Tag Archives: Zanzabar

BLUES CONTROL, RAW THUG, and JONATHAN WOOD & LOWE SUTHERLAND at ZANZABAR, Monday, February 4th

Cropped Out and The Other Side of Life are proud to present:

BLUES CONTROL (on Drag City; from Coopersburg, PA)
RAW THUG (on Loin Seepage; from Louisville, KY)
JONATHAN WOOD & LOWE SUTHERLAND (from Louisville, KY; members of OLD BABY and SAPAT)

Monday, February 4th
at ZANZABAR
2100 S. Preston
8 PM doors, 21-and-over
$5 advance tickets available online here: http://zanzabarlouisville.ticketfly.com/event/207103-blues-control-louisville/; $7 day-of-show

Don’t lose control — dig BLUES CONTROL! Following a circular path in order to access the unknown, Russ and Lea nab chaos in a plastic cup and crush rock into diamonds, or something that looks like them anyway. Valley ho! Their new record, Valley Tangents, “is like drugs for your ears.”

Watch the video for BLUES CONTROL‘s “Iron Pigs” from Drag City Limits here:


(Photo of Arsenio Zigonoto by Ron Jasin via LEO Weekly.)

RAW THUG is the brainchild of one Arsenio Zigonoto, recently profiled in Louisville’s LEO Weekly 2012 People Issue here: http://leoweekly.com/news/2012-people-issue-arsenio-zignoto. Needless to say, he is one of Louisville’s musical treasures. To quote:

He once played a plastic bag at a show — “There were lots of drums and it sounded like … an evening gown amongst the chaos” — and has shared his sounds with bands like Sapat, Softcheque, his own RAW THUG moniker, and most recently Mindhorn, amongst countless other sit-ins and randomness.

JONATHAN WOOD & LOWE SUTHERLAND
are well known to connoisseurs of Louisville music, primarily for their main musical vehicles OLD BABY and SAPAT, respectively. For the first time in public (that we know of), they’re taking a dynamic duo detour down a ramshackle dirt road, riding a pink Cadillac into the sunset of a February night. Will they fly off the handle, riding high like Thelma & Louise into an expansive western sky? Or will they keep it down-to-earth, dusting up your jacket and filling your lungs with exhaust while they peel out, squealing their tires? There’s only one way to find out, dear listener…

Check out the Facebook invite here: http://www.facebook.com/events/415252498550605.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

TWIN SISTER RADIO, ANWAR SADAT, and AXIS:SOVA at ZANZABAR, Friday, December 7th

Cropped Out and The Other Side of Life are proud to present:

TWIN SISTER RADIO (Louisville, KY)
AXIS: SOVA (Chicago, IL)
ANWAR SADAT(Louisville, KY)

Friday, December 7th
at ZANZABAR
2100 S. Preston
8 PM doors, 21-and-over
$7

TWIN SISTER RADIO is a band from Louisville, Kentucky. It consists of David Wright (guitar, vocals), Joey Yates (drums), Benny Clark (bass), Catherine Baines (vocals), Ryan Davis (keyboards), and Dan Marshall (guitar). Members of Six White Horses, State Champion, The Loved, Parlour, Elliott, and many other fantastic combos are involved, so you should be, too.


(Photo of ANWAR SADAT from The Decibel Tolls.)

They’ve been called noise-rock. They’ve been called indie-punk. They’ve been called post-punk . Well, you can call ANWAR SADAT anything you want, we’re calling them the most exciting new band in Louisville today. The trio of William Carpenter, Clay Farris, and Shane Wesley will knock your socks off.

AXIS:SOVA is the brainchild of one Brett Sova from Chicago, Illinois. You can read about him at Altered Zones here: http://alteredzones.com/posts/1561/axissova-i-feel-laying-low/ (written by our pal Kenny Bloggins!). And you can watch his most recent video, “Raising Hell,” here:

Check out the Facebook invite here: http://www.facebook.com/events/117208381774851.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

MOUNT CARMEL and TEMPLE OF THE GOLDEN DAWN at ZANZABAR, Friday, November 23rd

Cropped Out and The Other Side of Life are proud to present:

MOUNT CARMEL (Columbus, Ohio; on Siltbreeze Records)

and

TEMPLE OF THE GOLDEN DAWN (Louisville, Kentucky)

