Tag Archives: Cropped Out

WIRE and NATIVES at THE CLIFTON CENTER, Thursday, July 18th

Cropped Out and The Other Side of Life are proud to present:

with

NATIVES (Louisville, KY)

Thursday, July 18th
at The Clifton Center Eifler Theater
2117 Payne Street
Louisville, KY 40206
General admission, no reserve seating
$15 advance tickets available online at http://www.ticketfly.com/purchase/event/294901 and at ASTRO BLACK RECORDS, 930 Baxter Avenue; $20 day-of-show
ALL AGES WELCOME!

Yes. That WIRE. The seminal English band that influenced everyone from the Minutemen to My Bloody Valentine, from R.E.M. to Minor Threat. From their 1977 debut album Pink Flag to the band’s most recent album, 2013’s Change Becomes Us, legendary art-combo WIRE have created a unique body of work. Subverting genres, Colin Newman, Graham Lewis, Robert Grey and Matthew Simms continue to work on new material, regularly confounding expectations. The Louisville stop on their summer tour will be their only appearance in the region, as well as their first time playing anywhere in Kentucky. If you’re at all a fan of music in the post-punk era, you won’t want to miss this!

NATIVES are a catchy, tough, psychedelic punk band from Louisville, KY. This is their second show with a new, powerful lineup. You can listen to their self-released debut from 2011, Loose Secrets, here: http://ntvs.bandcamp.com/.

Check out the Facebook invite here: https://www.facebook.com/events/507411519313407.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

GLENN JONES, NATHAN SALSBURG, and NATHAN BOWLES at GREENHAUS, Thursday, July 11th

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Cropped Out and The Other Side of Life are proud to present:

GLENN JONES (from Massachusetts, founder of CUL DE SAC; on Thrill Jockey)
NATHAN SALSBURG (from Louisville, KY; on No Quarter)
NATHAN BOWLES (from Virginia, member of PELT, PIGEONS, and the BLACK TWIG PICKERS; on Soft Abuse)

Thursday, July 11th
at GREENHAUS
2227 S. Preston
7 PM, $6

GLENN JONES is a unique voice working in the decades-long tradition of American Primitivism. What sets him apart from the many devotees to this style is the combination of expressive playing and technical skill, most significantly his inventive use of alternate tunings and partial capos. As anyone knows who has seen him perform, Glenn is a remarkable storyteller, and his songs reflect that talent. The songs on Glenn’s latest, My Garden State, are evocative and redolent, and serve as a testament to Glenn’s talent for conveying a wide array of emotions, many times in one song, without saying a word. My Garden State was written in the New Jersey home where Glenn’s family moved in 1966, while he was caring for his mother who suffers from Alzheimer’s. My Garden State was recorded by Laura Baird in Allentown, NJ. Laura joins Glenn on the first proper song, “Across the Tappan Zee” on banjo, interweaving her plaintive melodies with Glenn’s gentle picking. Laura’s sister Meg, who was a founding member of Espers and plays with Laura as The Baird Sisters, also joins in on the final minutes of “Going Back to East Montgomery,” an eight minute long composition that showcases Glenn’s ability to craft a long form piece that is at once expansive and immediate. The songs on My Garden State could have been written by no one except Glenn Jones, brimming joy, sorrow, and the complex in-between that makes life worth living.

Read more about GLENN JONES at NPR Music here: http://www.npr.org/artists/142890578/glenn-jones.

NATHAN SALSBURG is an archivist, producer, guitarist, and writer based in Louisville, Kentucky. Since 2000 he has worked for the Alan Lomax Archive, for which he currently serves in the capacity of Curator, compiling and producing album releases of the renowned folklorist’s recordings, and managing the Archive’s online audio, photo, and video catalogs, and its popular YouTube channel. Salsburg has also produced archival releases for the Grammy-winning Tompkins Square label, and he curates the Twos & Fews imprint of Chicago’s Drag City record company. As an acoustic guitarist, he has released two critically acclaimed albums — a duet with Chicago’s James Elkington, entitled Avos (Tompkins Square, 2011) and a solo record called Affirmed (No Quarter, 2011) — and has appeared on WNYC Radio’s “Soundcheck” program and in NPR’s “Tiny Desk Concert” series. No Quarter will release his second solo album, Hard For to Win and Can’t Be Won, in Autumn 2013. He maintains an index of online vernacular music resources and writing on traditional and folk music at his blog: roothogordie.wordpress.com

