Category Archives: Music This Weekend

MUSIC and ART This Weekend, 11/17-11/20

There’s a lot of things going on this weekend to tell you about, so let’s get started…

Tonight, at the Clifton Center, none other than BASSEKOU KOUYATE AND NGONI BA will be performing. We wrote about their album Segu Blue way back in 2009 here:

Given the recent collaboration between Bela Fleck and Malian kora player Toumani Diabate, it’s possible that there’s been no greater spotlight on the West African nation at any other time than right now. Fortunately, all the attention on Mali is casting some light on other worthwhile players as well. Countryman Bassekou Kouyate plays the ngoni, a six-stringed instrument, which is arguably less complex than Tiabate’s 21-stringed kora, but still retains a beautiful melodicism. Kouyate’s 2007 album Segu Blue, issued in the United States this year, contains all the beauty one has come to expect from acoustic music from Mali. And on the blue “Lament for Ali Farka,” a requiem for the departed guitarist Ali Farka Toure, Kouyate and his group Ngoni Ba emerge from the shadows cast by their better-known comrades.

You can buy tickets here: http://www.cliftoncenter.org/?post_type=events&p=144. The Clifton Center is located at 2117 Payne Street, just off Frankfort Avenue. Tickets are $20 and the doors are at 7:30 PM.

Tomorrow night, KING’S DAUGHTERS & SONS make a rare appearance at 21C with SELUAH. Read an exciting interview with KD&S in this week’s LEO here: http://leoweekly.com/music/justice-served-king%E2%80%99s-daughters-sons. Doors are at 8 PM, and it costs $10.

Finally, tomorrow night is the opening reception of THE EXPANDED MUSIC PROJECT, a new show at the LAND OF TOMORROW gallery exploring the relationship between music and art. Here’s their description (with more information here: http://www.landoftomorrow.org/events-exhibitions/expanded-music-project/):

Land of Tomorrow (LOT) is pleased to present the Expanded Music Project, a showcase of work illustrating the intersection between art and music.  The opening reception will be held at our Louisville location on November 18th from 7pm, and the show will run through the 3rd of January.  Included in this exhibition will be work by Heather Cantrell, Aurora Childs, Saiman Chow, Hirsuta, Geneva Jacuzzi, Leslie Lyons, Andrea Stanislav, Thieves Like Us, as well as Raurouw with Shedding, Peaking Lights with artist Letitia Quesenberry, and musician EMA with artist Jacob Heustis.

The premise of this show is to highlight the fluidity between creative forms and artistic practices.  The influence of album art, video production, stage design, graffiti, and the appropriation tactics of remixing have established an ongoing conversation between artists and musicians.  This dialogue between visual artist and musician continues to play a major role, and creative forces as diverse as Elvis, The Velvet Underground, Talking Heads, Pink Floyd, and Afrika Bambaataa have delved into the realms of the visual and the auditory to produce work that both fields accept and champion.

The show will be up through January 3rd, but tomorrow night is a great chance to see it first. And it’s free! LAND OF TOMORROW is located at 233 W. Broadway, in the St. Francis High School Building.

A CROPPED OUT Summary: Or Louisville’s Best Music Weekend Ever

Hey Louisville, if you weren’t at CROPPED OUT at some point during this past weekend, you really missed something quite special. It wasn’t just that there were a buncha noisy, arty bands and rock n’ roll and whatnot. There was actually a quite palpable community spirit, evidenced by the smiles, high-fives, and general fun it seemed that most everybody had. Didn’t hurt that some of the best weather of the fall made it possible for lots of bands to play outside, too. So here’s a quick rundown of best parts of the festival, complete with crappy pictures from my cellphone.

DAY 1 — FRIDAY, NOVEMBER 11th: Though it got started way early on Friday afternoon, and there was some noise issues early on, Friday was a good start, especially for the Louisville bands on the bill. SAVAGES played immediately after LEARNER DANCER, both of which brought forceful, guitar-heavy rock (the former more in a pop vein, while the latter mined some heavy Sonic Youth-style dissonant territory).

Shedding

One of the early Friday highlights was, of course, Louisville’s SHEDDING (disclaimer: Connor and I are buds, but even if we weren’t, I’d still love his music). Despite his talk of being influenced by RUSH, Connor really brought more of a CURRENT 93 vibe, perfectly mellow yet eerie.