Friday, November 23rd
at ZANZABAR
2100 S. Preston
9 PM, 21-and-over
$5 advance online tickets available here: http://zanzabarlouisville.ticketfly.com/event/187621/;
$7 day of show admission

For those swayed by the magisterial authenticity of MOUNT CARMEL on their eponymous 2010 debut album: its follow-up Real Women finds the band honed and sharper, thus delivering what might be the best sophomore album released by an American blues-based power-trio since ZZ Top’s Rio Grande Mud. Nods to Free, Humble Pie, even Trapeze can be sussed out in the mix, but at the end of the day, Real Women is straight-up MOUNT CARMEL all the way. Searing leads, smokey vocals, thundering rhythms, cascading drums, hyperbolic hyperbole… it’s all here. MOUNT CARMEL brings back the spirit of 1973 like no one else. The only difference now is better weed and shittier barbiturates. It’s hands-down pure rock, no frills. Nary a retro contrivance is to be heard. These guys live it for real. Honest.

Watch the Red Bull Sound & Vision documentary on MOUNT CARMEL here:

TEMPLE OF THE GOLDEN DAWN was founded in early 2012 for the purpose of studying spiritual awakenings through low-frequency bombardment as well as transcendental mind expansion using electric six-string techniques. The founding four members (Scott Brooks [guitar, vocals], J. Brian Reese [guitar, vocals], J Brent Stewart [bass], and Pinker Lichvar [drums]) have come together from the remnants of other Orders & Secret Societies (Les Debutantes, L&N, Manchuria, The Ravenna Colt) to seek, together, further enlightenment and a Universal Knowledge.

Check out the Facebook invite here: http://www.facebook.com/events/432878283427381.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

Maserati, Majeure, Trotter Riles at Zanzabar, Friday, November 16th

LEO Weekly ran my interview today with Coley Dennis of Maserati:

B-sides
By Joel Hunt
Give the drummer some

Maserati’s latest album, VII, is a tour-de-force of danceable rock grooves recorded in Louisville with engineer Kevin Ratterman. They play Zanzabar Friday. Guitarist Coley Dennis answered LEO’s questions.

LEO: In the nearly three years since the tragic passing of (drummer) Jerry Fuchs, what have you learned about living life?

Coley Dennis: The most important thing I’ve learned through all of that is to live every day like it could be your last, tell your friends and family you love them, and do what makes you happy, because you might not be here tomorrow.

LEO: How easily did new drummer Mike Albanese mesh into recording with Maserati?

CD: We’ve known him for over 10 years, so when we were thinking of who to ask to interpret the drum parts from the demos, he was first on the list.

LEO: How was your experience recording with Kevin Ratterman?

CD: Kevin was working out of the church where he recorded the last My Morning Jacket record. The studio was set up next to the church in the house where the priests lived. It’s a huge old house, it felt like recording a Zeppelin record.

LEO: Did Kevin’s experience as a drummer bring anything special to working with Maserati?

CD: Kevin being a drummer definitely helped a lot. Like the drum solo in “Abracadabracab.” We had the basic idea that we wanted this Cerrone/Phil Collins-style drum solo section, but we were not sure how to do it. We mentioned the idea to Kevin, and he said, “Oh, I have some Ludwig concert toms that would be perfect!” We ran the cables in the sanctuary in this huge room. Mike did a bunch of passes of the drum solo, and we said, “Kevin, you should try a take, too, dude!” His eyes lit up, and he did a couple of takes. After that, we all did takes of the drum solo. It was pretty hilarious.

You can catch them this Friday night at Zanzabar with Majeure and Trotter Riles, who are making their Louisville debut.

Black Moth Super Rainbow at Zanzabar, Thursday, November 8th

LEO Weekly ran my preview today of Thursday’s upcoming Black Moth Super Rainbow, Casket Girls, and Karass show at Zanzabar (scroll down to Thursday’s entry):

Thursday, Nov. 8
Black Moth Super Rainbow
Zanzabar
2100 S. Preston St.
zanzabarlouisville.com
$13-$15; 9 p.m.