NATHAN BOWLES is a musician and teacher living in the mountains of southwestern Virginia. He and his bandmates in the Black Twig Pickers steep themselves in local traditions of Appalachian folk music and dance. In December of 2011 he holed up for a couple of days at Black Dirt Studios to record and mix his first solo banjo record, all performed on a handmade 5-string banjo built by his friend Greg Galbraith at Buckeye Banjos. Over about 7 hours and a bottle of Elmer T. Lee, he laid down the material for A Bottle, A Buckeye, which was released on LP in 2012 by Soft Abuse.

Check out the Facebook invite here: https://www.facebook.com/events/509306829118565.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

UPDATE, 7/8/13: You can watch GLENN JONES play at NPR‘s Tiny Desk Concert series here: http://www.npr.org/event/music/145511760/glenn-jones-tiny-desk-concert.

JACK OBLIVIAN, THE LADYBIRDS, and THE SHEIKS at THE NEW VINTAGE, Saturday, June 15th

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Cropped Out and The Other Side of Life present:

JACK OBLIVIAN and the TENNESSEE TEARJERKERS (Memphis, TN)
THE LADYBIRDS (Louisville, KY)
THE SHEIKS (Memphis, TN)

Saturday, June 15th
at THE NEW VINTAGE
2126 S. Preston
9 PM, $6, 21-and-over!

Depending on whom you ask, Jack “Oblivian” Yarber is either a rock legend or an absolute unknown. This dichotomy is well-understood by Memphis musicians, as underground “fame,” for all its rewards, has, with a few exceptions, been the ceiling for local acts for decades. And no one knows this dichotomy better than JACK OBLIVIAN, who may be Memphis’ most influential active rock musician. The list of noteworthy bands Yarber has been a member of over the years is massive and includes Johnny Vomit & the Dry Heaves (a high school punk project that also featured future Squirrel Nut Zipper Jimbo Mathus), new-wavers the End, ’68 Comeback, Knaughty Knights, and Tav Falco’s Panther Burns. Two of Yarber’s former bands — the Compulsive Gamblers and the Oblivians — have seen their reputation and following swell in the decade since their demise, especially the Oblivians, whose international fan base borders on rabid. Due largely to his stint in these bands, both partnerships with Greg Cartwright, now of the Reigning Sound, Yarber has been an acknowledged influence on artists such as the White Stripes, the Hives, and Jay Reatard.

(Photo of The Ladybirds by Eddie Dant)

THE LADYBIRDS masterfully balance a mean juggling act. The Louisville, KY-based five-piece — Jaxon Swain, Max Balliet, Anthony Fossaluzza, Brett Holsclaw, and Sarah Teeple — articulately summons greasy garage rock and lush Spector pop sans kitsch or tribute act fluff. Their main influences are the years 1954 to 1973, when it was just about fun and swingin’ grooves, not the droll, heavy-handed, over-serious approach to songwriting oft employed in the contemporary American underground. Their 2007 debut, Whiskey & Wine, was well received in the region, and saw the group sharing the stage with the likes of Wanda Jackson, Dex Romweber Duo, Heavy Trash, The Greenhornes, and many more. The Ladybirds’ sophomore album, Shimmy Shimmy Dang, as demonstrated in the title, is truth in advertising. Flavors of surf, rockabilly, doo wop, and dusty retro bubblegum pop all take a front seat. Yet, as Jaxon explains “we’re all punk rockers in the end.” And that’s what separates THE LADYBIRDS from a simple nostalgia offering – modern and original twists on familiar sounds, influence by the genres the band describes as “rock at its most authentic.”

THE SHEIKS are a three piece from Memphis via Mississippi. Check out their album Witches + Mystics here: http://thesheiks901.bandcamp.com/.