Shit & Shine

Another Friday highlight was Austin, Texas’s SHIT & SHINE, which featured none other than the BUTTHOLE SURFERS’ KING COFFEY on percussion. Tribal, BOREDOMS-esque throb with synth squiggles and CB radio nonsense. Totally fun.

Other Friday night highlights included (in no particular order):
1. apologizing to KING COFFEY for talking his ear off at SxSW ’07
2. MOUNT CARMEL — and the revelation afterwards that KING has never seen ZZ TOP!
3. bonfires (more on them later)
4. hangin’ with MV + EE‘s dog Zuma
5. SHIT & SHINE‘s bunny suits
6. MV + EE singing “Fire on the Mountain” at the end of a fantastic set backed by TIM BARNES and CHRIS from the CHERRY BLOSSOMS (thanks for the beers!)
7. Locals ALCOHOL PARTY, NATIVES, ANWAR SADAT, and AXEL COOPER showing how it’s done
8. Chorizo taco from the Holy Mole Taco Truck
9. Good times with friends old and new
10. Beer

DAY 2 — SATURDAY, NOVEMBER 12th: Saturday started inauspiciously as I showed up to the venue, the CRUMMY DEN, way early, so I wandered over to the FLEA OFF MARKET (where I bought an excellent book of photography from Louisville Hardcore’s poet laureate, Mr. BRETT EUGENE RALPH), then had lunch at the Blind Pig. Missed most of the early sets due to some errands I had to run, but caught a little bit of VIDEO DAUGHTER, who were okay.

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Two Good Shows This Weekend!

To be honest, we’re not huge fans of Halloween cover band shows. With the exception of the fantastic Jesus Lizard cover band show from a couple years back (R.I.P. Tony Bailey), usually it seems like most bands take the easy route and just do the same Misfits set or whatever. Yawn.

However, an exception to that rule is Louisville’s WAX FANG, which apparently pulled off Prince’s Purple Rain like it was no big deal. This year, they’re paying tribute to the Velvet Underground, one of our faves of all time! No word on which eras of VU will be represented, but I’m assuming it’s not gonna be just Doug Yule stuff from Squeeze or somethin’.

Another highlight of that same show will be THE BAD REEDS as the Plastic Ono Band (though again, it’s not clear entirely if they’ll be playing Yoko or John material). The show’s at ZANZABAR, which of course is at 2100 S. Preston. 9 PM, 21+, $10.

Also tomorrow night brings NYC post-hardcore chugga-chugg purveyors HELMET. If you’re like me, Meantime was one of your favorite albums at 16, mainly because it sounded like Sabbath played at 45 (with Ozzy’s vocals pitched down to 16 RPM)! TROPHY WIVES are the only opener we know of, but they pretty much rule, so that’s that. At the ridiculously still-chooglin’ PHOENIX HILL TAVERN, 7 PM, 21+ $15.

OBITS, BOTTOMLESS PIT, and STATE CHAMPION at Club 21, Thursday, October 20th

Our friends at CROPPED OUT are bringin’ it tomorrow night! Three great bands at Club 21 (formerly the Pour Haus, where you saw Pere Ubu, remember?). Here’s the details:

Cropped Out Presents
A very special evening of rock’n’roll music with:

OBITS (ex-Hot Snakes/Drive Like Jehu — from Brooklyn)
http://obitsurl.com/

with

BOTTOMLESS PIT (ex-Silkworm — from Chicago)
http://bottomlesspit.us/

and

STATE CHAMPION (“Deep Shit” record release show — from Louisville)
http://statechampion.tumblr.com/

Thursday, October 20th
Club 21 (formerly the Pour Haus)
Doors at 8. Show at 9.
$10. 21+.

Advance tickets available at:
http://www.ticketfly.com/event/59291

Be there! We will.