Hailing from rural western Pennsylvania, Black Moth Super Rainbow traffic in a sort of murky, low-fi but high-tech psychedelic pop, equal parts new wave and krautrock (though sometimes not resembling either). Their fifth album, Cobra Juicy, was just released last month, and some might say it’s their most ambitiously accessible record yet. Main man Tobacco still sings enigmatic lyrics through a vocoder, but the melodies seem a bit more straightforward, almost like radio hits from an alternate universe. Much like the vintage arcade games that line Zanzabar, Black Moth Super Rainbow offer a trippingly fun look backward. With opening sets from Casket Girls and Karass; tickets are available at Astro Black and Underground Sounds. —Joel Hunt

STATE CHAMPION, DAVID DANIELL & DOUGLAS MCCOMBS, and FLANGER MAGAZINE at ZANZABAR, Wednesday, November 14th

Cropped Out and The Other Side of Life are proud to present:

STATE CHAMPION (from Louisville/Southern Indiana/Chicago, on Sophomore Lounge Records)
DAVID DANIELL & DOUGLAS McCOMBS (from North Carolina and Chicago, Illinois; members of SAN AGUSTIN and TORTOISE, on Thrill Jockey)
FLANGER MAGAZINE (from Louisville)

Wednesday, November 14th
at ZANZABAR
2100 S. Preston
9 PM, $6, 21-and-over

STATE CHAMPION started in 2006 as a moniker for the early acoustic experiments of Ryan Davis. It has since evolved into a rock n’ roll band with a Chevy van and not one, but two vinyl records. Their sophomore record, Deep Shit, was released earlier this year on Sophomore Lounge Records, and has received quite a level of acclaim. Because it’s awesome!

DAVID DANIELL & DOUGLAS McCOMBS first met in early 2006 while touring as members of Rhys Chatham’s six-guitar Die Donnergötter band. Following that tour, the two spent several months trading albums and discussing making music together; they began their musical collaboration when Daniell moved from New York to Chicago later that year to study pedal steel guitar.

 These humble beginnings do little to reflect the depth and breadth of each of their talents; both are highly-respected musicians within their circles. Over the years Daniell has collaborated with many notable musicians, including Loren Connors, Rhys Chatham, Tim Barnes, Jeph Jerman, Thurston Moore, Greg Davis, and Jonathan Kane, as well as releasing numerous albums under his own name and with his band San Agustin on labels such as Table of the Elements and Family Vineyard. McCombs is more often seen wielding a bass guitar, whether as a member of Eleventh Dream Day, the acoustic collective Pullman, or the pioneering and inimitable Tortoise; in his role as the driving force behind Brokeback; or through his varied work with the likes of Tom Ze, Azita Youseffi, Will Oldham, Yo La Tengo, and Calexico. Versions, the new double album by DAVID DANIELL & DOUGLAS McCOMBS,was produced by Louisvillian Ken Brown, also a founding member of Tortoise.

FLANGER MAGAZINE is the handsome duo of Chris Bush and Ben Zoeller, who both have also played in the excellent band Caboladies. Expect some unexpected sounds, from the ridiculous to the sublime, in this, their Louisville debut.

Check out the Facebook invite here: http://www.facebook.com/events/509029555782255.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/. Twitter: @OtherSideShows.

MADAME MACHINE and SAD HORSE at ZANZABAR, Wednesday, October 10th

The Other Side of Life is proud to present:

MADAME MACHINE (Louisville, KY; on Noise Pollution)

and

SAD HORSE (Portland, OR; on Water Wing Records)

Wednesday, October 10th
at ZANZABAR
2100 S. Preston
9 PM, $5, 21-and-over

MADAME MACHINE is a Louisville trio consisting of David Cundiff (Lucky Pineapple, Bodyhammer), Salena Filichia (Julie of the Wolves), and Forrest Kuhn (Ennui, Sunspring, Black Cross). They’ve released one excellent 7″ on Louisville’s Noise Pollution label, and have played with the likes of The Teeth, Parlour, Softcheque, Hal Dolls, and other local delinquents. They’re rapidly becoming known as one of the best bands in town, so don’t miss them!

SAD HORSE is the Portland, Oregon-based duo of Elizabeth Venable (a Louisville native!) and Geoff Soule (formerly of Fuck). Their debut album, Purple on Purple Makes Purple, was released in June on Water Wing Records, and you can listen to it here: http://sadhorse.bandcamp.com/. Watch a video for their song “Mountain Lion” here:

SAD HORSE – “MOUNTAIN LION” OFFICIAL MUSIC VIDEO from Kristina Davies on Vimeo.