Check out the Facebook invite here: https://www.facebook.com/events/541421309233048.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

DAUGHN GIBSON, THE DELOREANS, and JONATHAN WOOD & LOWE SUTHERLAND at ZANZABAR, Tuesday, July 16th

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Cropped Out and The Other Side of Life are proud to present:

DAUGHN GIBSON (Carslile, PA; on Sub Pop)
THE DELOREANS (Louisville, KY)
JONATHAN WOOD & LOWE SUTHERLAND (from Louisville, KY; members of OLD BABY and SAPAT)

Tuesday, July 16th
at ZANZABAR
2100 S. Preston
8 PM doors, 21-and-over
$6 advance tickets available online here: http://zanzabarlouisville.ticketfly.com/event/287929-daughn-gibson-louisville/ and at Zanzabar; $8 day-of-show

Let’s get a few facts straight right off the bat. The name is DAUGHN GIBSON – rhymes with Jaughn, or Raughn. He was born in the village of Nazareth, PA, and currently resides in the sleepy college town of Carlisle, PA, where he frequents local watering holes like The Cave and Alibis. He’s 6’5″, hovers at 200 pounds, and has a head of jet-black hair thicker than a porcupine. He played drums in the group Pearls & Brass for a number of years, touring the US to small but enthusiastic crowds, and if you tag them as “stoner-metal” it will go to show that you’ve never actually listened to them. For a few years in-between, Daughn was a trucker, sure, but he’s also been packing boxes in an un-air conditioned warehouse, climbing up commercial broadcast towers with untested levels of radiation, working the register at an adult bookstore, doing sound at dive bars and collecting unemployment checks to earn a living. DAUGHN GIBSON first entered the daydreams and fantasies of the general public in the spring of last year, care of his critically-acclaimed debut album All Hell. At once both foreign and familiar, Daughn’s music is immediately striking – through the use of dusty thrift-store records and cutting edge technology, Daughn shook the ghosts out of scratchy Christian folk records and baptized them as fierce Americana with his booming baritone voice. His songs are as frequently tender as they are prurient, as hopeful as they are brimming with despair. It’s on Daughn’s second album and Sub Pop debut, Me Moan, that he truly reveals himself to the world. If All Hell was a gritty black-and-white movie, Me Moan is a widescreen IMAX 3D extravaganza. While the roots of sample-based music remain, these songs are performed live, lushly detailed and richly orchestrated. To name but a small selection, live drums, pedal steel, horns, house strings, bagpipes and organs appear on this record, but never does it feel over-stuffed – every instrument or melody is perfectly in place. It’s worth noting that guitarists John Baizley (of Baroness) and Jim Elkington (of Brokeback) provide stunning performances on the record.

THE DELOREANS are one of Louisville’s most accomplished groups, with two albums to their credit, Love Outrageous and American Craze. The latter, released in 2011, is “not only executed with care, but filled with fun, contagious, hook-riddled songs” — Steve Morgan, Louisville Music News.

JONATHAN WOOD & LOWE SUTHERLAND
are well known to connoisseurs of Louisville music, primarily for their main musical vehicles OLD BABY and SAPAT, respectively. They’re taking a dynamic duo detour down a ramshackle dirt road, riding a pink Cadillac into the sunset of a February night. Will they fly off the handle, riding high like Thelma & Louise into an expansive western sky? Or will they keep it down-to-earth, dusting up your jacket and filling your lungs with exhaust while they peel out, squealing their tires? There’s only one way to find out, dear listener…

Check out the Facebook invite here: https://www.facebook.com/events/153571638155924.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

MADAME MACHINE, TEMPLE OF THE GOLDEN DAWN, and THE GOSPEL TRUTH at ZANZABAR, Thursday, June 20th

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Cropped Out and The Other Side of Life present:

MADAME MACHINE (Louisville, KY; on Noise Pollution)
TEMPLE OF THE GOLDEN DAWN (Louisville, KY)
THE GOSPEL TRUTH (Austin, TX; on 12XU)

Thursday, June 20th
at ZANZABAR
2100 S. Preston
$6, advance tickets available here: http://zanzabarlouisville.ticketfly.com/event/285823-madame-machine-louisville/.
9 PM, 21-and-over!

MADAME MACHINE is a Louisville trio consisting of David Cundiff (Lucky Pineapple, Bodyhammer), Salena Filichia (Julie of the Wolves), and Forrest Kuhn (Ennui, Sunspring, Black Cross). They’ve released one excellent 7″ on Louisville’s Noise Pollution label, and have played with the likes of The Teeth, Parlour, Softcheque, Hal Dolls, and other local delinquents. They’re rapidly becoming known as one of the best bands in town, so don’t miss them!

