Tag Archives: Louisville

The 20th Anniversary of CHIKAMORACHI (Chris Corsano and Darin Gray) with special guests DANE WATERS & STEVE GOOD and YLEM Friday, September 19th at Art Sanctuary

(Poster designed by Robert Beatty)

UPDATE FRIDAY 9/19: Due to an emergency, YLEM will not be able to perform this evening.

The Other Side of Life is proud to present:

The 20th Anniversary of

CHIKAMORACHI (Chris Corsano and Darin Gray)

in their ONLY North American Duo Performance!

with special guests
DANE WATERS & STEVE GOOD
and
YLEM

Friday September 19th at Art Sanctuary (back room)
1433 S. Shelby Street
Louisville, KY 40217 USA

$15 advance tickets, $20 day of show
Advance tickets available online at Art Sanctuary;
Physical tickets on sale Friday September 5th for in-person purchase at Surface Noise (cash only), 600 Baxter Avenue, Louisville KY 40204. Surface Noise is open 12 to 6 PM every day except Tuesdays.

7:00 PM doors
8:00 PM music

CHIKAMORACHI photo by Mark Rappaport

“The rhythm team of Darin Gray & Chris Corsano is especially incredible, ever-engaging, consistently creative and supportive.” – Bruce Lee Gallanter, Downtown Music Gallery

“…arguably the most riotously energetic and creative drummer in contemporary free jazz” – The Wire

“One of the world’s great drummers.” –The Guardian

Since 2005 DARIN GRAY (upright bass) and CHRIS CORSANO (drums, percussion) have performed side by side as CHIKAMORACHI. Working either in a trio with Japanese saxophonist Akira Sakata or in expanded line-ups with the likes of Japan-based American producer/engineer and multi-instrumentalist Jim O’Rourke, dancer and actor Min Tanaka, Masami Akita (aka Merzbow), guitarist/vocalist Keiji Haino (Fushitsusha), koto player and vocalist Michiyo Yagi, and jazz pianist Masahiko Satoh, they’ve released six albums to date under the CHIKAMORACHI moniker, including 2011’s And That’s the Story of Jazz double CD (with Akira Sakata & Jim O’Rourke), 2015’s Flying Basket (with Akira Sakata, Jim O’Rourke, and Merzbow), and Live at Hungry Brain LP (with Akira Sakata). Neither member is a stranger to the possibilities afforded when the melodic, harmonic and rhythmic duties are left to an upright bass and drum duo. Their September 19th performance in Louisville will be their only North American appearance as CHIKAMORACHI, after taking part in the SOUND AND GRAVITY FESTIVAL in Chicago, IL on Thursday, September 11th as part of the SACCATA QUARTET with Wilco bandmates guitarist Nels Cline and drummer Glenn Kotche.

DARIN GRAY is best known as Jim O’Rourke’s go-to bassist for nearly 20 years, as half of the duo On Fillmore with Wilco‘s Glenn Kotche, and as the bassist for groups Grand Ulena, Dazzling Killmen, and Brise-Glace and many others. As an improviser he has performed and recorded with (among others): Loren Connors, Joshua Abrams, Jason Roebke, Axel Dorner, Kevin Drumm, Alan Licht, and Jim O’Rourke. As a session bassist he has played on recordings by Louisville’s Will Oldham, as well as Cheer-Accident, Bobby Conn, Early Day Miners, and Jim O’Rourke, among others. He has toured extensively around the world with Mavis Staples, Tweedy, Daniel Johnston, and William Tyler. He currently resides in Finland.

CHRIS CORSANO has been active at the intersections of collective improvisation, free jazz, avant-rock, and experimental music since the late 1990’s. He’s been the rim-batterer of choice for some of the greatest contemporary purveyors of “jazz” (Joe McPhee, Paul Flaherty, Mette Rasmussen, Zoh Amba) and “rock” (Sir Richard Bishop, Bill Orcutt, Jim O’Rourke), as well as artists beyond categorization (Björk, Michael Flower, Okkyung Lee, Ghédalia Tazartès, Merzbow).

