit. Together WUT is rethinking what instrumental music can be about when musicianship and restless experimentation rule the scene.
Comprised of electronic drums, keyboards, bass, and effected guitar, VISITING NURSE features long time collaborators Jon Hill, Mike Seymour, and Syd Bishop creating music that seems to somehow straddle the gap between the organic and inorganic, a cyborg pastiche of jazz influenced composition, and rigid structures. For fans of Boards of Canada, Clams Casino, and Biosphere.
UPDATE, 10/15:
Due to events beyond our control, we regret to inform you that the WIRES.UNDER.TENSION and VISITING NURSE show scheduled for this Sunday, October 20th at The New Vintage has, sadly, been cancelled.
No word as of yet on a make-up date, but we promise you’ll be the first to know.
It’s kinda crazy how quickly September has flown by — in a flash! Well they say time flies when you’re having fun, but we haven’t even gotten to CROPPED OUT yet! That’s right, the fourth installment of Louisville’s best DIY-n’-weird-stuff weekend is back, taking place mainly at the American Turners Club on River Road, and this year promises to be the best ever. As always, we’ve checked out the schedule (you can too, here: http://croppedoutmusic.com/cropped-out-2013-schedule/), and here’s your “Picks to Click” in bold, with some additional commentary…
FRIDAY, SEPT. 27
5 p.m. — White Reaper (Turners Tavern stage): Louisville’s latest garage rock sensation, catch them before they’re either huge and/or move to Nashville/Memphis/anyplace else.
5:25 — Spelling Bee (Goosebump Galley stage)
5:55 — Tweens (Phreedom Hall stage)
6:20 — Promised Land Sound (Turners Tavern)
6:45 — Tyvek (Turners Tavern): Detroit’s finest stop-on-a-dime-and-give-you-change rock band, in probably their millionth configuration. Who will be in the band this week? Find out!
7:15 — Spray Paint (Phreedom Hall)
7:40 — Salad Influence (Goosebump Galley): Lexington main man Mikey Turner’s side gig, when he’s not rocking in CROSS or making sweet solo tapes.
8:00 — Blues Control (Goosebump Galley): Our pals Lea and Russ, we go way back, and there ain’t nothin’ bad we could ever say about this dynamic duo!
8:35 — Juanita (Phreedom Hall): Long-running Louisville underground mavens, featuring some people that go back to first-wave Louisville punk and the 1069 House scene that spawned Babylon Dance Band, Endtables, and more.
9:00 — Hair Police (Turners Tavern): Lexington “noize dudes” in a rare Louisville performance — probably the first time in a decade!
9:25 — Shit & Shine (Goosebump Galley): One of the highlights of Cropped Out II: The Search for Curley’s Gold, S&S occasionally feature King Coffey of the Butthole Surfers, as well as bunny masks.
9:55 — The Endtables (Phreedom Hall): First-wave Louisville punk! Okay, maybe Southern Indiana. Either way, they rule, and this is the first time they’ve played here in over 35 years!
10:20 — Steve Gunn (Turners Tavern): East Coast guitar-slinger with a killer new album, Time Off, that you should check out pronto!
10:55 — Bill Orcutt & Chris Corsano (Goosebump Galley): Orcutt slayed solo at Cropped Out II, this is his first Louisville trip with drumming octopus and handsome man Chris Corsano. Hide your (fancy) bourbon!
11:40 — Endless Boogie (Phreedom Hall): The last time EB graced Louisville was over two years ago, so it’s safe to say you shouldn’t miss them this time!
2:00 p.m. — Asm A Tik (Turners Tavern): I’ve been dying to see this new Louisville trio, as supposedly they are prog-tastic. Come get progressive, early!
2:25 — Neighbor (Goosebump Galley): One of Louisville’s heaviest current groups, we gotta say, these neighbors are much cooler than one of our neighbors who cut down a tree last year. Boo!
2:55 — Todays Hits (Phreedom Hall)
3:20 — Mote (Turners Tavern)
3:45 — Quail Bones (Goosebump Galley)
4:15 — Connections (Phreedom Hall): New Columbus, Ohio band features members of Times New Viking. Remember them? They were great, so these guys are probably at least half as good, right? Just kiddin’, they are pretty great!