TEMPLE OF THE GOLDEN DAWN was founded in early 2012 for the purpose of studying spiritual awakenings through low-frequency bombardment as well as transcendental mind expansion using electric six-string techniques. The founding four members (Scott Brooks [guitar, vocals], J. Brian Reese [guitar, vocals], J Brent Stewart [bass], and Pinker Lichvar [drums]) have come together from the remnants of other Orders & Secret Societies (Les Debutantes, L&N, Manchuria, The Ravenna Colt) to seek, together, further enlightenment and a Universal Knowledge.

Austin’s THE GOSPEL TRUTH have been knocking around since 2007, but it’s only been in the past two years that vocalist/saxophonist/keyboard player Mark Tonucci’s quartet have really caught fire. All-malicious-intent in a way that runs contrary to Austin’s party vibe, they’ve emerged as one of the town’s top live bands in the process. Not only is it hard to come up with a regional precedent for THE GOSPEL TRUTH, it’s almost as tough to ID an album as out of time as A Lonely Man Does Foolish Things, which will be released on 12XU Records this June 18th.

Check out the Facebook invite here: https://www.facebook.com/events/583938241638866.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

MERCHANDISE, MILK MUSIC, and DESTRUCTION UNIT at the WORKHOUSE BALLROOM, Thursday, June 6th

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Cropped Out and The Other Side of Life present:

MERCHANDISE (Tampa, FL; on Night People)
MILK MUSIC (Olympia, WA; on Fat Possum)
DESTRUCTION UNIT (Phoenix, AZ; on Suicide Squeeze)

Thursday, June 6th
at THE WORKHOUSE BALLROOM
1312 Lexington Road
$10 advance tickets available online here: http://www.ticketfly.com/purchase/event/251729?utm_medium=bks&wrKey=FEC11C8814D1A55B09D3805622D7C595 and at ASTRO BLACK RECORDS, 930 Baxter Avenue; $15 day-of-show
8 PM

There isn’t going to be any shortage of words on the new MERCHANDISE full length LP Totale Nite… Tampa, Florida is a different sort of place to be from then the major cultural cities of influence… Sometimes the more isolated locations produce more uniqueness in the absence of stimulation or bigger opportunity. With MERCHANDISE, you can’t just look at the surface because there is so much more in the collective spirit of the surrounding art and music, solo projects, additional bands, the music that came before in its richness and depth. Totale Nite is the distillation of experience, working hard, thinking deep while letting the spirit move forward unhindered. This record captures so much beyond any kind of obvious influence focusing the self-produced and recorded atmosphere into an even more distinct MERCHANDISE sound, dreamy dense post-punk drifter ballads that are as textured and dynamic as they are laden with pop sensibility.

MILK MUSIC are a band of American artists who make cosmic electric soul rock on the subject of life and the human condition. Their impeccable songwriting and style can be compared to artists such as the Velvet Underground, Gun Club, Neil Young & Crazy Horse, and the Meat Puppets. Their latest LP entitled Cruise Your Illusion is out now on compact disc and digitally through Fat Possum Records. The vinyl was self-released by the band.

Hailing from Tempe, Arizona, DESTRUCTION UNIT deal in their own sort of desert rock: ripping riffage, pounding drums, ominous atmosphere, damaged vocals. Spin magazine calls them “The best American band to hit the stage since The Stooges, The Velvets and The MC5.”

Check out the Facebook invite here: https://www.facebook.com/events/176621505825174.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

MOUNT CARMEL, NEIGHBOR, and LAST YEAR’S MEN at LISA’S OAK STREET LOUNGE, Wednesday, May 22nd

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Astro Black Records, Cropped Out and The Other Side of Life are proud to present:

MOUNT CARMEL (Columbus, OH; on Siltbreeze Records)
NEIGHBOR (Louisville, KY)
LAST YEAR’S MEN (Chapel Hill, NC; on Sophomore Lounge)

Wednesday, May 22nd
at LISA’S OAK STREET LOUNGE
1004 E. Oak Street
9 PM, 21-and-over, $6
Please note: Lisa’s Oak Street Lounge accepts CASH ONLY!