CHIKAMORACHI last played Louisville at the Nachbar in January 2012, part of which you can watch here:

Supporting CHIKAMORACHI will be Louisville musicians STEVE GOOD (saxophones, clarinet) and DANE WATERS (keyboards, voice). A vital natural resource in the Louisville music scene for multiple decades, Steve Good‘s musical vocabulary orbits lightly through a vast expansive local history: doing time with The Web, E-Or, Juanita, Ut Gret, Sapat, Crappy Nightmareville, Parlour, The Liberation Prophecy and many, many others.  He has documented via audio recording many thousands of local shows. Slint played in his basement, he recorded the first Will Oldham single, he ran sound and documented the weekly experimental music series at Artswatch through the 1990s, and yes, he shared a stage in Switzerland with Donovan back in the 1970s. Dane Waters is one of Louisville’s brightest musical talents. As a solo performer as well as member of Softcheque, Sapat, and The Phantom Family Halo, she displays an impeccable melodic sensibility, and has a voice so wonderfully haunting, it sends chills down your spine. Her most recent releases are available on Bandcamp as well as finer Louisville record stores.

Opening the show, YLEM is the Louisville-based trio of Chris Martin-Leidner, Dustin Marcum, and Eunoia Close. Their self-titled album was recorded by Jim Marlowe (Equipment Pointed Ankh, Ryan Davis and the Roadhouse Band) at End of an Ear in Louisville and was released in March, 2025.

Special thanks to Kris Abplanalp.

Live music events in Louisville, KY. Show announcements, music and news, and other ephemera at: https://bsky.app/profile/theothersideoflife.bsky.social.

The Other Side of Life Returns with Two Contemporary Experimental Music Concerts in June and July

Louisville, KY – May 8th, 2025

After a decade-long absence from concert promotion in Louisville, The Other Side of Life returns with two exciting concerts of contemporary experimental music, both presented at Art Sanctuary in Louisville’s Schnitzelburg neighborhood. Online ticketing is now available for the following performances:

Guitarist BILL ORCUTT returns to Louisville for the first time since 2014, in his acclaimed duo with drummer CHRIS CORSANO:

Bill Orcutt and Chris Corsano, Flanger Magazine, Jungle Boogie poster designed by Robert Beatty

BILL ORCUTT and CHRIS CORSANO
with special guests
FLANGER MAGAZINE
JUNGLE BOOGIE


Wednesday June 25th
Art Sanctuary (back room)
1433 S. Shelby Street
Louisville, KY 40217

$15 advance tickets, $20 day of show
Advance tickets available online at Art Sanctuary; physical tickets available soon for in-person purchase at Surface Noise (cash only), 600 Baxter Avenue, Louisville KY 40204

18+
7:00 PM doors
8:00 PM music
More info here.

Heralded electronic music duo MATMOS (featuring Louisville native Drew Daniel) returns for the first time since 2013:

MATMOS
with special guest ED SUNSPOT

Thursday July 3rd at Art Sanctuary 1433 S. Shelby Street Louisville, KY 40217

$15 advance tickets, $20 day of show Advance tickets available online at Art Sanctuary; physical tickets available soon for in-person purchase at Surface Noise Records (cash only), 600 Baxter Avenue, Louisville KY 40204

