Category Archives: Upcoming Events

EGRET, ELEPHANT MICAH, PILLARS AND TONGUES, MIKE TAMBURO at SKULL ALLEY, Sunday, September 5th

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EGRET (from Louisville)
ELEPHANT MICAH (from Bloomington, Indiana)
PILLARS AND TONGUES (from Chicago, Illinois; on Empty Cellar Records)
MIKE TAMBURO (from Pittsburgh, PA; on the New American Folk Hero label)

Sunday, September 5th
at SKULL ALLEY
1017 E. Broadway (near the corner of Barrett and Broadway)
8 PM, $6, ALL AGES!

EGRET is a newer Louisville band composed of Greta Smith on vocals, autoharp, and guitar; Paul Rushford on lap steel and guitar; Chet Gray on cello, guitar, kazoo; and Zack Kennedy on drums and percussion. They recently released their first album Bright Up There! which can be purchased at ear X-tacy or Underground Sounds.


ELEPHANT MICAH is music by southern Indiana based singer and sound recordist Joseph O’Connell.  Taking cues from 1970s songcraft (Townes Van Zandt, Joni Mitchell) as well as midwestern lo-fi rock (Guided by Voices), ELEPHANT MICAH has gradually built a cult audience over a decade of do-it-yourself releases and tours. His latest release, Echoer’s Intent, is the first ELEPHANT MICAH album to fully foreground O’Connell as a writer and solo performer.  These minimal, mostly live recordings often approximate more “traditional” blues or Appalachian stylings.  In the same breath, O’Connell takes up imitation and authenticty as his central lyrical themes, producing an album that is both a critique and an example of what can only be termed folksploitation.

Listen to “Loon Call” by ELEPHANT MICAH here: http://www.elephantmicah.com/Loon%20Call.mp3.

PILLARS AND TONGUES is a trio based in Chicago, Illinois whose musical pursuits seem to defy genre categorization. The ongoing result of these pursuits has been called, variously, “holy” and “sexy” and it may well be the tension between these two concepts which lights the fire under (over?) PILLARS AND TONGUES. Think on those things which are so beautiful they become obscene. Speaking literally, the trio makes extended use of the human voice, violin, double bass, drums, bells and organs. The music is perhaps distinctly American in both its affair with American forms and its refusal to adhere to them at all. Their most recent album, Lay of Pilgrim Park, was released this year on Empty Cellar Records.

Listen to a track by PILLARS AND TONGUES from Lay of Pilgrim Park here: Made Sheen

MIKE TAMBURO is a 21st century Renaissance man who has forged his way into the consciousness of the American underground music community. For the past 13 years, Tamburo has been relentlessly releasing records (31 releases and counting) under different monikers and projects including Meisha, Arco Flute Foundation and various imprints under his own name. He has performed over 500 shows all over the United States, traveling to every nook and cranny, searching for some kind of an understanding of what America truly is. Though always considering himself a multi-instrumentalist, he gained fame and notoriety with his fingerstyle guitar playing and his idiosyncratic use of effects; only to swear himself off of the acoustic guitar, eventually setting it on fire and hurling it off of Pittsburgh’s 40th Street Bridge. His effects soon followed. Tamburo is a man who continues to reinvent himself, recently finding his new musical passion in the hammered dulcimer; building upon his own unique compositional stylings, he has developed a voice for the instrument that is very much his own. He is greatly inspired by American folk and minimalist music traditions as well as Indian classical music, but often expands outward to include influences from avant-garde to noise to modern compositional music. A Tamburo performance is always a very transportive experience. Tamburo is also an artist, film maker, writer, instrument builder, curator of the Fantastic Voyagers Festivals, Kundalini Yoga and Pranayama devotee, and inner state researcher; exploring alpha and theta states, floatation tanks, ethnobotany, orgone energy, and ecstatic states of being. He also runs the New American Folk Hero label, which continues to release an eclectic roster of creative and experimental musics.

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=101904136535547.

To join our email list, send an email to hstencil@gmail.com.