4:40 — Tom Blacklung & the Smokestacks (Turners Tavern)
5:05 — Running (Goosebump Galley)
5:35 — Rinehart (Phreedom Hall)
6:00 — New England Patriots (Turners Tavern)
6:25 — Thee Open Sex (Goosebump Galley)
6:55 — Montag (Phreedom Hall): Rare appearance by this Louisville super-phenom! Must be seen to be believed!
7:20 — SKIMASK (Turners Tavern)
7:45 — Jaye Jayle (Turners Tavern): Mysterious Louisville folk rock funsters, JJ have been awesome every time we’ve seen ’em.
8:15 — Mayo Thompson and the Corky’s Debt Band (Phreedom Hall): YES! Corky’s Debt to His Father is one of our favorite albums of all time, and though we’ve seen Mayo kill it with his main concern, The Red Krayola, we never thought we’d see the day we’d see/hear songs from Corky live. And on our 38th birthday, no less. In our hometown. Thank you, Cropped Out!
8:55 — Kal Marks (Goosebump Galley)
9:20 — Borbetomagus (Goosebump Galley): New York trio (2 saxes, electric guitar) are an acquired taste, but what a taste it is! We’ve been long-time fans, without ever having the chance to see them live, so this is another one-in-a-lifetime experience as they rarely play off the East Coast.
10:00 — Wolf Eyes (Phreedom Hall): Quite possibly the best band Michigan’s produced since the Stooges. Really, I believe that!
10:35 — Human Eye (Turners Tavern): Second-best Michigan band after Wolf Eyes! What is it with Michigan and eyes anyway? The dang place looks like a glove!
11:05 — CAVE (Goosebump Galley): One of the highlights of Cropped Out #1, along with a chaotic drunken Oaks night two years ago, Cave brings some sorta kraut-y dance party for yo’ dome.
11:45 — Matt Sweeney & Bonnie “Prince” Billy (Phreedom Hall): We’ll be honest, we haven’t been a huge Billy fan, but Superwolf, the album these two geniuses recorded over five years ago, was a damn fine moment. Everybody rub your belly!
At midnight Saturday night, our Stop Drink Listen friends will be hosting an after-party with Endless Boogie’s Paul Major, also at Seidenfaden’s (more information here: https://www.facebook.com/events/594751607224434/).
SUNDAY, SEPT. 29
9 p.m. — Freakwater (Phreedom Hall): C’mon, do I really have to tell you anything about Freakwater? Sheesh, I’m tired already.
10:30 — Lambchop (Phreedom Hall)
If that wasn’t enough information for you, you can find out more at www.croppedoutmusic.com. And you can download a really great mix of this year’s artists there! And buy tickets, if you haven’t already. What are you waiting for?
OH YEAH! Cropped Out REALLY starts on Thursday, if you’re so inclined, with the BEER & VOODOO Wild & Woolly/Cropped Out 2013 Pre-Party with Sublime Frequenciesat the Dreamland Film Center! Filmmaker/documentarian/world traveler Hisham Mayet will be presenting two films, Vodoun Gods on the Slave Coast (at 7:30pm) and The Divine River: Ceremonial Pageantry in the Sahel (at 9:00pm). More information is here: https://www.facebook.com/events/504642746296711/.
Whew! Now I gotta go take a nap so I have enough energy for this weekend…
UPDATE, 9/27/2013: THE CORRECT SET TIMES ARE NOW UP! For some reason, we “copied” the scheduled published in the LEO Weekly, which was inaccurate. We regret the error. Always on time, peoples!
Wednesday, October 23rd at GREENHAUS 2227 S. Preston 7 PM, $6
R. KEENAN LAWLER is a guitarist who has collaborated or performed with a wide range of forward-thinking musicians and mavericks including Rhys Chatham, John Butcher, Eliott Sharp, Charalambides, Ignaz Schick/Perlonex, Kaffe Matthews, Burning Star Core, Jason Kahn, Ut Gret, Kevin Drumm, Helena Espvall, Ian Nagoski, Alan Licht, Taksuya Nakatani, Bhob Rainey, Eric Carbonara and Joseph Suchy. TIM BARNES is a percussionist and electronic musician who has played with Jim O’Rourke, Silver Jews, Neil Michael Hagerty and the Howling Hex, The Tower Recordings, The For Carnation, and MV+EE. He also runs the newly-resuscitated Quakebasket label. Recently Lawler and Barnes collaborated as a duo at the Louisville Experimental Festival this past June.