James Elkington & Nathan Salsburg, Avos (Tompkins Square)

This week’s LEO Weekly features my review of the new album by James Elkington & Nathan Salsburg, Avos:

Louisville resident Nathan Salsburg is an archivist for the Alan Lomax Archive and a music columnist for LEO Weekly. (Disclaimer: I’ve been friends with Nathan since middle school, and we occasionally collaborate on promoting musical events in town). What is perhaps less known by the public at large is Salsburg’s prowess at the finger-picking guitar style established in the 1960s and ’70s by John Fahey and others, as he’s previously only released one song, on the Tompkins Square label’s Imaginational Anthems compilation series. His new collaboration, Avos, with Chicago-based guitarist James Elkington, as well as his upcoming solo debut Affirmed, should definitely garner Salsburg some well-deserved praise as a guitarist. Avos is intricately composed, yet has a fresh, contemporary sound without feeling too gimmicky or of-the-moment. Salsburg and Elkington tastefully show enough dexterity to make the listener wonder, “How’d they do that?” without being too flashy. Rather, Avos is a slightly melancholy affair, with plenty of melodic, serene moments to match the six-string sleight-of-hand.

Buy it from Tompkins Square here: http://www.tompkinssquare.com/avos.html.

And don’t forget, Nathan will be playing a solo set with Glenn Jones this Friday at the Clifton Center. Details (including a link to purchase tickets) here: https://othersideoflife.wordpress.com/2011/10/10/glenn-jones-and-nathan-salsburg-at-the-clifton-community-center-friday-october-21st/.

GLENN JONES and NATHAN SALSBURG at the CLIFTON CENTER, Friday, October 21st

The Other Side of Life is proud to present:

Thrill Jockey recording artist GLENN JONES (from Massachusetts, founder of CUL DE SAC)

with special guest:
NATHAN SALSBURG (from Louisville, Kentucky; debut album forthcoming on No Quarter)

Friday, October 21st at 8 PM
Clifton Center, Community Room
2117 Payne Street
Louisville, KY 40206
$8 advance tickets available exclusively online at TicketFly, $10 day of show
ALL AGES WELCOME.

GLENN JONES has been called “the best guitarist you never heard ofby the Boston Globe. A 30+-year devotee of the so-called American Primitive school of acoustic steel string guitarists, GLENN JONES has been playing guitar since the age of 14. He formed Boston pysch-rock band, CUL DE SAC, in 1989 and led it on its 20 year journey to nowhere, leaving nine albums in its wake, including collaborations with guitarist John Fahey and Can’s Damo Suzuki. The Wanting is JONES’ first album for the esteemed Chicago-based Thrill Jockey label, and features his beautiful guitar and banjo compositions, as well as a collaboration with percussionist Chris Corsano. The Utne Reader calls JONES “an incredibly adept fingerstyle guitarist whose technique always remains in service of the song… His vigorous leaps are daring but never reckless, and nearly always sublime.”

GLENN JONES was recently profiled on NPR’s Weekend Edition Saturday, which you can listen to here: http://www.npr.org/2011/10/01/140935915/a-singular-guitarist-emerges-from-john-faheys-shadow.

NATHAN SALSBURG is an archivist, producer, guitarist and writer based in Louisville, Kentucky. He has worked for the Alan Lomax Archive since 2000, for which he currently serves in the capacities of production manager, photo and video archivist, and general digital catalog editor. Since 2006 he has produced and hosted “Root Hog Or Die,” a vernacular/traditional music program on East Village Radio, and is curator of the Twos & Fews recording imprint, also a vernacular music entity, and a collaboration with Chicago’s Drag City label. SALSBURG maintains an index of on-line vernacular music resources at his blog, roothogordie.wordpress.com, and contributes occasional music writing to the Louisville Eccentric Observer and the Other Music weekly update. This past August, the Tompkins Square label released Avos, a collaboration between SALSBURG and Chicago guitarist James Elkington (formerly of the Zincs), and SALSBURG’s first solo album, Affirmed, is due November 15th on No Quarter.

Listen to “Sought & Hidden” off Affirmed here: http://noquarter.net/mp3/sought.mp3.

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=215621245171725.

To join our email list, send an email to hstencil@gmail.com.

SIX ORGANS OF ADMITTANCE at UNCLE SLAYTON’S this Thursday, August 25th

(pic swiped from Uncle Slayton’s web site.)

We really, really miss Skull Alley. Jamie Prott ran a great-sounding venue, and when we started booking shows there, we were so pleased that Jamie was super-friendly and easy to work with. We miss the DIY spirit that pervaded the place, from the mosaic-tiled bar  to the, ahem, ever-changing decor. Since the venue re-opened with a new name, Uncle Slayton’s, this spring, we haven’t been interested in going to check it out, mainly because there hasn’t been a show worth going to, in our estimation.

