Category Archives: Download

Hugh Hopper, R.I.P.

(Image of Hugh Hopper taken from Wikipedia.)

I’m seeing news on the internet — though not confirmed by any news organizations yet — that former Soft Machine bassist Hugh Hopper has died. His Wikipedia entry, which mentions his year-long struggle with leukemia, gives the date as “June 2009.” No additional information is available on his official website.

Hopper’s 1973 album 1984 has long been a favorite of mine. His first solo album after leaving the Soft Machine, 1984 combines Hopper’s excellent jazz playing with some experimental processes, especially tape loops, to great effect. It’s fitting that this album, based on the futuristic novel by George Orwell, still sounds ahead of its time.

(1984 cover image from http://www.progarchives.com.)

Download 1984 here.

Tie Me to the Listenin’ Post: 5/31 – 6/5

(photo swiped from http://hadleighhighlibrary.wordpress.com/about/.)

John Fahey, The Yellow Princess CD
Grizzly Bear, Veckatimest CD (Warp)
Extra Golden, Thank You Very Quickly CD (Thrill Jockey, available here)
Bill Callahan, Sometimes I Wish We Were an Eagle CD (Drag City)
Big Business, Mind the Drift CD (Hydra Head)
Spacemen 3, The Perfect Prescription CD
Iggy Pop, Preliminaries CD
Savath & Savalas, La Llama CD (Stones Throw)
Etran Finatawa, Desert Crossroads CD (available here)
The Damned, Machine Gun Etiquette CD
Freddie Hubbard, Without a Song: Live in Europe 1969 CD
Sir Richard Bishop, The Freak of Araby CD (Drag City)
Swans, The Great Annhilator CD
V/A, The Roots of Nick Cave CD
Sperm, Shh! LP (Destijl)
V/A, Mexique: Fetes de San Miguel Tzinacapan mp3s
Oneohtrix Point Never — Ruined Lives, Betrayal in the Octagon, and Young Beidnahga mp3s
Gas, Konigsforst 2LP

Last updated Tuesday June 2, 2009.

Tie Me to the Listenin’ Post: 5/24 – 5/30

(image swiped from http://www.telegraph-office.com/pages/wireless_gallery.html.)

Group Doueh, Guitar Music from the Western Sahara and Treeg Salaam LPs (Sublime Frequencies, available here and here)
Omar Souleyman, Highway to Hassake: Folk and Pop Sounds of Syria 2LP (Sublime Frequencies)
V/A, Ethiopian Modern Instrumentals Hits LP (L’Arome)
Noah Howard, At Judson Hall LP (ESP-Disk, available here)
V/A, “Musiques de l’Asie Traditionnelle vol. 4: Tibet LP (Playa Sound)
Art Blakey & the Jazz Messengers, Soul Finger CD
The Field, Yesterday and Today CD (Kompakt)
Vieux Farka Toure, Fondo CD
V/A, Phantom Guitars CD
Jimmy Cliff, The Harder They Come CD
Elvis Presley, Roustabout LP
Boards of Canada, Music Has the Right to Children CD
Kardinal Offishal, Not 4 Sale CD
Ennio Morricone, Film Music Vol. 1 CD
Big Business, Mind the Drift CD (Hydra Head)
Patto, s/t CD
Iggy Pop, Preliminaries CD
Fire on Fire, The Orchard CD (Young God)
The Inner Space, Agilok & Blubbo CD (Wah-Wah)
DJ Shadow, Endtroducing CD
V/A, Ghana Soundz Vol. 2 CD
Hawkwind, In Search of Space CD
The Damned, Machine Gun Etiquette CD
Saccharine Trust, Past Lives CD
Richard Hell & the Voidoids, Blank Generation CD
Extra Golden, Thank You Very Quickly CD (Thrill Jockey)
James Blackshaw, The Glass Bead Game CD (Young God)
J.G. Thirlwell, The Venture Bros.: The Music of J.G. Thirlwell CD
The Stooges, S/T CD
Iron & Wine, Around the Well CD (Sub Pop)
V/A, 1970’s Algerian Proto-Rai Underground CD (Sublime Frequencies)

Last updated on Tuesday, June 2, 2009.