18+
8:00 PM doors
9:00 PM music
More info here

The Other Side of Life is a sole proprietorship venture whose mission is to promote contemporary music events in Louisville, Kentucky. In its prior incarnation from 2008 to 2015, The Other Side of Life was responsible for bringing hundreds of legendary international and national touring musicians featuring all kinds of musical genres to Lousiville, including unforgettable concerts by acts such as Faun Fables, Wire (UK), CJ Ramone, Shonen Knife (Japan), Sir Richard Bishop, Tashi Dorji, Steve Gunn, Helmet, Oren Ambarchi (Australia), Spider Bags, Chris Forsyth & The Solar Motel Band, D.R.I., Endless Boogie, Peter Brotzmann (Germany)/Hamid Drake/William Parker trio, Marisa Anderson, The Skull Defekts (Sweden), Loop (UK), Colin Stetson (Canada), Bombino (Niger), Helado Negro, Daniel Higgs, Cave, Josephine Foster, Horse Lords, and many more. The Other Side of Life also promoted events with such local, Louisville-based musical talents as Bonnie “Prince” Billy, State Champion, Parlour, Old Baby, Coliseum, Young Widows, Tropical Trash, Anwar Sadat, Cher Von, The Java Men, Black God, Tyrone Cotton, 1200 (Jecorey Arthur), and White Reaper, among many others.

Live music events in Louisville, KY. Show announcements, music and news, and other ephemera at: https://bsky.app/profile/theothersideoflife.bsky.social.

BILL ORCUTT and CHRIS CORSANO, FLANGER MAGAZINE, and JUNGLE BOOGIE at ART SANCTUARY, Wednesday, June 25th

Bill Orcutt and Chris Corsano, Flanger Magazine, Jungle Boogie poster designed by Robert Beatty
(Poster design by Robert Beatty)

The Other Side of Life presents:

BILL ORCUTT and CHRIS CORSANO
with special guests
FLANGER MAGAZINE
JUNGLE BOOGIE

Wednesday June 25th at Art Sanctuary (back room)
1433 S. Shelby Street
Louisville, KY 40217

UPDATE WEDNESDAY 6/25: Shelby Street is closed at the Ash Street railroad crossing four blocks north of Art Sanctuary due to track repair!

$15 advance tickets, $20 day of show
Advance tickets available online at Art Sanctuary;
Physical tickets now available for in-person purchase at Surface Noise (cash only), 600 Baxter Avenue, Louisville KY 40204

18+
7:00 PM doors
8:00 PM music

‘It should surprise you not an iota that [BILL] ORCUTT’s style is rooted as much in the fractal melodies of Trane and Taylor as it is in Delta syrup or Tin Pan Alley glitz. As for [CHRIS] CORSANO, well… to me Corsano is beyond jazz, almost beyond music, his ambidextrous, octopoid technique grappling many stylistic levers and spraying a torrent of light from every direction. Corsano’s ferocity has elevated many “mere” improv records to transcendence, but… he’s crafted his polyrhythms within more narrative channels, bringing to mind his “mannered” playing in the lamented Flower-Corsano duo. It’s not “groove” playing precisely, but it follows many grooves simultaneously, much like Orcutt’s own melodic musings — which is why they’re so naturally lock-in-key here.’ – Tom Carter on Chris Corsano and Bill Orcutt’s album Made Out of Sound.
https://palilalia.com/
https://billorcutt.bandcamp.com/album/made-out-of-sound-2024-reissue
https://cor-sano.com

FLANGER MAGAZINE is the duo of Chris Bush (Caboladies, Equipment Pointed Ankh) and Jim Marlowe (Equipment Pointed Ankh, Tropical Trash, Sapat): ‘Gathering samples, a River Doctor Limnologist inspecting the properties of After the Bend might note the specter of Leroy Jenkin’s free-violin heat-light deep in the water’s thermal stratification. Or mortgage the late-Maestro’s time with Gruppo di Improvvisazione Nuova Consonanza to pay down the growing river heat budget. Or take one’s dirty buckets to the banks of the 19th laundromat where Walt Dickerson plays his vibraphone parts from Divine Gemini with dowsing rods. Or excavate the bedrock in the drainage basin, noting skeletal remains of a Shostakovich string quartet attempting to tune up a Kentucky Fiddle’s subsequent influence on the chemical composition of the water. Or consult the historical revisionist reenactment troupe’s episode of Fishing with John (Fahey) in which Codona, The Sea Ensemble and Nuno Canavarro guest host as their fleet of paddle boats churn river water into a regal lager, and all the fish get drunk in their quest for the leaner enamel Hosianna Mantra GPS coordinates of the Fattened Herb.’ – Kris Abplanalp on Flanger Magazine’s album After the Bend.
https://flangermagazine.bandcamp.com/album/after-the-bend