For those swayed by the magisterial authenticity of MOUNT CARMEL on their eponymous 2010 debut album: its 2012 follow-up Real Women finds the band honed and sharper, thus delivering what might be the best sophomore album released by an American blues-based power-trio since ZZ Top’s Rio Grande Mud. Nods to Free, Humble Pie, even Trapeze can be sussed out in the mix, but at the end of the day, Real Women is straight-up MOUNT CARMEL all the way. Searing leads, smokey vocals, thundering rhythms, cascading drums, hyperbolic hyperbole… it’s all here. MOUNT CARMEL brings back the spirit of 1973 like no one else. The only difference now is better weed and shittier barbiturates. It’s hands-down pure rock, no frills. Nary a retro contrivance is to be heard. These guys live it for real. Honest.

Watch the Red Bull Sound & Vision documentary on MOUNT CARMEL here:

NEIGHBOR of Louisville, Kentucky draws from punk, experimental and underground influences as well as classic soul, country and western to produce a unique breed of heavy American rock n’ roll. Recommended for fans of Big Business, Harvey Milk, and Motorhead. Featuring former and current members of Bu Hao Ting, Twenty First Century Fox, Waxeater, and ZCFOS.

“When I first met [LAST YEAR’S MEN] songwriter and guitarist/vocalist Ben Carr through our mutual friend (and producer of their last record) Dan McGee, a couple years ago in their shared stomping grounds of Chapel Hill, NC, the skin-and-bones, baby-faced frontman wasn’t old enough to be allowed into the bar. To be honest, I’m not sure he’s even old enough as of today, but the kid can write songs beyond his years, and if the acned, nervous, no-bullshit garage-pop punk of Clawless Paw isn’t glaring proof of potential, I’ll grab the gas, skate to the sock-hop, and burn the gym down myself… LAST YEAR’S MEN play a full on intoxicated and intoxicating wall-of-sound garage rock that has us transfixed as the first time we heard the Reigning Sound or the Drags. A little touch of the flower punk of the Black Lips, a lot of the fiery revolt of the Nashville garage scene (Ranch Ghost, Jeff The Brotherhood, Useless Eaters, etc) and much love for the back catalogs of Crypt and Sympathy For The Music Industry all concentrated… Recommended for those into Ty Segall, G Green, White Fence and all those aforementioned bands.” — Permanent Records.

Check out the Facebook event here: https://www.facebook.com/events/164707180363175.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

OLD BABY, FAUN FABLES, and WEI ZHONGLE at ASTRO BLACK RECORDS, Saturday, May 18th

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Astro Black Records, Cropped Out, and The Other Side of Life are proud to present:

OLD BABY (Louisville, KY; on Hawthorne Street Records)
FAUN FABLES (Sonoma County, CA; on Drag City)
WEI ZHONGLE (Carbondale, IL)

Saturday, May 18th
at ASTRO BLACK RECORDS
930 Baxter Avenue
10 PM, ALL AGES!
$6 advance tickets available online here: http://www.ticketfly.com/purchase/event/270985?utm_medium=bks or at ASTRO BLACK RECORDS; $8 day-of-show.

OLD BABY is a Louisville-based band consisting of Todd Cook (Shipping News, Kings Daughters and Sons), Jonathan Glen Wood, Neil Argabright (Sapat), Drew Osborn (Workers) and Evan Patterson (Young Widows). Their debut EP, Misunderstanding Human Behavior, was released last fall on Hawthorne Street Records.

(photo by Todd Atteberry)

FAUN FABLES front woman Dawn McCarthy is a renaissance lady who enjoys singing, theater, folklore, dancing, traveling, nature and studies of the hearth and food history. Her performing background was forged in oral tradition amidst a large musical family in Spokane, Washington and continued with studies in music theater, rock bands, Action Theater, Polish theater and ethnomusicology. Her most recent release is What the Brothers Sang, a collection of songs made famous by the Everly Brothers, in collaboration with Bonnie “Prince” Billy (aka Will Oldham). Together with Nils Frykdahl, they form the core of FAUN FABLES.

WEI ZHONGLE is a band from Carbondale, Illinois whose “engaging but challenging music derives from many eastern and world influences, including Gamelan styles of Indonesia as well as African and Chinese orchestral music, fused with lyrics filled with nonlinear thoughts.” — Carbondale Rocks.

