Tag Archives: Upcoming Events

Sic Alps and CROSS at the Kentucky Museum of Art and Craft, Friday, October 19th

Leave a reply

LEO Weekly ran my preview today of Friday’s upcoming Sic Alps and CROSS show at the Kentucky Museum of Art and Craft (scroll down to Friday’s entry):

Friday, Oct. 19
Sic Alps
Kentucky Museum of Art and Craft
715 W. Main St.
kentuckyarts.org
$6-$8; 8 p.m.

Sic Alps have a not-unpleasant tendency to sound like scraps of an overheard conversation interrupted by a 10-car pileup. To perhaps understand the stops and starts, the utterly lo-fi, heavily fragmented style, know that frontman (and only constant) Mike Donovan drives a cab in San Francisco when he’s not touring. On their new album, the new lineup ditches noisy home recording techniques in favor of a clear, crisp style (including some string arrangements), and the result is like graduating from The Crying of Lot 49 to Gravity’s Rainbow. While former versions have been mystifying, enjoyable and unique, this new recorded version is more cohesive, expansive and epic — without being yawnsome “epic rock.” However, expect a white-hot live performance — their set at the 2010 Cropped Out festival was one of the more blazing moments. —Joel Hunt

Not sure why mention of Lexington’s excellent CROSS was excised, but they’ll be opening the show. Their new album, Die Forever, is now available from Sophomore Lounge.

Also, you can stream Sic Alps’ new self-titled album here: http://www.spin.com/articles/hear-sic-alps-fantastic-studio-recorded-self-titled-lp.

SIMON JOYNER, BRO. STEPHEN, and TENDER MERCY at QUILL’S, Sunday, November 11th

Leave a reply

Astro Black Records, Cropped Out and The Other Side of Life are proud to present:

SIMON JOYNER (Omaha, Nebraska; on Sing, Eunuchs!)
BRO. STEPHEN (Louisville, KY; on Crossroads of America Records)
TENDER MERCY (Louisville, KY; on Dunkenstein Records)

Sunday, November 11th
at QUILL’S
930 Baxter Avenue
8 PM, $6, ALL AGES!

Love and death: these are the only themes. So it’s been in SIMON JOYNER’s twenty years of making records—from 1992’s Umbilical Chords cassette to his new double LP, Ghosts. Over the course of a thirteen-album career in which he’s produced a multitude of sounds and musical influences on a multitude of independent labels, he’s only made two other proper double-albums (1997’s Yesterday, Tomorrow and In Between and 2001’s Hotel Lives). Both are classics of his discography, and Ghosts follows in their footsteps, creating and inhabiting a world in which JOYNER’s thematic preoccupations can be explored carefully and fully.  Recorded on reel-to-reel in JOYNER’s warehouse on a sixteen-track tape machine over many months, Ghosts sounds unlike any JOYNER record. The influence of dark, ’60s and ’70s private-press psych and folk records, as well as the noisy, transcendent music of New Zealand heroes like This Kind of Punishment, Alastair Galbraith and The Dead C are highlighted on this experimental, full-band song-cycle that pays subtle as well as brazen homage to several influential double-albums (perhaps most obviously with its Exile on Main Street-inspired gatefold artwork). JOYNER’s music gathers acolytes rather than casual fans, contributing to his “songwriter’s songwriter” status and inspiring comparisons to other artists like Bill Fay, Townes Van Zandt, David Blue, and Leonard Cohen.

BRO. STEPHEN is a project of Scott Kirkpatrick who is also the force behind indie-rock band Chemic. Originally conceived as a songwriting exercise, BRO. STEPHEN has come to mean much more. Pulling from a childhood of being a preacher’s son, a deep collection of poor decisions, and a constant struggle with narcolepsy, the songs of BRO. STEPHEN are a casual dart game: the sound of ennui. Despite it’s relatively recent inception, BRO. STEPHEN headed out on the road in 2009 on a national tour playing songs off of his upcoming debut record and armed with hand-made copies of The Front Room EP which was a collection of demos Kirkpatrick had recorded on a cassette tape machine. Along the way BRO. STEPHEN has supported acts like The Fiery Furnaces, Sun Kil Moon, Anni Rossi, DM Stith, The Daredevil Christopher Wright, and Vandaveer, and released its debut album Baptist Girls, a record that was largely recorded on an old farm in Northern Indiana.