Find the Facebook invite here: http://www.facebook.com/events/388007504604701.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/.

A BENEFIT FOR TOM CARTER with SAPAT, TROPICAL TRASH, SHEDDING, and KEENAN LAWLER at Zanzabar, Thursday, August 16th

Cropped Out and The Other Side of Life are proud to present:

A BENEFIT FOR TOM CARTER


(photo of Tom Carter by Stephan Laackman)

with

SAPAT (on Siltbreeze; from Louisville, KY)
TROPICAL TRASH (Louisville, KY; on Loin Seepage/Sophomore Lounge)
SHEDDING (from Louisville, Kentucky)
R. KEENAN LAWLER (from Louisville, Kentucky)

Thursday, August 16th
at ZANZABAR
2100 S. Preston
9 PM, 21-and-over
$5 entry fee; additional donations encouraged
100% of all proceeds will be donated to The Robert Thomas Carter Irrevocable Trust.

ABOUT TOM CARTER:

While on a tour of Europe this spring with his band Charalambides, the Brooklyn based guitarist Tom Carter was hospitalized in Berlin, Germany for serious complications of pneumonia. In mid-July, Tom was transferred to a medical rehabilitation facility in Germany, near the Baltic Sea. Tom will receive medical care, monitoring and physical rehabilitation at the facility until the end of July. His doctors are also recommending that Tom not return to employment and normal levels of pre-illness activity until January 2013. This recommendation will be periodically reevaluated, but it seems to fall in line with common recovery projections for people who have experienced pneumonia at this level of seriousness. It is still unknown whether Tom will be able to return to New York immediately after the rehabilitation, or if it will be necessary for him to, instead, reside elsewhere with his family for a time. Although his condition continues to improve, Tom is still weak and his condition must come closer to what his normal baseline health will be, in order for doctors to assess what type of further treatment he will need in the US. It does seem to be certain that Tom will require follow up care once back in the States.

WHY YOU SHOULD CARE:

Tom Carter is a tremendous musician, and a caring, compassionate individual who will need long-term help to recover from his illness. Cropped Out, The Other Side of Life, and the musicians playing the benefit are joining forces with a number of promoters, musicians, and concerned friends of Tom all across the South to curate benefit shows during the middle of August. This unique situation of multiple forces across an entire region presents a rare opportunity to help a friend who has given us so much over the years — his music, friendship, and encouragement.


(Photo of Sapat by Ginger Goss, from Loin Seepage.)

Spawned from the formidable Louisville, KY collective known as Black Velvet Fuckere, SAPAT resides as the centrifugal force in this Midwestern psychedelic madrigal set in the psychosexual backwaters of the mighty Ohio River. For the entirety of the ‘00 decade, members have kept busy collaborating with and/or massaging the egos of various and sundry avant-pontiffs such as Robert Fripp, Magik Markers, Dead Child and Eugene Chadbourne – when not honing the orgone energy of SAPAT.

TROPICAL TRASH have caused quite a stir with their new 7″, Fear of Suffering, on Sophomore Lounge. Still Single describes TROPICAL TRASH as an “Excellent combination of thrashing energy and solid ideas that break apart and recombine in novel, tuneful ways.” They’re just as thrilling live as on record, so don’t miss this opportunity to rock out with ’em!

SHEDDING has been a solo vehicle for Connor Bell since 2001, and has released several items over those years available at Ocio and Hometapes. SHEDDING‘s music is meditative and still, eerie and unsettling — yet with a spectacular sense of melody.

R. KEENAN LAWLER is a musician and sound artist based in Louisville Kentucky. For over 25 years his musical journey has taken him from early experiments with reverb tanks, noise and tape decks to all manner of avant-garde, “new” music, psychedelia, electro-acoustic, drone, ethnic and sampler-based work. LAWLER is best known for developing a highly personal and exploratory language for the metal bodied resonator guitar which Baltimore’s John Berdnt called “Cosmic, monolithic and deeply American.” Primarily a solo performer, he is also known for collaborative work. His guitar playing is also heard on releases by Paul K., Jack Wright, My Morning Jacket and on Matmos’ The Civil War. He has collaborated or performed with a wide range of forward-thinking musicians and mavericks including Rhys Chatham, John Butcher, Eliott Sharp, Charalambides, Ignaz Schick/Perlonex, Kaffe Matthews, Burning Star Core, Jason Kahn, Ut Gret, Thaniel Ion Lee, Ed Wilcox, Ramesh Srinivasan, Kevin Drumm, Arco Flute Foundation, Helena Espvall, Ian Nagoski, Connor Bell, Andy Willis, Alan Licht, Taksuya Nakatani, Tom Carter, Bhob Rainey, Aaron Rosenblum, Joe Dutkiewicz, Evergreen, Eric Carbonara and Joseph Suchy.