Combining boundless creative imagination with a deep reverence for American folk, blues and country music, MARISA ANDERSON‘s guitar playing is fluid, emotional, dexterous and original. Signal to Noise magazine calls Anderson’s guitar work “Utterly fabulous”, TIme Out London refers to her playing as “Stunning…haunting and evocative”, Pitchfork calls her latest record, ‘Mercury’, ”Brilliant” and Wire Magazine says, “Her sound has strength in restless variety…Anderson’s playing is heartfelt and utterly American, free from grandstanding and steeped in respect for the old tradition.”
Watch MARISA ANDERSON play a song from her set at Mississippi Studios in Portland this past June here:
NEW MOTHER NATURE(Louisville, Kentucky) TOM CARTER (Brooklyn, NY) JONATHAN WOOD & LOWE SUTHERLAND (Louisville, KY; members of OLD BABY and SAPAT) CIAN NUGENT(Dublin, Ireland; on VHF)
Wednesday, September 11th atTHE NEW VINTAGE 2126 S. Preston
8 PM, $6, 21-and-over!
(Photo of New Mother Nature by Tim Furnish.)
NEW MOTHER NATURE is a relatively new band on the Louisville scene, but filled with familiar faces. Members of NEW MOTHERNATURE are current or former members of Old Baby, The Phantom Family Halo, Natural Geographic, and many more. They quickly became one of our favorite Louisville bands, and we think you’ll like ‘em as well. Their sound “is rich with straight-forward melodies… all while maintaining a sense of playful, if cautious experimentation.” — Syd Bishop, LEO Weekly.
(Photo of Tom Carter by Martha Colburn.)
Although best known for his work with iconoclasts Charalambides, which he co-founded with Christina Carter in 1991, TOM CARTER has recently focused on his solo performances and recordings, which have increasingly featured visual components – including collaborations with filmmakers Martha Colburn and Margarida Garcia. Currently, Carter is on a solo US tour with New Zealand’s Gate, and working on two solo LPs for release in 2014. TOM CARTER is also well-known for collaborations with other musicians. Fellow travelers have included Marc Orleans (Sunburned Hand of the Man), Ben Chasny (Six Organs of Admittance), Tom Surgal, Marcia Bassett, Paul Flaherty, Thurston Moore (Chelsea Light Moving), Dredd Foole, Loren Connors, Pip Proud, Jandek, Bardo Pond, Steve Gunn, and Matt Valentine, among many others. Over the past decades, he refined his evolving ideas of tonal immersion (and the quest for the perfect fuzz tone) into a layered sonic toolkit of rough beauty. He now lives in New York City.
JONATHAN WOOD & LOWE SUTHERLAND are known to connoisseurs of Louisville music, primarily for their main musical vehicles Old Baby and Sapat, respectively. They’re taking a dynamic duo detour down a ramshackle dirt road, riding a pink Cadillac into the sunset of a February night. Will they fly off the handle, riding high like Thelma & Louise James Taylor and Dennis Wilson into an expansive western sky? Or will they keep it down-to-earth, dusting up your jacket and filling your lungs with exhaust while they peel out, squealing their tires? There’s only one way to find out, dear listener…
CIAN NUGENT is a guitar player and composer from Dublin, Ireland who combines personal passions, such as suburban/coastal blues, traditional musics, late 1960s & ’70s singer-songwriters, jazz ambitions, 20th century composition and the Takoma school into a deeply personal style. His music boasts an orchestrated and fully instrumented sound that is playful and eerie at the same time. In the past he has toured with people such as Jack Rose, Glenn Jones, Micah Blue Smaldone, Ben Reynolds, Nalle, The Family Elan, George Stavis, Jozef van Wissem, C Joynes, Peter Delaney, Thinguma*jigSaw and James Blackshaw throughout Europe and the United States.