WAND, LITTLE GOLD, INOCULIST, STATE CHAMPION at SKULL ALLEY, Saturday, August 21st

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WAND (from Lexington, on Young God Records)
LITTLE GOLD (from NYC, on HeartBreakBeat Records)
INOCULIST (from NYC, on HeartBreakBeat Records)
STATE CHAMPION (from Louisville/Southern Indiana, on Sophomore Lounge Records)

Saturday, August 21st
at SKULL ALLEY
1017 E. Broadway, at the corner of Barrett
8 PM, $6, ALL AGES!

WAND

James Jackson Toth has been playing and recording (and releasing) music for over a decade, most notably as leader of the now-defunct New York-based collective Wooden Wand and the Vanishing Voice. After a solo album in 2007 on Rykodisc, and Thurston Moore’s Ecstatic Peace! label and the Mad Monk label, he continues under the name WAND with his new release on Michael Gira’s Young God Records label with Death Seat, due this October . Abandoning the psychedelic wail of WW&VV for a starker, more direct songwriting style, WAND’s most recent tunes are harrowing and hellaciously good. Michael Gira writes that Toth is “a passionate singer and guitar player and inhabits the songs as he performs them with straightforward, unpretentious, and confident gravitas. I’ve been listening to this record over and over for the last several months—we went through dozens of equally compelling songs before choosing the line up of tracks—and the more I listen, the more honored I am to be associated with James Jackson Toth.”

Former Woods songwriter and Meneguar member, Christian DeRoeck is back with the Completely Fucked! 7″, his second release as LITTLE GOLD. Vastly different from the melancholy country of LITTLE GOLD’s debut LP On the Knife (2009), these two songs are brimming with fuzzy guitars, sweet harmonies, and what sounds like youthful exuberance. DeRoeck’s lyrical content is morose as ever, but on this record it comes packed in two and a half-minute pop songs. The most immediate difference is the addition of Brian Markham on bass and Pat Broderick on drums, both of Brooklyn psych-rockers Ancient Sky, and Broderick of beloved DC hardcore outfit Majority Rule. Released in an initial run of 300 on NYC label HeartBreakBeat Records, this record is a taste of what’s to come. Little Gold heads back into the studio this year to record the follow-up to On the Knife.

Watch Little Gold – “Bird’s Eye” – Le Loft Rooftop from DUKE STREET on Vimeo.

Through harmony and intricate musical arrangements, INOCULIST crafts an uncompromising scape of eerie pop, jazz progressions, and the swing of old world rhythm and blues. Started as the home recording project of John Hunter (guitar, vocals) in 2005, INOCULIST is a band constantly in the mode of creation. INOCULIST currently operates as a four-piece with Ashlyn Davis (keys,vocals), Ethan Schmid (drums, banjo), and Marc Merza (bass). Their new album Spells has just been released on HeartBreakBeat Records.

STATE CHAMPION started in 2006 as a moniker for the early acoustic experiments of Ryan Davis. It has since evolved into a rock n’ roll band with a Chevy van and a vinyl record. Having created a sound that is a product of its upbringing, with Sweetheart of the Rodeo on the radio, Bleach idle in the tape deck, and a Smog song stuck in its head, Davis & Co. drive through forty minutes of sincerely howled, sloppily executed, stripped down garage-country on their full-length debut, Stale Champagne (released this year on Sophomore Lounge Records). “The band is an under-the-radar phenomenon in the making, the classic style of quality band that Louisville overlooks… The tone is just right for this type of subtle rock. A bit earnest, a bit funny, a bit smart.” – Joseph Lord, Velocity Weekly.

Check out the Facebook invite: http://www.facebook.com/event.php?eid=108166219238444.

To join our email list, send an email to hstencil@gmail.com.

Two Great Shows This Weekend!

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Louisvillians have the rare treat of two really great shows this weekend. Here’s information on both of them:

CEREBELLUM (from Louisville, on Noise Pollution)
TROPHY WIVES (from Louisville/Illinois, on Noise Pollution)
THE TEETH (from Louisville/Southern Indiana, on Noise Pollution)

Saturday, July 31
at SKULL ALLEY
1017 E. Broadway
8 PM, $6, ALL AGES!