TENDER MERCY is the brainchild of singer/songwriter Mark Kramer and can best be described as contemporary minimalism with strong acoustic leanings. Debuting with a track on the infamous Dunkenstein Record’s Doctors Of Dunk Vol. 2, TENDER MERCY began playing around Louisville, opening for the likes of Jamie Barnes, Tamara Dearing, The Deloreans, Ben Traughber, The Parade Schedule, and Nerves Jr. TENDER MERCY released a 6 song EP entitled “The Road To Good Intention Is Paved With Hell” in the spring of 2012.

Check out the Facebook invite here: http://www.facebook.com/events/395344633870923.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/.

UPDATE, 11/5/2012: Folks, there’s been some confusion, and as it turns out, FRANKLIN BRUNO will not be joining us this Sunday. Sorry for the mix-up. Hope to see you there regardless!

MADAME MACHINE and SAD HORSE at ZANZABAR, Wednesday, October 10th

Leave a reply

The Other Side of Life is proud to present:

MADAME MACHINE (Louisville, KY; on Noise Pollution)

and

SAD HORSE (Portland, OR; on Water Wing Records)

Wednesday, October 10th
at ZANZABAR
2100 S. Preston
9 PM, $5, 21-and-over

MADAME MACHINE is a Louisville trio consisting of David Cundiff (Lucky Pineapple, Bodyhammer), Salena Filichia (Julie of the Wolves), and Forrest Kuhn (Ennui, Sunspring, Black Cross). They’ve released one excellent 7″ on Louisville’s Noise Pollution label, and have played with the likes of The Teeth, Parlour, Softcheque, Hal Dolls, and other local delinquents. They’re rapidly becoming known as one of the best bands in town, so don’t miss them!

SAD HORSE is the Portland, Oregon-based duo of Elizabeth Venable (a Louisville native!) and Geoff Soule (formerly of Fuck). Their debut album, Purple on Purple Makes Purple, was released in June on Water Wing Records, and you can listen to it here: http://sadhorse.bandcamp.com/. Watch a video for their song “Mountain Lion” here:

SAD HORSE – “MOUNTAIN LION” OFFICIAL MUSIC VIDEO from Kristina Davies on Vimeo.

Find the Facebook invite here: http://www.facebook.com/events/388007504604701.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/.

CROPPED OUT is a WEEK AWAY!

Leave a reply

We’ve got one week until the first day of this year’s CROPPED OUT festival, beginning next Friday, September 28th (which, coincidentally, is my birthday!), so let’s take a look at this year’s lineup, schedule, and tomfoolery. Firstly, if you haven’t seen this preview video yet, what planet are you from? Well, you better get in your saucer and get here soon! Check it out:

The entire schedule, broken down by venue, is available here: http://croppedoutmusic.com/cropped-out-2012-schedule/. Let’s take a look at each day’s offerings, shall we? Our “picks to click” are in bold:

FRIDAY, SEPTEMBER 28th at the TURNERS CLUB —
Turner Tavern: SHE MIGHT BITE, MICROWAVES, THE SEDIMENT CLUB, TWIN SISTER RADIO, TV GHOST, CHAIN & THE GANG
Scully Alley: DISCO DOOM, GANGLY YOUTH, BUCK GOOTER, LANTERN, EUGENE CHADBOURNE
Phreedom Hall: THE RITCHIE WHITE ORCHESTRA, JANDEK, STREET GNAR, SLUG GUTS

SATURDAY, SEPTEMBER 29th at the TURNERS CLUB —
Turner Tavern: BINARY MARKETING SHOW, CAVE BEARS, GRAY/ZERANG DUO, COOL MEMORIES, SHAVED WOMEN, DAVID LIEBE HART, R. STEVIE MOORE
Scully Alley: WET, KARK, GLOBSTERS, WHITE WALLS, NEW MOTHER NATURE, GUERILLA TOSS, NEIL HAMBURGER
Phreedom Hall: BLACK KASPAR, RAW THUG, CRYS, PC WORSHIP, MERCHANDISE, LIL B
Spooky Beach: ASHCAN ORCHESTRA