Check out helptomcarter.org to see other ways that you can help contribute to Tom’s recovery!

Find the Facebook invite here: http://www.facebook.com/events/428050753912799.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/.

UPDATE, 8/17/2012: Hey Louisville! We raised $475 last night to benefit Tom Carter and help with his recuperation from pneumonia. Thanks again to everyone who attended, played, or otherwise helped with the benefit, and thanks again to Zanzabar for hosting it.

PUJOL, ANIMAL CITY, and MOTE at ZANZABAR, Friday, June 29th

Cropped Out and The Other Side of Life are proud to present:

PUJOL (from Nashville, on Saddle Creek/Infinity Cat/Third Man, etc.)
ANIMAL CITY (from Chicago, on Sophomore Lounge)
MOTE (from Louisville)

Friday, June 29th
at ZANZABAR
2100 S. Preston
9 PM doors, $5, 21-and-over

PUJOL’s new album United States of Being was released on June 5th.  PUJOL formed in 2009 as a last ditch effort to appease the Sarlacc Pit of Life with adeptly crafted songs based firmly in meaningful lyrical content. It’s these motives and songs that have taken PUJOL from the basements of Middle Tennessee to stages across the country and have garnered notice from more than just those with their ear to the ground. Following a plethora of singles and cassettes, PUJOL finally has an official debut full-length ready for unveiling. United States of Being continues on with PUJOL’s doctrine of trying hard everyday and ventures lyrically to a place that most contemporaries fail to reach. Addressing the current status of twenty-somethings in America’s present and capturing their shared dispositions, the album throws the brakes on “catharsis,” and begs the listener to decide for themselves how to answer the robot’s last question, “What is love?” With riff-oriented guitar playing reminiscent of greats like The Replacements and Beetlejuice-esque earworms, PUJOL now sits atop the fringes of the rock and roll and DIY vernacular.

ANIMAL CITY is finally a full band. After adding two of the funniest Jewish cousins that the music world has had to deal with, the longtime two-piece is an upbeat and funky version of itself, without ever abandoning its long-loved, lo-fi aesthetic. New adaptations of older songs make the old songs seem new and the new songs sound newer (because they are newer, duh). Transcending film, music, and social-chameleonism, the prolific four-piece is starting a creative parade on the streets of ANIMAL CITY. Won’t you join them?

MOTE are a rather mysterious, relatively new, totally rockin’ new band from Louisville. What more do you need to know?

CHECK IT OUT: Our friends at Backseat Sandbar are giving away tickets + merch for the show, but ya gotta get in by tomorrow, June 27th! Click here for details: http://backseatsandbar.com/2012/06/25/win-tix-media-bundle-pujol-animal-city-mote-zanzabar-629/.

And of course, here’s the Facebook invite: http://www.facebook.com/events/212685365519622.

To join our email list, send an email to hstencil@gmail.com. You can also join our Facebook group at http://www.facebook.com/groups/232825523444477/.

Some Good Shows This Week

Tonight Vice-subsidized living legends PIERCED ARROWS play Headliners, with OLD BABY and DON’T (who have some sort of WIPERS connection). PIERCED ARROWS consist, of course, of Fred and Toody Cole from the amazing DEAD MOON, who we never got to see because they never played Louisville back in the day. Let’s hope tonight makes up for that. 8 PM doors, 18+, $10.

On Saturday, SONIC YOUTH‘s LEE RANALDO plays Zanzabar with his new band, which also features SY‘s drummer Steve Shelley as well as guitar slinger Alan Licht (one of our favorites). Opening is another favorite of ours, the ever-quotable WOODEN WAND. James Toth is a certifiable genius, or at least he’s married to one. Some other band called SEA HERO plays too. 9 PM, 21-and-over, $16 advance tickets (here), or $18 day of show.