Thursday, August 29th at GREENHAUS 2227 S. Preston 7 PM, $6
DAVID GRUBBS is an associate professor in the Conservatory of Music at Brooklyn College, CUNY, where he also teaches in the MFA programs in Performance and Interactive Media Arts (PIMA) and Creative Writing. He is the author of the forthcoming book Records Ruin the Landscape: John Cage, The Sixties, and Sound Recording (Duke University Press). GRUBBS has released twelve solo albums and appeared on more than 150 commercially released recordings. He is known for his cross disciplinary collaborations with writers such as Susan Howe and Rick Moody, and with visual artists such as Anthony McCall, Angela Bulloch, Cosima von Bonin, and Stephen Prina. His work has been presented at the Solomon R. Guggenheim Museum, MoMA, the Tate Modern, and the Centre Pompidou. GRUBBS, a Louisville native, was a member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and he has performed with the Red Krayola, Will Oldham, Tony Conrad, Pauline Oliveros, and Loren Connors, among many others. He directs the Blue Chopsticks record label and is a member of ISSUE Project Room’s Board of Directors. Grubbs was a 2005-6 grant recipient from the Foundation for Contemporary Arts and was recently featured in Augusto Contento’s documentary film Parallax Sounds.
Comprised of electronic drums, keyboards, bass, and effected guitar, VISITING NURSE features long time collaborators Jon Hill, Mike Seymour, and Syd Bishop creating music that seems to somehow straddle the gap between the organic and inorganic, a cyborg pastiche of jazz influenced composition, and rigid structures. For fans of Boards of Canada, Clams Casino, and Biosphere.
I have to admit, last year’s CROPPED OUT Festival would be difficult for anyone, much less our fearless friends and heroes, to top. Jandek, Eugene Chadbourne (yes, people born after 1970 know who he is), Neil Hamburger, The Ritchie White Orchestra, Merchandise, Papa M, and Wooden Wand were just some of the many, many memorable performances of the weekend (and by memorable, I also mean I won’t ever forget seeing that naked guy from Guerilla Toss, no matter how much I try!). Following up last year’s fest is on a magnitude with winning the NCAA basketball tournament two years in a row…
So it’s even more surprising that not only did our CROPPED OUT pals not blow it this year as the musical equivalent of the first round of the NIT (heh heh), but, to mix sports metaphors, they knocked it OUT OF THE PARK yet again this year! This year’s CROPPED OUT lineup (with picks to click in bold):
Mayo Thompson And The Corky’s Debt Band performing Corky’s Debt To His Father Endless Boogie
Lambchop The Endtables Wolf Eyes Blues Control Shit And Shine Bill Orcutt/Chris Corsano CAVE Connections Montag Hair Police Human Eye
Spray Paint Watery Love Steve Gunn
Cop City Chill Pillars
Running Salad Influence
Rinehart Jaye Jayle
Skimask Juanita Neighbor
Kal Marks Asm A Tik
Tom Blacklung & The Smokestacks Thee Open Sex
Today’s Hits
New England Patriots
Quail Bones
Tweens White Reaper
Spelling Bee
I’ve been assured that plenty more surprises are on the way, so vote early, vote often! Er… buy your tickets now! Here’s the details:
Two-day combo passes (which include Friday and Saturday, but not Sunday’s separate closing party) are on sale now at Astro Black Records and online. There will be a limited amount of combo passes available for the almost inconsequential amount of $35, and once those are gone, you can still purchase them in advance for the very reasonable price of $40. Day-of-show combo passes are $50, so save a few shekels and purchase them now!
The closing party, which will be headlined by Lambchop, will be a more intimate affair, and located off the festival grounds at the incredible and historic Workhouse Ballroom, a semi-secret, pre-Civil War manmade cavern. Referred to locally as “The Cave,” it once served as a debtor’s prison, and is a wonderous place to see a musical performance. Consider it a kind of wind-down from the insanity of the weekend. It’s ticketed separately, so if you want to catch Nashville’s finest, along with a TBD support act, be sure to pick up a ticket.
The Other Side of Life 