Check out the Facebook invite here: https://www.facebook.com/events/630488573631886.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

COLISEUM Sister Faith Record Release Show with ANWAR SADAT and TROPICAL TRASH at ZANZABAR, Friday, May 10th

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Cropped Out and The Other Side of Life Present:

COLISEUM
Sister Faith album release and tour kickoff
(Louisville, KY; on Temporary Residence Ltd.)

with special guests:
ANWAR SADAT (Louisville, KY; Sophomore Lounge Records)
TROPICAL TRASH (Louisville, KY; on Loin Seepage/Sophomore Lounge)

Friday May 10th
at ZANZABAR
2100 S. Preston
9 pm, 21-and-over
$5 advance tickets available online here http://zanzabarlouisville.ticketfly.com/event/267687-coliseum-louisville/ and at ASTRO BLACK RECORDS (930 Baxter Avenue) / $7 day-of-show

Special advance ticket offer from COLISEUM and ASTRO BLACK: $20 gets you a ticket to the show and a pre-order of COLISEUM‘s Sister Faith LP on limited edition colored vinyl, redeemable at ASTRO BLACK on or after April 30th. Ask at the store for details!

Celebrating their 10th year as one of independent music’s most substantive bands, Louisville’s COLISEUM return with their fourth full-length, the stunning Sister Faith, to be released on April 30 on Temporary Residence Ltd. Expanding on the anthemic direction the trio veered toward on 2010’s highly acclaimed House With a Curse, Sister Faith‘s 13 songs are the most dynamic and immediately captivating of the band’s career, bristling with galvanizing melodies at the collision point between punk and noise-rock. The first album to be recorded in producer J. Robbins’ recently relocated Magpie Cage Studios, Sister Faith is also the first Coliseum recording to feature new bassist, Kayhan Vaziri, in addition to contributions from some of the groups’ closest friends and musical peers: Wata of Boris, J. Robbins (Jawbox, Burning Airlines), Jason Farrell (Swiz, Bluetip), Elizabeth Elmore (Sarge, The Reputation), Chris Colohan (Burning Love, Cursed), Sam James Velde (Night Horse, Bluebird), and Jason Loewenstein (Sebadoh, The Fiery Furnaces) all make small but memorable contributions.

ANWAR SADAT “sound totally Boston circa 1982: aggressively shouted vocals, aggressive rhythms, jaggedly distorted guitars and just enough melody above the noise to make them catchy as hell.” – New York Music Daily. ANWAR SADAT recently finished a tour of the East Coast in support of their debut album Gold, which was released on vinyl this spring by Sophomore Lounge.

TROPICAL TRASH have caused quite a stir with their debut 7″, Fear of Suffering, on Sophomore Lounge. Still Single describes TROPICAL TRASH as an “Excellent combination of thrashing energy and solid ideas that break apart and recombine in novel, tuneful ways.” They’re just as thrilling live as on record, so don’t miss this opportunity to rock out with ‘em!

Check out the Facebook event here: https://www.facebook.com/events/395380460569585.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

TWIN SISTER RADIO and SALAD INFLUENCE at the NACHBAR, Saturday, March 23rd — FREE!

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Cropped Out and The Other Side of Life are proud to present:

TWIN SISTER RADIO (Louisville, KY)

with

SALAD INFLUENCE (Lexington, KY)

Saturday, March 23rd
at NACHBAR
969 Charles Street (at the corner of Charles and Krieger)
11 PM, 21-and -over
FREE!

TWIN SISTER RADIO is a band from Louisville, Kentucky. It consists of David Wright (guitar, vocals), Joey Yates (drums), Benny Clark (bass), Catherine Baines (vocals), Ryan Davis (keyboards), and Dan Marshall (guitar). Members of Six White Horses, State Champion, The Loved, Parlour, Elliott, and many other fantastic combos are involved, so you should be, too.

SALAD INFLUENCE is a brand-new band from Lexington, Kentucky. Made up of Paul, Joe, and MA Turner — you might know some of those dudes from CROSS and Warmer Milks — they will thrill your socks off. Listen to them shits here: http://saladinfluence.bandcamp.com.

Check out the Facebook invite here: http://www.facebook.com/events/554426371258287.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

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