Bassekou Kouyate & Ngoni Ba, Segu Blue (Analog Africa/Open House)

Yet another review appeared in LEO Weekly today, this time of Bassekou Kouyate & Ngobi Ba’s Segu Blue. Unfortunately, due to space constraints there isn’t much mention of the actual music, but whatever:

Given the recent collaboration between Bela Fleck and Malian kora player Toumani Diabate, it’s possible that there’s been no greater spotlight on the West African nation at any other time than right now. Fortunately, all the attention on Mali is casting some light on other worthwhile players as well. Countryman Bassekou Kouyate plays the ngoni, a six-stringed instrument, which is arguably less complex than Tiabate’s 21-stringed kora, but still retains a beautiful melodicism. Kouyate’s 2007 album Segu Blue, issued in the United States this year, contains all the beauty one has come to expect from acoustic music from Mali. And on the blue “Lament for Ali Farka,” a requiem for the departed guitarist Ali Farka Toure, Kouyate and his group Ngoni Ba emerge from the shadows cast by their better-known comrades.

Commenter Dan Hirsch on a Facebook link I posted with the review says they’ll be touring the US next spring, so that’s pretty cool. In the meantime, you can download Segu Blue here.

Tie Me to the Listenin’ Post: 5/10 – 5/16

(image swiped from bridell.com; read about Ben Rubin and Mark Hansen’s Listening Post installation here: http://bridell.com/tag/listening-post/)

Music listened to during the week from Sunday, May 10 to Saturday, May 16:

Pere Ubu, Dub Housing (Chrysalis) LP (available here)
Harappian Night Recordings, The Glorious Gongs of Hainuwele mp3s
Philip Glass, Music In Similar Motion and Music in Fifths (Chatham Square) LP
The George-Edwards Group, 38:38 (Drag City/Galactic Zoo Disks) LP (available here)
Vinko Globokar/Luciano Berio/Karlheinz Stockhausen/Carlos Roque Alsina, Discours II pour cinq trombones/Sequenza V for trombone solo/Solo fur Melodie-Instrument mit Ruckkopplung/Consecuenza op. 17 fur Soloposaune (Deutsche Grammophon) LP
John Wiese & C. Spencer Yeh, Cincinnati mp3s
Hecker, Acid in the Style of David Tudor mp3s
Morton Feldman, Triadic Memories mp3s
T.P. Orchestre Poly-Rythmo, Kings of Benin Urban Groove 1972-1980 CD
Dead Child, Attack CD
Double Dagger, More CD
V/A, Welcome to the Party CD
The Original Modern Lovers, s/t CD
Dungen, 4 CD
Iggy and the Stooges, Raw Power CD
Doug Paisley, s/t CD
Bassekou Kouyate & Ngoni Ba, Segu Blue 2LP
Omar Souleyman, Highway to Hassake: Folk and Pop Sounds of Syria CD
J.D. Emmanuel, Solid Dawn: Electronic Works 1979 – 1982 mp3s
Scott Walker, Scott 3 and Tilt CDs
Alice Coltrane, Eternity CD
Bill Callahan, Sometimes I Wish We Were an Eagle CD
Pearls Before Swine, The Use of Ashes CD
Astor Piazzolla, Essential Tango CD
Roy Ayers Ubiquity, He’s Coming CD
Bob Dylan, Together Through Life CD
V/A, Ghana Soundz Vol. 2: Afro-Beat, Funk and Fusion in 1970’s Ghana CD
Wooden Shjips, Dos CD
39 Clocks, Zoned CD
Shedding, the Poison Arrows, Spritely — live at Skull Alley

Last updated on Sunday, May 17, 2009.

Sir Victor Uwaifo, Guitar Boy Superstar 1970 – 76 (Soundway)

(Cover image taken from LEO Weekly.)