SUNDAY, SEPTEMBER 29th at the WORKHORSE BALLROOM —
PAPA M, WOODEN WAND, JOZEF van WISSEM

Wait, you want more? Well, we’ve got more for ya! How about a DOWNLOADABLE MIX of lots of this year’s CROPPED OUT performers, put together by CROPPED OUT homie James Ardery? Sound good? Well here it is! And here’s the tracklist:

1. Jozef van Wissem, “Lux Divinitatis”
2. PC Worship, “Tides”
3. Wooden Wand, “Servant to Blues”
4. CRYS, “Pass on the Third”
5. Shaved Women, “Circles”
6. Eugene Chadbourne, “Wine Me Up”
7. Globsters, “Roll You Up and Smoke You”
8. White Walls, “The Milk of a Lonely Man”
9. Microwaves, “Hammerspace”
10. Lil B, “Still Cookin'”
11. Guerilla Toss, “Breeding Snakes 4 Variety”
12. Buck Gooter, “Consider the Grackles”
13. Merchandise, “Time”
14. Wet, “Wetter than Wet Pt. 2: Pink Pearl”
15. Gangly Youth, “Jangly Youth”
16. The Ritchie White Orchestra, “Matt Says 2”
17. Chain & The Gang, “If Only I Had Your Brain”
18. R. Stevie Moore, “Schoolgirl”
19. Lantern, “Dreammine”
20. The Phantom Family Halo, “Black and White Magic”

It’ll only be up for a limited time, so grab it like it’s hot. Yeah. And enjoy.

Of course, a wealth of information, including tickets, is available at www.croppedoutmusic.com. Don’t miss what promises to be an awesome weekend! And we’ll see you there, by some bonfire, tellin’ jokes or something…

UPDATE, 9/27/2012: CROPPED OUT IS A DAY AWAY!

Some lineup changes to note: DAHM is unfortunately sick, so he will be missing this year’s CROPPED OUT. Get well, Dahm!

In his place are not one but two doozies: 90’s power-violence pioneers SUPPRESSION (from Roanoke, VA) and FAT HISTORY MONTH (from Boston, MA; on Sophomore Lounge).

Lots of food trucks and vendors and whatnot will be there too, so don’t forget the tomfoolery!

São Paulo Underground Tomorrow at Kentucky Museum of Art and Craft

Leave a reply

LEO Weekly ran my preview today of tomorrow’s upcoming São Paulo Underground concert at the Kentucky Museum of Art and Craft (scroll down to Thursday’s entry):

Thursday, Sept. 13
São Paulo Underground
Kentucky Museum of Art and Craft
715 W. Main St.
kentuckyarts.org
$5-$10, 8:30 p.m.

Living in Chicago in the 1990s, it was nearly impossible to miss trumpeter/cornetist Rob Mazurek’s many projects. Whether he was gigging with Tortoise, workshopping at the Green Mill, or playing with drummer Chad Taylor in Chicago Underground Duo, Mazurek’s signature style (reminiscent of Dark Magus-era Miles Davis) was inescapable. After adding electronics to the mix, Mazurek’s sound got even bolder, charting a new course that wasn’t quite jazz in the traditional sense but was exciting in its boundary-crossing openness. After moving to Brazil, he started São Paulo Underground with Mauricio Takara (drums, percussion, cavaquinho, electronics), then enlisted Guilherme Granado (keyboards, electronics, samplers) and Richard Ribeiro (drums). The result is a smoothly rendered Brazilian/American melodic hybrid, held together by a fluid rhythmic sensibility. This rare performance — part of KMAC’s “Storytelling As Craft” exhibit — should not be missed. —Joel Hunt

I actually will miss the concert, due to work. Don’t be as unlucky as me. Read more about São Paulo Underground, and listen to a killer track, here: http://www.cuneiformrecords.com/bandshtml/saopaulo.html.

A BENEFIT FOR TOM CARTER with SAPAT, TROPICAL TRASH, SHEDDING, and KEENAN LAWLER at Zanzabar, Thursday, August 16th

Leave a reply

Cropped Out and The Other Side of Life are proud to present:

A BENEFIT FOR TOM CARTER


(photo of Tom Carter by Stephan Laackman)

with

SAPAT (on Siltbreeze; from Louisville, KY)
TROPICAL TRASH (Louisville, KY; on Loin Seepage/Sophomore Lounge)
SHEDDING (from Louisville, Kentucky)
R. KEENAN LAWLER (from Louisville, Kentucky)

Thursday, August 16th
at ZANZABAR
2100 S. Preston
9 PM, 21-and-over
$5 entry fee; additional donations encouraged
100% of all proceeds will be donated to The Robert Thomas Carter Irrevocable Trust.