Here’s what Mat Herron wrote about the show in this week’s LEO Weekly:

Cerebellum was only around from 1988-1989, but the work of the band’s members outlasts its breakup.Three-quarters of the band went on to form Crain — guitarists Tim Furnish and Joey Mudd, bassist Jon Cook and drummer Will Chatham. The team of Furnish, Cook and Breck Pipes — an apropos furniture store name if ever there was one — now hold court in Parlour, Mudd fronts Midnite Sons, and guitarist Drew Daniel [Drew didn’t actually play guitar, but sang/banged metal objects —ed.], who designed the cover of Cerebellum’s lone cassette, is one half of Baltimore experimental duo Matmos…

This past spring, Noise Pollution, who has taken up the mantle of curating much of Louisville’s older punk music, re-released Cerebellum’s first tape along with five songs — “Begin,” “Guard,” “Hurt,” “Brighten” and “Crawl Out of the Water” — recorded at Trip Barriger’s Studio K.

The special edition LP came out just in time for the band’s reunion show back in May to raise money for Jason Noble, but their proper release happens July 31 at Skull Alley (1017 E. Broadway, www.skullalley.net). The all ages show is $6. Trophy Wives and The Teeth open.

CEREBELLUM’s performance in May was awesome, don’t miss this one!

Also, Sunday night brings the following show to a new space (in the same building as St. Francis High School):

BEAR IN HEAVEN
SHEDDING
SLOW ANIMAL

Sunday, August 1st
at LAND OF TOMORROW
233 W. Broadway
7:30 PM, $7-10 suggested donation

This show was curated in part by Michael over at the Decibel Tolls, so it’s bound to be great. Don’t miss it!

THE WEB, PHANTOM FAMILY HALO, SOFTCHEQUE at The Vernon Club, Saturday, June 12th

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THE WEB
PHANTOM FAMILY HALO
SOFTCHEQUE

Saturday, June 12th
at The Vernon Club
1575 Story Avenue
9 PM, $6, 18+
“No Dicks”

Details about the show from Noise Pollution:

Completing their slow reemergence from the abyss, enigmatic Louisville legends THE WEB will be releasing their (very, very) long awaited third album, Clydotorous Scrotohendron, on June 12th. The seven song album will be released on LP with letter pressed covers by Dexterity Press. Clydotorous Scrotohendron will also include a free digital download of the album with purchase of the LP.  This will be The Web’s first release in twelve years (and only third show in the same timeframe) and features the core lineup of Andrew Willis, Jason Hayden, Steve Good, Tony Hoyle and Gary Pahler.  The release show will take place at Vernon Club (1575 Story Ave) on Saturday, June 12th and marks The Web’s return to (at least) semi-active status. Opening for The Web will be two other incredible Louisville bands Phantom Family Halo and Softcheque. Doors at 9pm. Cost is $6. 18 and over. As huge fans of The Web for many years, we are thrilled and honored to have them on the label.  Azuza!

UPDATE, 6/9/2010: LEO Weekly ran a short feature by Mat Herron on The Web, including details on the new album, in today’s edition. Check it out here: http://leoweekly.com/music/follow-plant.

ARBOURETUM, SHEDDING, and PONTIAK at SKULL ALLEY, Wednesday, May 19th

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ARBOURETUM (from Baltimore, Maryland; on Thrill Jockey)
SHEDDING (from Louisville, Kentucky)
PONTIAK (from Baltimore, Maryland; on Thrill Jockey)

Wednesday, May 19th
at SKULL ALLEY
1017 E. Broadway
8 PM, $5, ALL AGES!