So it comes as a bit of a surprise that SIX ORGANS OF ADMITTANCE, the vehicle of the incredible Ben Chasny, is playing there this Thursday. Who booked this? Who cares? We’re glad! Here’s the particulars:

SIX ORGANS OF ADMITTANCE 
w/Donovan Quinn and Band of Carnies
Thursday, August 25
8:30 PM / 8:00 doors
$8 / 18+ with ID
Purchase tickets here
Experimental, Out-Folk, Pop Rock

SIX ORGANS OF ADMITTANCE is basically just one man (but what a man!) – Ben Chasny, along with whomever he ropes in for recording or for shows. This man-band started in 1997 when Ben self-released his first LP in an edition of 400, little dreaming that one day Six Organs of Admittance would sell 37 times as many records. Over the years, Six Organs has had many releases on a variety of labels, most notably Holy Mountain, and became one of the most influential sounds in the free world. In 2005, Ben found a home at Drag City and released the landmark album, School of the Flower. “Free jazz ninja drum master” Chris Corsano joined Ben and the results were a perfect blend of melody, out-folk, minimalism and noise, getting much critical applause and ending up on year-end best-of-the-year lists by magazines such as Mojo, Wire, and Magnet. Among other projects, Ben has played in the touring band of Bonnie ‘Prince’ Billy and plays guitar in the bands Current 93, Badgerlore, and Comets on Fire. Six Organs’ 10th album, Asleep on the Floodplain, released in February – ten portable slabs of home recorded blur-and-ripple (and warble) from a (mostly) acoustic man-band.

No idea who the opener(s) are, but really, if you can, you shouldn’t miss Six Organs. Ben is one of our favorite living guitarists, an absolute killer player with impeccable sensibilities. Yowza! Here’s the video for “Light of the Light,” off his new album Asleep on the Floodplain:

Oh yeah, Uncle Slayton’s is located at 1017 E. Broadway, near the corner of Broadway and Barrett. Yeah.

The Phantom Family Halo, Music from Italian T.V. (Sophomore Lounge)

Today’s edition of LEO Weekly contains my review of the new Phantom Family Halo record, Music from Italian T.V.:

Over the past year, The Phantom Family Halo released its Monoliths & These Flowers Never Die double-album and subsequently played a number of epic shows in town. Music from Italian TV continues with a pleasantly confusing blend of styles in a more concise format. Staples of their live show, like “It’s OK About the War (Gettysburg Jam)” and “Bringing Back the Dead” get a more polished, sublime treatment, while longer tracks like opener “I Believe In Everything” and “Overkirsh” present yet more experimentation, the former resembling a jam off Amon Duul’s 1969 classic Psychedelic Underground played backward and superimposed with television dialogue. There are a number of good bands in Louisville these days, but there’s not another band here, much less the rest of the nation, as inventive as The Phantom Family Halo.

Buy it from Sophomore Lounge Records.

The Phantom Family Halo performs in Louisville this Friday, Nov. 12, at 7 PM as part of Art After Dark at the J.B. Speed Museum ($5 for museum members, U of L and Bellarmine students, $15 for non-members). More information here: http://www.speedmuseum.org/calendar/Brown-Forman_Art_After_Dark.

CROPPED OUT Festival with PISSED JEANS, MAGIK MARKERS and more! Friday – Sunday, Oct. 1-3

Though we’ve been relatively inactive lately, we would be remiss if we didn’t mention the upcoming CROPPED OUT Festival, in Louisville during the first weekend in October. CROPPED OUT features some of our favorite current bands, including PISSED JEANS, MAGIK MARKERS, SIC ALPS, and many more. Also, there’s a very strong representation of Louisville musicians at the festival, so it’s not just a buncha out-of-towners. Here’s more, including the weekend’s lineup:

Ryan Davis here, just reminding you (or possibly informing you for the first time) that my friend James Ardery and I are organizing a new music festival called Cropped Out for the first weekend of October (10/1-10/3, 2010) in Louisville, KY. The bulk of the event (Saturday and Sunday) will be taking place at the American Turners Club (3125 Upper River Road) with a Friday night kick-off event just a couple doors down at Kingfish (3021 Upper River Road).