ABOUT TOM CARTER:

While on a tour of Europe this spring with his band Charalambides, the Brooklyn based guitarist Tom Carter was hospitalized in Berlin, Germany for serious complications of pneumonia. In mid-July, Tom was transferred to a medical rehabilitation facility in Germany, near the Baltic Sea. Tom will receive medical care, monitoring and physical rehabilitation at the facility until the end of July. His doctors are also recommending that Tom not return to employment and normal levels of pre-illness activity until January 2013. This recommendation will be periodically reevaluated, but it seems to fall in line with common recovery projections for people who have experienced pneumonia at this level of seriousness. It is still unknown whether Tom will be able to return to New York immediately after the rehabilitation, or if it will be necessary for him to, instead, reside elsewhere with his family for a time. Although his condition continues to improve, Tom is still weak and his condition must come closer to what his normal baseline health will be, in order for doctors to assess what type of further treatment he will need in the US. It does seem to be certain that Tom will require follow up care once back in the States.

WHY YOU SHOULD CARE:

Tom Carter is a tremendous musician, and a caring, compassionate individual who will need long-term help to recover from his illness. Cropped Out, The Other Side of Life, and the musicians playing the benefit are joining forces with a number of promoters, musicians, and concerned friends of Tom all across the South to curate benefit shows during the middle of August. This unique situation of multiple forces across an entire region presents a rare opportunity to help a friend who has given us so much over the years — his music, friendship, and encouragement.


(Photo of Sapat by Ginger Goss, from Loin Seepage.)

Spawned from the formidable Louisville, KY collective known as Black Velvet Fuckere, SAPAT resides as the centrifugal force in this Midwestern psychedelic madrigal set in the psychosexual backwaters of the mighty Ohio River. For the entirety of the ‘00 decade, members have kept busy collaborating with and/or massaging the egos of various and sundry avant-pontiffs such as Robert Fripp, Magik Markers, Dead Child and Eugene Chadbourne – when not honing the orgone energy of SAPAT.

TROPICAL TRASH have caused quite a stir with their new 7″, Fear of Suffering, on Sophomore Lounge. Still Single describes TROPICAL TRASH as an “Excellent combination of thrashing energy and solid ideas that break apart and recombine in novel, tuneful ways.” They’re just as thrilling live as on record, so don’t miss this opportunity to rock out with ’em!

SHEDDING has been a solo vehicle for Connor Bell since 2001, and has released several items over those years available at Ocio and Hometapes. SHEDDING‘s music is meditative and still, eerie and unsettling — yet with a spectacular sense of melody.

R. KEENAN LAWLER is a musician and sound artist based in Louisville Kentucky. For over 25 years his musical journey has taken him from early experiments with reverb tanks, noise and tape decks to all manner of avant-garde, “new” music, psychedelia, electro-acoustic, drone, ethnic and sampler-based work. LAWLER is best known for developing a highly personal and exploratory language for the metal bodied resonator guitar which Baltimore’s John Berdnt called “Cosmic, monolithic and deeply American.” Primarily a solo performer, he is also known for collaborative work. His guitar playing is also heard on releases by Paul K., Jack Wright, My Morning Jacket and on Matmos’ The Civil War. He has collaborated or performed with a wide range of forward-thinking musicians and mavericks including Rhys Chatham, John Butcher, Eliott Sharp, Charalambides, Ignaz Schick/Perlonex, Kaffe Matthews, Burning Star Core, Jason Kahn, Ut Gret, Thaniel Ion Lee, Ed Wilcox, Ramesh Srinivasan, Kevin Drumm, Arco Flute Foundation, Helena Espvall, Ian Nagoski, Connor Bell, Andy Willis, Alan Licht, Taksuya Nakatani, Tom Carter, Bhob Rainey, Aaron Rosenblum, Joe Dutkiewicz, Evergreen, Eric Carbonara and Joseph Suchy.