ARBOURETUM first began in late 2002 as a vehicle for singer/guitarist David Heumann’s songwriting. Since their debut album, Long Live the Well-Doer, there have been several lineup changes that have included musicians such as Ned Oldham (Anomoanon), Walker Teret (Cass McCombs’ band), and Jennifer Hutt, as well as drummers Mitchell Feldstein (Lungfish) and David Bergander (Celebration). The sweeping, atmospheric textures of the first record soon gave way to a more visceral, elemental approach. Amplifiers were turned up, drums were hit harder, and songs crescendoed into spiraling, noise-soaked climaxes on the second full-length, Rites of Uncovering. Released on Thrill Jockey in early 2007, the record garnered much attention and critical acclaim. Recorded at Lord Baltimore Recordings by Rob Girardi over two months in the fall of 2008, [their latest album] Song of the Pearl is ARBOURETUM‘s third full-length and the first to feature the same core band on every song. With Dave Heumann on guitar and vocals, Corey Allender on bass, Daniel Franz (also sometimes seen with Beach House) on drums, and Steve Strohmeier on guitar, Song of the Pearl is more earthy and direct than the band’s previous efforts.

Watch the video for ARBOURETUM‘s “Down By the Fall Line” here: http://www.thrilljockey.com/vault/vimeo/vault_Arbouretum.html.

SHEDDING has been a solo project for Connor Bell since 2001, though in 2009 Tim Furnish (Parlour, Crain, Cerebellum, Papa M, The For Carnation) and Joey Yates (The Loved, Parlour, Sapat) joined as the rhythm section in SHEDDING’s new lineup. Solo, SHEDDING has already released a few albums, and the new band lineup plans to release a 7″ in 2010.

In the era of single song downloads, PONTIAK create records meant to be heard in sequence in its entirety. Van, Lain, and Jennings Carney of PONTIAK share a mom, a dad, and a Virginia farmhouse studio. They record themselves, book themselves, hold complex day jobs, and know their way around a working farm as well as an instrument. They like it loud and they like it dirty. A lifetime of shared experiences certainly informs the three Carney brothers playing as a band. Jennings’ bass or Lain’s drums often finish the thoughts of Van’s guitar. This is a level of musical communication that most bands are only able to achieve after years of touring and recording. It also may account for their staggering productivity.

Read Mat Herron’s interview with PONTIAK in the May 12, 2010 edition of LEO Weekly here: http://leoweekly.com/music/southern-%E2%80%98living%E2%80%99.

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=115177391855939.

For more information, check https://othersideoflife.wordpress.com. To join our email list, send an email to hstencil@gmail.com.

JOSEPHINE FOSTER, CATHERINE IRWIN, STATE CHAMPION at SKULL ALLEY, Friday, May 7th

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JOSEPHINE FOSTER (from Colorado, on Fire Records)
CATHERINE IRWIN (from Louisville, member of FREAKWATER)
STATE CHAMPION (from Louisville/Southern Indiana, on Sophomore Lounge Records)

Friday, May 7th
at SKULL ALLEY
1017 E. Broadway
8 PM, ALL AGES!
$8 in advance, $10 day of show
Tickets available at ear X-tacy or online here: http://skullalley.indieticket.com.

Over the course of just a few years, Colorado native JOSEPHINE FOSTER has captivated audiences & critics alike through a magnetic patchwork of recordings ranging from broken spirited balladry as one half of Born Heller, fiery psych rock gestalt with her rock outfit The Supposed to the voice of an outsider folk siren. The one constant is the utterly overwhelming strength and seductive unease of her voice & the bravery of an iconoclastic spirit. “You might call Ms. Foster’s eerie warbling old-fashioned, except that is evokes a scrambled past that exists only in her own vision: mountain songs that never were, spaced-out hybrids that never will be.” —New York Times.

CATHERINE IRWIN has called Louisville, Kentucky home, or at least her home base, all her life. She began performing by playing guitar in punk bands “and not caring a bit about country music,” she says. Still, the seed for her band Freakwater was inside her: “Most of the country music I heard on radio, I hated. But I loved the Carter Family, the way they would approach songs about death and dying or being saved and rejoicing the same way. That kind of music seems to age better. I can’t see myself playing punk anymore, but this kind of music I can see playing the rest of my life” (Chicago Tribune). Her songs are just packed with sapience, despondency, and wry wit, though you don’t have to look past “Louisville Lip” or “Dirty Little Snowman” to see she’s one of America’s greatest living songwriters. Even so, she remains humble, even self-depreciating: “If I had a master plan, it’d be trying to get people used to the idea of frumpy middle-aged losers singing music” (Boston Phoenix). She will be joined at this show by fantastic Louisville guitarist Michael O’Bannon, formerly of Blinders, Antman, and current member of 1069.