I haven’t written reviews in a while, but I’m getting back into that game, starting today. In this week’s edition of LEO Weekly, Louisville’s only alt-weekly, you can find my byline on this review of the Sir Victor Uwaifo Guitar Boy Superstar compilation:

For many years, most African music remained unavailable to Americans. Aside from rare finds in immigrants’ shops, and sounds lucky to make it through to the world music circuit, the majority of the best African music remains unheard by Western ears. However, thanks to enterprising record labels such as Soundway (curators of the fantastic Ghana Soundz and Nigeria Special compilations), many gems are now available. Soundway’s latest compilation is of 1970s works by Nigeria’s Sir Victor Uwaifo, the first African recording artist to be awarded a gold disc, yet criminally unknown here. Uwaifo’s “ekassa” songs are generally brief and melodically sweet, with virtuosic guitar leads sometimes missing from Afrobeat. Yet Uwaifo’s music, while mellower than his confrontational countryman Fela, retains a timeless urgency.

Buy it from Forced Exposure here: http://www.forcedexposure.com/artists/uwaifo.sir.victor.html. (Looks like the vinyl is sold out.)

I’ll put up a link to download it shortly, as the one on this old post expired.

UPDATE, 2:30 PM: Download it here for a limited time.

The Web, Live (Last Year)

A kind soul on the Louisville Hardcore forum hipped us to this great video posted just a few days ago of the Web performing at the Pour Haus in Louisville last year (click on the link, for some reason WordPress doesn’t like Vimeo‘s embed code). The two songs they perform are “The Handcuff Hoax” (from the “Azuza Inkh” 7″) and “Undercover Action” (a version of this made an appearance on the Louisville Sonic Imprint compilation).

If you’re not familiar with the Web, don’t fret. We didn’t write about it here at the time, but we wrote this little entry from our sister blog, State of the Commonwealth:

We can’t fucking believe it. Really. Sorry for the expletive and all, but one of Louisville’s best-ever bands — and I don’t just mean that lightly — is reuniting to play a show at the Pour Haus next week, opening for another fantastic band, the mighty (and mighty long-running) Pere Ubu. That’s right, The Web is back (description by The Web’s frontman Tony Hoyle, from show promoter/Black Velvet Fuckere/Sapat mainman Kris Abplanalp’s Myspace bulletin):

The Web, a rock band from Louisville, Kentucky, was formed in 1993. Distributed by labels Drag City, Damn Entertainment, and Ear X-tacy Records, The Web released two 45” singles, a 12” EP, and a full-length CD, “Fruit Bat Republic.” Prior to its temporary dissolution in 1998, The Web produced its magnum opus, “Chlydotorous Scrotodhendron”; the masters of these recordings have been unearthed and are set for a highly-anticipated label distribution this summer!

Among The Web’s many performances during the 1990s, it hit the road with recording artists Sebadoh, traveling throughout the Eastern half of the U.S.. Originally formed as a trio, The Web later expanded to an octet. However, most performances featured the classic quintet reforming this year: Andrew Willis on guitar; Gary Pahler on drums; Jason Hayden on guitar and bass; Steve Good ..boards, clarinet, bass clarinet and saxophone; Tony Hoyle on microphone.

Now some readers might not be convinced by that description, and that’s understandable, even if we would describe the Web as somehow a mixture of a great love for Captain Beefheart, the Stooges, the Fall, Neu!, Faust, G. Gordon Liddy, comic books, college basketball, science fiction, and well-brand liquor. Here at State of the Commonwealth, we truly believe in the “try before you buy” ethos of music on the internet, with both parts being key. So in favor of that policy, we’ve decided to upload a few tracks by the Web for you, our dear readers, to peruse at your leisure. If you like them, please do yourself a favor and see this awesome band live, next Friday the 22nd of March, at the Pour Haus. First, we have a zip file containing the Web’s first 7″ entitled “Azuza Inkh” — with the songs “Azuza” and “The Handcuff Hoax” and their 12″ EP record “The Pentagon,” featuring “Hail to the Chief,” “Rebel Yell” (parts 1 and 2) and “Five”:

The Web – “Azuza Inkh” 7″, “The Pentagon” 12″ (link disabled)

Then, as if that wasn’t enough, we’ve got zip files one song from their 1998 CD Fruit Bat Republic entitled “Tick” (a great little sorta almost Afropop-ish number) plus a live song “The Pentagon” from the Sourmash: A Louisville Compilation CD for your downloading pleasure:

The Web, “Tick” (link disabled)
The Web, “The Pentagon” (link disabled)

In fact, the only stuff by the Web that we don’t have digitized (but have on vinyl) is the “Freedom Hall” 7″. Can anybody send us that, please?

Anyway, both Fruit Bat Republic and Sourmash: A Louisville Compilation are on sale at ear X-tacy for $1.99 a piece. So if for whatever reason you can’t make the show, you owe it to yourself to pick up two great slices of Louisville music history, for super-cheap!

Because we’re nice, and because it’s nearly a year later, we’re gonna re-up those downloads, right here:

The Web – “Azuza Inkh” 7″, “The Pentagon” 12″
The Web – “Tick” from Fruit Bat Republic
The Web – “The Pentagon” from Sourmash: A Louisville Compilation

Freddie Hubbard, R.I.P.

(Photo of Freddie Hubbard by John McKenzie from www.jazzprofessional.com)

Sad to say that another jazz great has passed. Trumpeter Freddie Hubbard died today at the age of 70 (from the Associated Press):

Freddie Hubbard, the Grammy-winning jazz musician whose style influenced a generation of trumpet players and who collaborated with such greats as Ornette Coleman, John Coltrane and Sonny Rollins, died Monday, a month after suffering a heart attack. He was 70.

Hubbard died at Sherman Oaks Hospital, said his manager, fellow trumpeter David Weiss of the New Jazz Composers Octet. He had been hospitalized since suffering the heart attack a day before Thanksgiving.

A towering figure in jazz circles, Hubbard played on hundreds of recordings in a career dating to 1958, the year he arrived in New York from his hometown Indianapolis, where he had studied at the Arthur Jordan Conservatory of Music and with the Indianapolis Symphony.

Soon he had hooked up with such jazz legends as Thelonious Monk, Miles Davis, Cannonball Adderley and Coltrane.

“I met Trane at a jam session at Count Basie’s in Harlem in 1958,” he told the jazz magazine Down Beat in 1995. “He said, `Why don’t you come over and let’s try and practice a little bit together.’ I almost went crazy. I mean, here is a 20-year-old kid practicing with John Coltrane. He helped me out a lot, and we worked several jobs together.”

In his earliest recordings, which included “Open Sesame” and “Goin’ Up” for Blue Note in 1960, the influence of Davis and others on Hubbard is obvious, Weiss said. But within a couple years he would develop a style all his own, one that would influence generations of musicians, including Wynton Marsalis.

“He influenced all the trumpet players that came after him,” Marsalis told The Associated Press earlier this year. “Certainly I listened to him a lot. … We all listened to him. He has a big sound and a great sense of rhythm and time and really the hallmark of his playing is an exuberance. His playing is exuberant.”

Hubbard played on more than 300 recordings, including his own albums and those of scores of other artists. He won his Grammy in 1972 for best jazz performance by a group for the album “First Light.”

As a young musician, Hubbard became revered among his peers for a fiery, blazing style that allowed him to hit notes higher and faster than just about anyone else with a horn. As age and infirmity began to slow that style, he switched to a softer, melodic style and played a flugelhorn. His fellow musicians were still impressed.

In tribute we’re posting one of his more out-there titles, Sing Me a Song of Songmy, a collaboration from 1971 with the Turkish electronic composer Ilhan Mimaroglu. You can download the album here.

Yoshi Wada Reissues

Yoshi Wada, “Lament for the Rise and Fall of the Elephantine Crocodile”

Yoshi Wada, “Off the Wall”

Yoshi Wada, “The Appointed Cloud”