Check out helptomcarter.org to see other ways that you can help contribute to Tom’s recovery!

Find the Facebook invite here: http://www.facebook.com/events/428050753912799.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/.

UPDATE, 8/17/2012: Hey Louisville! We raised $475 last night to benefit Tom Carter and help with his recuperation from pneumonia. Thanks again to everyone who attended, played, or otherwise helped with the benefit, and thanks again to Zanzabar for hosting it.

SAPAT, BLUES CONTROL, PARLOUR, and WET at the CATHOUSE, Thursday, July 26th

1 Reply


(Flier by Ryan Davis.)

Black Velvet Fuckere, Cropped Out, and The Other Side of Life are proud to present:

SAPAT (on Siltbreeze; from Louisville, KY)
BLUES CONTROL (on Drag City; from Coopersburg, PA)
PARLOUR (on Temporary Residence; from Louisville, KY)
WET (from Louisville, KY)

Thursday, July 26th 2012
at The Cathouse
747 S. Preston
All Ages! Doors at 8 PM, $5


(Photo of Sapat by Ginger Goss, from Loin Seepage.)

Spawned from the formidable Louisville, KY collective known as Black Velvet Fuckere, SAPAT resides as the centrifugal force in this Midwestern psychedelic madrigal set in the psychosexual backwaters of the mighty Ohio River. For the entirety of the ‘00 decade, members have kept busy collaborating with and/or massaging the egos of various and sundry avant-pontiffs such as Robert Fripp, Magik Markers, Dead Child and Eugene Chadbourne – when not honing the orgone energy of SAPAT.

Don’t lose control — dig BLUES CONTROL! Following a circular path in order to access the unknown, Russ and Lea nab chaos in a plastic cup and crush rock into diamonds, or something that looks like them anyway. Valley ho! Their new record, Valley Tangents, “is like drugs for your ears.”

Watch the video for BLUES CONTROL‘s “Love’s a Rondo” here: http://youtu.be/BlUyUvSaZKo.

PARLOUR originally began as a solo project from Tim Furnish following the mid-90s dissolution of CRAIN – the seminal Louisville rock group he co-founded in the late ’80s. Currently playing with new drummer (Greg Morris) and synth player (Brian Sweeney), Furnish’s PARLOUR evokes “A unique combination of interweaving guitar shards… driven by a dark, relentless rhythm section.” Their most recent album, Simulacrenfield (released on Temporary Residence), was one of our favorites of 2010.

WET is an electronic outfit comprised of three Louisville high schoolers (Hank Paradis, Evan Booker, and Jeff Bryant) who began playing in 2010. Together the group uses an array of electronic, acoustic, and self-made instruments to find humor in their common fears as young people — fears of excessiveness, ignorance, and estrangement that perhaps cannot be destroyed, but absorbed and released again in a series of musical elations. WET’s full-length debut Wetter Than Wet is now available for free download at: http://thewet.bandcamp.com/album/wetter-than-wet.

Find the Facebook invite here: http://www.facebook.com/events/121230094685490.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/.

UPDATE, 7/25/12: Read this great interview with BLUES CONTROL in today’s LEO Weekly:http://leoweekly.com/music/spiritual-station-blues-control.

PUJOL, ANIMAL CITY, and MOTE at ZANZABAR, Friday, June 29th

Leave a reply

Cropped Out and The Other Side of Life are proud to present:

PUJOL (from Nashville, on Saddle Creek/Infinity Cat/Third Man, etc.)
ANIMAL CITY (from Chicago, on Sophomore Lounge)
MOTE (from Louisville)

Friday, June 29th
at ZANZABAR
2100 S. Preston
9 PM doors, $5, 21-and-over

PUJOL’s new album United States of Being was released on June 5th.  PUJOL formed in 2009 as a last ditch effort to appease the Sarlacc Pit of Life with adeptly crafted songs based firmly in meaningful lyrical content. It’s these motives and songs that have taken PUJOL from the basements of Middle Tennessee to stages across the country and have garnered notice from more than just those with their ear to the ground. Following a plethora of singles and cassettes, PUJOL finally has an official debut full-length ready for unveiling. United States of Being continues on with PUJOL’s doctrine of trying hard everyday and ventures lyrically to a place that most contemporaries fail to reach. Addressing the current status of twenty-somethings in America’s present and capturing their shared dispositions, the album throws the brakes on “catharsis,” and begs the listener to decide for themselves how to answer the robot’s last question, “What is love?” With riff-oriented guitar playing reminiscent of greats like The Replacements and Beetlejuice-esque earworms, PUJOL now sits atop the fringes of the rock and roll and DIY vernacular.