STATE CHAMPION started in 2006 as a moniker for the early acoustic experiments of Ryan Davis. It has since evolved into a rock n’ roll band with a Chevy van and a vinyl record. Having created a sound that is a product of its upbringing, with Sweetheart of the Rodeo on the radio, Bleach idle in the tape deck, and a Smog song stuck in its head, Davis & Co. drive through forty minutes of sincerely howled, sloppily executed, stripped down garage-country on their full-length debut, Stale Champagne (released this year on Sophomore Lounge Records). “The band is an under-the-radar phenomenon in the making, the classic style of quality band that Louisville overlooks… The tone is just right for this type of subtle rock. A bit earnest, a bit funny, a bit smart.” – Joseph Lord, Velocity Weekly.

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=109505479085276

For more information, check https://othersideoflife.wordpress.com. To join our email list, send an email to hstencil@gmail.com.

STRAIGHT A’s, SIGHTINGS, THE TEETH at SKULL ALLEY, Thursday, May 6th

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UPDATE, 4/22/10: This show will now be the record release show for Straight A’s new album Self Help, which is being released by Louisville’s own Noise Pollution label!

STRAIGHT A’s (from Louisville, on Noise Pollution)
SIGHTINGS (from Brooklyn, New York; on Brah/Jagjaguwar)
THE TEETH (from Louisville/Southern Indiana, on Noise Pollution)

Thursday, May 6th
at SKULL ALLEY
1017 E. Broadway
8 PM, $5, ALL AGES!

Louisville’s STRAIGHT A’s will be on hand to dish out their “aggressive and original pitch-shifted, echo-noise onslaught” (as described by Leo Weekly) while supporting their brand new full length album Self Help. They have also been described by one audience member as Arab on Radar meets In My Head-era Black Flag, which sounds bitchin’ and also very apropos.

Listen to STRAIGHT A’s here: Straight A’s – “The Whole Package”


SIGHTINGS has never presented a particularly welcoming façade and their sui generis music has perhaps been passed over by less discerning listeners over the eleven years of their existence, but throughout this they have created a singular body of work appreciated and touted by the likes of Sonic Youth’s Thurston Moore and Andrew WK. If you’ve missed the boat up until now – [their new album] City of Straw is the ideal venue to experience the band’s mastery of extreme timbres, astounding instrumental prowess and yes, extraordinary song-craft. SIGHTINGS will insist that at their core they are a rock band working within the context of pop song-craft. With a deep reach beyond the spirit of their influence from greats like the Birthday Party, the Dead C. and the Jesus Lizard, City of Straw finds SIGHTINGS working at the peak of their creative powers and is the perfect re-introduction to one of New York’s most accomplished bands. “Name any rock band and chances are you can connect its music back to some formal antecedent — Chuck Berry, the Velvet Underground, the Beatles or even just the blues. Sightings are unburdened by — even outside of — that history. The trio’s lineup is as basic as they come: drummer, bassist, guitarist who sings. It’s just that those elements seem based on some intuitive science that the rest of humanity hasn’t quite gotten hip to yet.” – Mike Wolf, Time Out New York. This show marks the first time SIGHTINGS has played Louisville.

Listen to “Tar and Pine” off SIGHTINGS’ new album City of Straw here: http://www.scjag.com/mp3/jag/tarandpine.mp3.

Formed in 2001, Louisville’s THE TEETH have followed their own peculiar path since.  This path is one strewn with one-off cd-r’s, rusty nail helmets, shaving on stage and shifting lineups (the core of which centered around guitarist Matt Dodds and drummer JR Rector).  The lineup stabilized with the addition of bassist Brad Anderson and vocalist Ben Herning in 2005 and THE TEETH have continued to hone their stripped down, strangely ethereal interpretation of post-punk.  The band has since released a full length album and a seven-inch EP, and are currently writing material for a new album.

