The Other Side of Life is proud to present:

FAUN FABLES

PARTY KNüLLERS

FLANGER MAGAZINE

plus

SPECIAL SURPRISE GUEST

BONNIE “PRINCE” BILLY

Sunday, June 28th
at THE NEW VINTAGE
2126 S. Preston
Doors open at 8 PM
$10 advance tickets, $12 day-of-show
18+
Advance online tickets on sale here: http://www.ticketfly.com/event/875739
Facebook invitation here: https://www.facebook.com/events/1596871953931869/
Recommended If You Like: Sleepytime Gorilla Museum, The Everly Brothers, Bonnie “Prince” Billy

FAUN FABLES began in 1997, when Dawn ‘the faun’ McCarthy left the bands and cabarets of NYC for the wider world. She grew up in eastern Washington state enjoying drawing, dance, and make-believe amongst a large family. On Early Song (1999) she sang with “a voice as haunting as an abandoned coal mine, while it dances with the even tempo guitar that seems to pluck itself,” (CMJ). Mother Twilight (2001) was called “A collection of songs that seem to rove wondrously through the mountain pines at dusk,” (SF Weekly). Dawn performs FAUN FABLES most often as a soloist or with frequent collaborator Nils Frykdahl of Sleepytime Gorilla Museum. But she also enjoys working with other artists, musical and otherwise; The Transit Rider, a FAUN FABLES full length musical inspired by her years in NYC, premiered 2002 in San Francisco with a cast of thirteen. FAUN FABLES tours the world regularly, studying landscape, culture and the art of feasting with locals.

PARTY KNüLLERS is the experimental garage jazz duo of Fred Lonberg-Holm (cello, guitar, electronics) and Ståle Liavik Solberg (drums). The band was described by Eyal Hareuveni as “an intimate meeting of the two restless and adventurous musicians” with an “obsessive and playful need to explore and invent new sounds and new forms of musical communication”.
Colin Greene says: “[The] sound and phrasing of his cello frequently resemble guitarists such as Thurston Moore, rich in fragmented overtones, and can sound like a Harrier Jump Jet – taking off and landing” while “Solberg’s fractured percussive playing intensifies the tension.” Before setting out as a duo, they played together in VCDC (with reed player Frode Gjerstadt and vocalist Stine Janvin-Motland), Gorilla Ass Piano (with bassist Per Zanussi) as well as a number of other ad hoc groupings including sax/clarinet player Keefe Jackson. Since forming the PARTY KNüLLERS, they have also recorded and performed with analog synth wizard Jim Baker. Independently they have worked with a who’s who of underground (and mainstream) musics from Steve Beresford to Wilco, from to John Russell to Peter Brötzmann. Their low-fidelity approach to improvising and recording and their influences of dance music, garage rock, free jazz and European Free Improvised lends itself to a raw simplicity of composition, arrangement, and performance.

The man who acts under the name Will Oldham and sings and composes under the name BONNIE “PRINCE” BILLY has, over the past quarter-century, made an idiosyncratic journey through, and an indelible mark on, the worlds of indie rock and independent cinema. With his highly individualistic approach to music making and the music industry, one that cherishes intimacy, community, mystery, and spontaneity; his brilliance has captivated fans and made Bonny one of our most influential and beloved songsmiths.

A pastoral suite of electronics, acoustic guitars, synthesizers and rhythm machine, Breslin is the latest work from FLANGER MAGAZINE, the duo of Chris Bush and Ben Zoeller, whose previous work in the group Caboladies serves as a touchstone. Imitation strings, electronic interruptions, and nylon acoustic guitar figures touched with reverb are the perennial players in this work.

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