This week purveyed the unpleasant news of the demise of two ultra-important innovators of 20th Century music, Bob Moog and Luc Ferrari. I don’t think I have too much to add to the accolades and obituaries I’ve already read online and in print, but suffice to say I feel lucky to have been in the same room (though not at the same time) with these guys. Bob Moog visited Bard College, my alma mater, in 1996, and was as pleasant a guy as you could possibly imagine. It was amazing to me, though perhaps not surprising, that the guy who basically made synthesized music affordable to the masses was so accessible, so sweet and so helpful in spending time with students, answering their questions politely (even the dumb ones). Hearing from him first-hand about his teenage interest in the theremin was pretty amazing, to the point where I wished that I would’ve had half the adolescent curiousity, not to mention ingenuity. I never had the luck to chat with Luc Ferrari, but I did get to see a performance of his work — that he was present at — in Chicago in 2000 (I think), with a question-and-answer session as well. Though I have to admit there were a few moments that I wasn’t into, overall the music was fantastic, and so was the opportunity to see modern music performed in a nice, large space. Generally I’ve found Ferrari’s recorded works to be the most compelling of the stuff I’ve heard by the musique concrete “school” (though to be fair, I haven’t heard everything, obviously). And though Ferrari and Moog were in their 70s, they were still very active, so despite living long and fruitful lives, I consider it a pity that they’re gone.
Tag Archives: Obituary
GOODBYE, RAOUL DUKE
Aside from the pure anger and sadness i’m feeling about Hunter S. Thompson’s death, what gets to me is the manner. And I do not mean suicide per se, but the idea that all we as readers, as fans, etc. can do now is speculate. I certainly understand his son’s statement about respecting his family’s privacy, but at the same time it displays a naivete that bothers me — half of anything I’ve said to anyone else about this in the past 24 hours is speculation, which ultimately of course doesn’t matter. It doesn’t matter whether it was Dubya or mental illness or drugs or an accident or terminal illness or whatever that prompted HST to kill himself. What matters is yet another of our heroes is gone. We need to get used to it, but speaking for myself I find that a difficult concept to grasp. It’s hard to want to continue living when you know that everyone you ever looked up to is ready to shuffle off.
Speaking from a point that has little to do with his impact as a writer (though i think that cannot be overstated), and I hate to become a parody myself (too late!), but again, Louisville (blah blah). My hometown, the place that defined me as much as i defined it, was such a place of inspiration and exasperation. I knew that even before I read HST. And he was just an inspiration for getting out (though not to belittle those that stayed), much less changing the world in his way (so he didn’t crumble all the towers, but that’s a pretty tall order for anyone). HST, Muhammed Ali, Slint (ha!), anyway, yeah you get the drift.
Someday, some of HST’s Louisville contemporaries — friend and foe alike — will put together the true early portrait of the man (one of his best friends was the real estate mogul Paul Semonin) (one of his worst enemies was David Grubbs’s dad) (he was known even in high school for snaking gasoline for his motorcycle if you left your car in your driveway). I only know some bits and pieces. and I never met him, nor even got to see him speak, nor even got to see him just ramble drunkenly onstage, like at his last appearance in his hometown (Depp in tow). I just knew his writing, and an awful lot of it I knew before I even got to read it.
I have a short piece in the works here about how excited I was again for Louisville, for 2005 being a good rediscovery year. I’ll still post it, and it will still be exuberant, but I think now it will have to be tinged with some sort of sadness to reflect on HST’s passing.
RIP.
HUGH DAVIES, RIP
Well much like at the end of 2004, I have another bummer of a music-related death to report. British composer, performer, instrument inventor, lecturer and musicologist Hugh Davies has died. He was 62. I am most familiar with his sounds on the Music Improvisation Company LPs (one on Incus and one on ECM) and on the Work on What Has Been Spoiled LP with the mighty Borbetomagus. I never got a chance to hear his many other projects, though a number of them were recorded for posterity. This academic biography sums up his work nicely, and the GROB label also has an interesting sounding reissue of Warming Up with the Iceman from 2001.