Listen to THE TEETH here: The Teeth – “The Rubberliner”

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=115740458440229

For more information, check https://othersideoflife.wordpress.com. To join our email list, send an email to hstencil@gmail.com.

JOZEF VAN WISSEM & HERESY OF THE FREE SPIRIT, CHE CHEN & ROBBIE LEE, COSMOLOGICAL CONSTANT, PETE FOSCO at THE LOUNGE, Tuesday, April 13th

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Due to events beyond our control, the following show has been MOVED! Please note the new time and venue.

JOZEF van WISSEM & HERESY OF THE FREE SPIRIT (from Holland, on Important Records)
CHE CHEN & ROBBIE LEE (from Brooklyn, New York)
COSMOLOGICAL CONSTANT (from Louisville)
PETE FOSCO (from Cincinnati, Ohio)

Tuesday, April 13th
at THE LOUNGE
947 E. Madison (at the corner of Chestnut and Wenzel), (502) 889-5889
8 PM, $5, ALL AGES!

JOZEF van WISSEM is a lute player/composer from Holland. Devoted to what he terms “The Liberation of the Lute,” his compositions for the instrument have involved a dynamic mix of conceptual, minimalist, classical and improvisational strategies. Over the last two decades, he has used cut-and-paste tactics, created palindromic compositions by playing pieces forwards and then backwards and used field recordings and free improvisation to create a sound world that is at once meditative and surprising, new and arcane. An incessantly touring musician, van WISSEM‘s hypnotic live shows have taken him all over the world. He has records out on Important Records, BVHaast and his own Incunabulum label and has collaborated with James Blackshaw (as ‘Brethren of the Free Spirit’), Tetuzi Akiyama, Smegma, Gary Lucas (Captain Beefheart’s guitarist) and Maurizio Bianchi. Most recently he has begun playing his compositions in a trio with Robbie Lee and Che Chen called HERESY OF THE FREE SPIRIT.

CHE CHEN & ROBBIE LEE are Brooklyn, NY based multi-instrumentalists who have been steadily and intensively developing their unique approach to free improvisation over the last several years.  Using a shifting constellation of instruments that has included bass clarinets, baroque recorders, reed and pipe organs, Renaissance keyboard instruments, flutes, saxophones, bowed and plucked strings, little drums, bells, tape machines and their voices, CHE CHEN & ROBBIE LEE create earthy, slow moving improvisations that are informed as much by the ethnic folk traditions of the world as they are by 20th century composition and improvisation. Their music places precedent in listening, attention and dynamic interaction in the moment. Chen and Lee have released an LP and several CD-Rs on their own Telegraph Harp imprint.

COSMOLOGICAL CONSTANT is an experimental music trio using Moog synthesizer, clarinet and prepared guitars to generate a universe of unique timbres and textures. Norman Minogue’s Moog suggests journey of space travel while Steve Good’s use of wide intervals and multiphonics on clarinet zeros in on his original melodic constructions.  Joee Conroy then ties the two sound fields together by playing guitar and Chapman Stick side-by-side on a stand as a keyboard player might, and weaving an orchestral array with sustaining strings, two handed hammer-ons and other hetrodox techniques. The results can range from dreamy to futuristic music. They were invited to perform at the University of Louisville New Music Festival last year. Steve Good and Joee Conroy are full-time members of with New Music Ensemble, Ut Gret. Norman Minogue also performs with Ut Gret, and all three make creepy music with Crappy Nightmareville.