Tickets are now on sale by way of cash, check, or PayPal at Sophomore Lounge (http://sophomorelounge.com), as well as locally at ear X-tacy, Underground Sounds, and Wild & Woolly Video. Or, if you’d rather go the digital route, you can order “will call” tickets (available upon your arrival) through TicketFly… http://www.ticketfly.com/tickets/event-list/?q=cropped+out&input.x=0&input.y=0

Tickets for Friday night are $10. Tickets for Saturday are $18. Tickets for Sunday are $18. Tickets for Saturday and Sunday combined are $30. If you are cool enough of a human arts & culture machine to be interested in attending all three days, contact us directly and we will sell you all three tickets for $35.

FRIDAY NIGHT 10/1 (PFH RECORD RELEASE/CROPPED OUT KICK-OFF)
KINGFISH (3021 Upper River Rd.)

Fielded (Chicago, IL) 8-8:30
Sapat (Louisville, KY) 9-9:40
Julianna Barwick (Brooklyn, NY) 10-10:40
The Phantom Family Halo record release show (Louisville, KY) 11-11:40
Moon Duo (San Francisco, CA) 12-12:45

SATURDAY 10/2 (INSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

The Highlife (Brooklyn, NY/Chicago, IL) 4-4:30
Rabble Rabble (Chicago, IL) 4:50-5:20
LUSHES (Brooklyn, NY) 5:40-6:10
Slow Horse (Chicago, IL) 6:30-7
Prideswallower (Louisville, KY) 7:20-7:50
Wishgift (Chicago, IL) 8:10-8:40
Straight A’s (Louisville, KY) 9 9:40
Parlour (Louisville, KY) 10:05-10:45
CAVE (Chicago, IL) 11:10-11:45
Young Widows (Louisville, KY) 12:05-12:50
Pissed Jeans (Philadelphia, PA) 1:10-2

SATURDAY 10/2 (OUTSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

Alex Barnett (Chicago, IL) 1:45-2
Learner Dancer (Indianapolis, IN) 2:15-2:40
Nzambi (Louisville, KY) 2:55-3:20
SKIMASK (Boston, MA) 3:35-4
DAD (Chicago, IL) 4:15-4:45
Geffika (Chicago, IL) 5:05-5:35
Life Partner (Louisville, KY/Chicago, IL) 6-6:30
Natural Geographic (Louisville, KY) 6:50-7:20
MEAH! (Chicago, IL) 7:40-8:10
PC Worship (Brooklyn, NY) 8:30-9:10
CACAW (Chicago, IL) 9:30-10:10
Ga’an (Chicago, IL) 10:30-11:15

SUNDAY 10/3 (INSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

Brett Sova (Chicago, IL) 3:05-3:30
Sean Walsh & The National Reserve (Brooklyn, NY) 3:50-4:20
Heavy Cream (Nashville, TN) 4:40-5:10
Animal City (Chicago, IL) 5:30-6
Idiot Glee (Lexington, KY) 6:20-6:50
Warmer Milks (Lexington, KY) 7:10-7:40
Rude Weirdo (Louisville, KY) 8-8:30
FLIGHT (Taylor, MS) 8:50-9:25
Golden Boys (Austin, TX) 9:45-10:20
JEFF The Brotherhood (Nashville, TN) 10:40-11:20
Magik Markers (Brooklyn, NY) 11:40-12:40

SUNDAY 10/3 (OUTSIDE STAGE)
AMERICAN TURNERS (3125 Upper River Rd.)

Softcheque (Louisville, KY) 12:25-12:55
Reading Group (Louisville, KY) 1:10-1:35
Gangly Youth (Louisville, KY) 1:50-2:15
Spectre Folk (Brooklyn, NY) 2:35-3:05
Tinsel Teeth (Providence, RI) 3:25-3:55
PUJOL (Nashville, TN) 4:15-4:45
Giving Up (Garner, IA) 5:05-5:40
State Champion (Louisville, KY/Chicago, IL) 5:55-6:30
Catherine Irwin (Louisville, KY) 6:45-7:20
Spider Bags (Chapel Hill, NC) 7:40-8:20
King Kong (Louisville, KY) 8:40-9:20
Sic Alps (San Francisco, CA) 9:40-10:35

Our friends over at the excellent blog The Decibel Tolls have already published a preview of Friday’s acts, with more to come.