ANIMAL CITY is finally a full band. After adding two of the funniest Jewish cousins that the music world has had to deal with, the longtime two-piece is an upbeat and funky version of itself, without ever abandoning its long-loved, lo-fi aesthetic. New adaptations of older songs make the old songs seem new and the new songs sound newer (because they are newer, duh). Transcending film, music, and social-chameleonism, the prolific four-piece is starting a creative parade on the streets of ANIMAL CITY. Won’t you join them?

MOTE are a rather mysterious, relatively new, totally rockin’ new band from Louisville. What more do you need to know?

CHECK IT OUT: Our friends at Backseat Sandbar are giving away tickets + merch for the show, but ya gotta get in by tomorrow, June 27th! Click here for details: http://backseatsandbar.com/2012/06/25/win-tix-media-bundle-pujol-animal-city-mote-zanzabar-629/.

And of course, here’s the Facebook invite: http://www.facebook.com/events/212685365519622.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/.

Some Good Shows This Week

Leave a reply

Tonight Vice-subsidized living legends PIERCED ARROWS play Headliners, with OLD BABY and DON’T (who have some sort of WIPERS connection). PIERCED ARROWS consist, of course, of Fred and Toody Cole from the amazing DEAD MOON, who we never got to see because they never played Louisville back in the day. Let’s hope tonight makes up for that. 8 PM doors, 18+, $10.

On Saturday, SONIC YOUTH‘s LEE RANALDO plays Zanzabar with his new band, which also features SY‘s drummer Steve Shelley as well as guitar slinger Alan Licht (one of our favorites). Opening is another favorite of ours, the ever-quotable WOODEN WAND. James Toth is a certifiable genius, or at least he’s married to one. Some other band called SEA HERO plays too. 9 PM, 21-and-over, $16 advance tickets (here), or $18 day of show.

PILLARS AND TONGUES, MAN FOREVER, and NEW MOTHER NATURE at ZANZABAR, Wednesday, May 30th

Leave a reply

Cropped Out and The Other Side of Life are proud to present:

PILLARS AND TONGUES (Chicago, Illinois)
MAN FOREVER (Brooklyn, New York; on Thrill Jockey)
NEW MOTHER NATURE (Louisville, Kentucky)

Wednesday, May 30th
at ZANZABAR
2100 S. Preston
9 PM doors, $6, 21-and-over

PILLARS AND TONGUES is a trio based in Chicago, Illinois whose musical pursuits seem to defy genre categorization. The ongoing result of these pursuits has been called, variously, “holy” and “sexy” and it may well be the tension between these two concepts which lights the fire under (over?) PILLARS AND TONGUES. Think on those things which are so beautiful they become obscene. Speaking literally, the trio makes extended use of the human voice, violin, double bass, drums, bells and organs. The music is perhaps distinctly American in both its affair with American forms and its refusal to adhere to them at all.

Listen to a track by PILLARS AND TONGUES here: “Oaky (Doting, in Late Summer)”

John Colpitts (aka Kid Millions) is a Brooklyn-based multi-instrumentalist, composer and writer who is perhaps best known as the drummer for Oneida. MAN FOREVER, his vehicle for exploring the outer limits of drum performance, was created to overwhelm, to investigate the nuances that bloom in the midst of repetitive music, and to act as a pure sound experience. Thrill Jockey will release MAN FOREVER‘s first album, Pansophical Cataract, on May 15th.

(Photo of New Mother Nature by Tim Furnish.)

NEW MOTHER NATURE is a relatively new band on the Louisville scene, but filled with familiar faces. Members of NEW MOTHER NATURE are current or former members of Old Baby, The Phantom Family Halo, Natural Geographic, and many more. They’re quickly becoming one of our favorite new bands, and we think you’ll like ’em as well.

Check out the Facebook invite here: http://www.facebook.com/events/125737587562676.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group, with lots more info, at http://www.facebook.com/groups/232825523444477/.