JUNGLE BOOGIE is Ken “Bundy” Brown, founding member of Tortoise, and former member of Bastro, Gastr del Sol, Directions, and Pullman. Jungle Boogie’s Cease and Desist is now available at Bandcamp:
https://jungleboogie.bandcamp.com/album/cease-desist

Live music events in Louisville, KY. Show announcements, music and news, and other ephemera at: https://bsky.app/profile/theothersideoflife.bsky.social.

Recidivist, ep. 2: Codeine

Codeine Promo

(Codeine promo photo and other images swiped from http://pry.com/codeine)

I doubt they were the first band I “connected” with in the figurative sense — after all I’ve been nuts about music as long as I can remember. Yet I first heard Codeine at a pretty important time, when I was a teenager in Louisville, Kentucky, and they were one of the first out-of-town bands that I got to meet, champion, and really feel, well, connected to.

See the Louisville scene, great as it was at the time, was pretty insular. Not a lot of touring acts came through town at the beginning my formative punk/hardcore show-going years (though this changed as active bands like Rodan and Crain — as well as the legend of Slint — brought more bands interested in playing Louisville). Though despite being from New York City, the band already had some ties to Louisville: in 1990, Stephen Immerwahr (vocals, bass) recorded “Pea” with Bitch Magnet at Sound on Sound in Louisville with Howie Gano (who practically engineered every local punk/hardcore band at some point):

Bitch Magnet + Codeine

Somehow, I bought this single and got into it, sparking a life-long obsession with not only the awesome Bitch Magnet (more about them at a later date), but with this mysterious and nihilistic yet (unlike most hardcore I knew at the time) totally slow and sludgy song “Pea” on the flipside (sorry I don’t have it available for download). At some point I figured it out, and when I spotted Frigid Stars LP in some Sub-Pop print catalog (yes, kids, aside from going to what was called a “record store” to buy records, some of us actually ordered music out of mail-order catalogs too), I snapped it up. Immediately enthralled by the slow, yet melodic and heart-breaking sounds (the catalog described them as “a cross between Galaxie 500 and the Melvins“), I rushed off a letter to the P.O. box in the credits. Not too long after, I received a super-nice reply from Stephen (who am friends with to this day; oddly we first met at a Rodan/Palace Brothers show at the long-gone Highland House one Derby Day). Probably then I became Louisville’s biggest (and to my knowledge, only — until Scott Richter told me he too was a fan), and tried to spread the word on how great they were to all my friends.

Years later, I still listen to Codeine, and still maintain that they’re one of the greatest bands of their era. Despite what could be considered a major influence on quite a few bands (probably would put Low and Mogwai in there, among others), I still kinda think they didn’t quite get their due. Not enough people know, but then again I could be wrong. While goofing around, looking for Codeine info, I found this fantastic site filled with all kinds of great images and information. Although it doesn’t seem to have been updated since 2005, there’s pretty much everything you could want on there, including 6 songs recorded by Codeine for Peel Sessions (download here) and a live set from the Vermonstress Fest in 1992 (download here).

The Peel Sessions contain some excellent performances of four Codeine classics, plus two songs I’d never heard before: “Median” and “Sure Looks That Way.” It’s a shame neither of those saw a proper release. The live show (originally posted on Bradley’s Almanac) starts off a little shaky, but eventually gathers a head of steam. It also documents an interesting period when Codeine was in-between main drummers Chris Brokaw and Doug Scharin, with Josh Madell of Antietam and Other Music filling in on the throne.

Codeine Insert

BONUS TRIVIA: If you can name the Minneapolis band and their record on which Immerwahr worked as assistant engineer, you’ll win… something.