PETE FOSCO was born in Cincinnati, Ohio in 1980 and grew up in a suburb on the west side of town. Every day after school he would pillage his dad’s record collection, listen to early ’80s Phil Collins-era Genesis, eat oatmeal raisin cookies and stay up until 4 AM for no reason. He graduated from the University of Cincinnati’s College-Conservatory of Music in 2004, where he studied digital video and film production and learned how to appreciate fresh guacamole and The Green Manalishi by Fleetwood Mac. He is a self-taught guitarist and started playing out in 2007. He is inspired to live today by the soundtracks from Herzog’s Grizzly Man [by Richard Thompson — ed.], the Flower/Corsano Duo, Fushitsusha, and pot roast and mashed potatoes cooked by his wife Heather. They reside in Covington, Kentucky and live with an English bulldog and mini Italian greyhound.

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=113005308712376.

For more information, check https://othersideoflife.wordpress.com. To join our email list, send an email to hstencil@gmail.com.

SIBERIA, THOUSAND ARROWS at the SWAN DIVE, Friday, April 2nd

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SIBERIA (from Louisville)
THOUSAND ARROWS (from Bloomington, Indiana)

Friday, April 2nd
at the SWAN DIVE
921 Swan Street (at the corner of Swan and Caldwell)
9 PM, $5, 21-and-over

SIBERIA is not actually from the former Union of Soviet Socialist Republics, but is instead a duo from Louisville, Kentucky consisting of Mike Seymour and Syd Bishop. They cite Ennio Morricone, Stars of the Lid, Autechre, and Earth among many influences, yet their sound is uniquely their own. If you like instrumental guitar drone with actual melodies — and I know I do! — don’t miss their first show at the Swan Dive.

THOUSAND ARROWS is the solo project of Peter Schreiner of Bloomington, Indiana. Peter also plays in the Hollows (who played the Swan Dive back in January with Catherine Irwin and Elephant Micah) and Magnolia Electric Co.  This show marks THOUSAND ARROW‘s Louisville debut.

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=104610052902693.

For more information, check https://othersideoflife.wordpress.com. To join our email list, send an email to hstencil@gmail.com.

ANTI-EASTER PARTY with RUDE WEIRDO, TALK NORMAL, and NZAMBI at SKULL ALLEY, Sunday, April 4th

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It’s an ANTI-EASTER* PARTY!!!
with
RUDE WEIRDO (from Louisville)
TALK NORMAL (from Brooklyn, New York; on Rare Book Room Records)
NZAMBI (from Louisville, formerly PAX TITANIA)

Sunday, April 4th
at SKULL ALLEY
1017 E. Broadway
8 PM, $5, ALL AGES!

Louisville’s RUDE WEIRDO are a return to classic, three-chord punk. Consisting of Eric Ronay, Dave Bird, Jason Hayden, and Jason Fuller, these veterans of “the scene, man” really throw it down. The first time I saw them (with an almost entirely different lineup, with the exception of bassplayer/singer Ronay), they covered Agent Orange. They’ve released a compact disc on Louisville Lip Records, and hopefully more good things are coming soon.

Sarah Register and Andrya Ambro allied as TALK NORMAL in 2007, after years of friendship, and haven’t stopped moving. Since their lightning-strike first appearance, TALK NORMAL’s sound has stormed upward and outward, referencing few and relating to many, a jarringly songful gale of rhythm and noise supporting pleas and plaints, signal-calls and marching orders. Each show builds on past ones: up-to-the-moment updates of ideas previously stated, new phrasings of old upheavals delivered with increasing focus and joy. Darkness and light; fury, silence, space and sound. Opening for Xiu Xiu in the rest of the U.S. this spring, TALK NORMAL is returning to Louisville for another rare performance!

NZAMBI is the new synth project from Christopher Cprek, who has also released work under the PAX TITANIA moniker. Christopher uses an arsenal of DIY modular synthesizers. His former projects include Darker Florida with Irene Moon, Auk Theatre with Irene Moon, and as a member of Warmer Milks a few years back. NZAMBI’s debut as a project was in October at Zanzabar, with Regression, Spykes, and others.

Check out the Facebook invite here: http://www.facebook.com/event.php?eid=391485970850.

For more information, check https://othersideoflife.wordpress.com. To join our email list, send an email to hstencil@gmail.com.

*please note that the “ANTI-EASTER” theme is entirely in jest, thanks.