UPDATE 9/30/10: The Decibel Tolls has listed previews of Saturday and Sunday for Cropped Out.

EGRET, ELEPHANT MICAH, PILLARS AND TONGUES, MIKE TAMBURO at SKULL ALLEY, Sunday, September 5th

EGRET (from Louisville)
ELEPHANT MICAH (from Bloomington, Indiana)
PILLARS AND TONGUES (from Chicago, Illinois; on Empty Cellar Records)
MIKE TAMBURO (from Pittsburgh, PA; on the New American Folk Hero label)

Sunday, September 5th
at SKULL ALLEY
1017 E. Broadway (near the corner of Barrett and Broadway)
8 PM, $6, ALL AGES!

EGRET is a newer Louisville band composed of Greta Smith on vocals, autoharp, and guitar; Paul Rushford on lap steel and guitar; Chet Gray on cello, guitar, kazoo; and Zack Kennedy on drums and percussion. They recently released their first album Bright Up There! which can be purchased at ear X-tacy or Underground Sounds.


ELEPHANT MICAH is music by southern Indiana based singer and sound recordist Joseph O’Connell.  Taking cues from 1970s songcraft (Townes Van Zandt, Joni Mitchell) as well as midwestern lo-fi rock (Guided by Voices), ELEPHANT MICAH has gradually built a cult audience over a decade of do-it-yourself releases and tours. His latest release, Echoer’s Intent, is the first ELEPHANT MICAH album to fully foreground O’Connell as a writer and solo performer.  These minimal, mostly live recordings often approximate more “traditional” blues or Appalachian stylings.  In the same breath, O’Connell takes up imitation and authenticty as his central lyrical themes, producing an album that is both a critique and an example of what can only be termed folksploitation.

Listen to “Loon Call” by ELEPHANT MICAH here: http://www.elephantmicah.com/Loon%20Call.mp3.

PILLARS AND TONGUES is a trio based in Chicago, Illinois whose musical pursuits seem to defy genre categorization. The ongoing result of these pursuits has been called, variously, “holy” and “sexy” and it may well be the tension between these two concepts which lights the fire under (over?) PILLARS AND TONGUES. Think on those things which are so beautiful they become obscene. Speaking literally, the trio makes extended use of the human voice, violin, double bass, drums, bells and organs. The music is perhaps distinctly American in both its affair with American forms and its refusal to adhere to them at all. Their most recent album, Lay of Pilgrim Park, was released this year on Empty Cellar Records.

Listen to a track by PILLARS AND TONGUES from Lay of Pilgrim Park here: Made Sheen

MIKE TAMBURO is a 21st century Renaissance man who has forged his way into the consciousness of the American underground music community. For the past 13 years, Tamburo has been relentlessly releasing records (31 releases and counting) under different monikers and projects including Meisha, Arco Flute Foundation and various imprints under his own name. He has performed over 500 shows all over the United States, traveling to every nook and cranny, searching for some kind of an understanding of what America truly is. Though always considering himself a multi-instrumentalist, he gained fame and notoriety with his fingerstyle guitar playing and his idiosyncratic use of effects; only to swear himself off of the acoustic guitar, eventually setting it on fire and hurling it off of Pittsburgh’s 40th Street Bridge. His effects soon followed. Tamburo is a man who continues to reinvent himself, recently finding his new musical passion in the hammered dulcimer; building upon his own unique compositional stylings, he has developed a voice for the instrument that is very much his own. He is greatly inspired by American folk and minimalist music traditions as well as Indian classical music, but often expands outward to include influences from avant-garde to noise to modern compositional music. A Tamburo performance is always a very transportive experience. Tamburo is also an artist, film maker, writer, instrument builder, curator of the Fantastic Voyagers Festivals, Kundalini Yoga and Pranayama devotee, and inner state researcher; exploring alpha and theta states, floatation tanks, ethnobotany, orgone energy, and ecstatic states of being. He also runs the New American Folk Hero label, which continues to release an eclectic roster of creative and experimental musics.

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=101904136535547.

To join our email list, send an email to hstencil@gmail.com.